Three flowers. 

One up close and personal: solid, real, in our world, in our face too maybe but, in any case, in the way we see things. 

The other two are hazy, more remote; vague, they are imperfect impressions of reality, such as might appear in our dreams, or under the influence of myopia or intoxication.  And yet these vague impressions reflect the human condition if not visual reality – one is damaged, wounded; the other marginalised and only partly seen.  

And all are pallid, desaturated; they are pale representations of how the world ought to be.

Technique: this effect has been produced in Lightroom, by setting Vibrance to -100 and reducing Contrast.  Today there’s mostly a trend towards either bright, attention-grabbing, vivacious colours or no colour at all – black and white.  But between the two lie many possibilities – possibilities that I for one frequently forget to consider.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom; Stanton Drew, south of Bristol; 4 May 2018.





  1. Intriguing, Adrian. There’s no question that overly saturated and contrasty images are popular, at least in the mainstream, and black and white still has its adherents, but as you say and show, there’s plenty of room in between.


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