A POST FOR SOMEONE, FAR AWAY

 

Someone has encountered health problems, someone is unwell.  Someone who is a good and long-time blogging friend, originally from around here but now living on the other side of the world.

Amongst other strategies, she is turning to her camera and to blogging as means of helping her cope and, far away as I am, I want to try to do something – however little – that is supportive.  She is in any case a very perceptive photographer of the Natural World and I have urged her to further immerse herself – and her camera – in Nature.

So for you, today, my friend, two things come to mind.  First, there is this link to the first of these (very few) Thoughts posts: I hope it will be meaningful to you.

Then, second, here are some images from the low, damp gentlenesses of the Somerset Levels.  Something to remind you of here perhaps but, in any case, somethings that are quiet, uncomplicated and Natural.  (Clicking onto these images will open larger versions in separate windows)

In a world intent on detail and data, no names are needed here.  You will know who this post is for.  I hope you like these pictures.

All best wishes to you.

Adrian

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Water Lily leaves in a rhyne’s the dark, peaty waters

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Very much a favourite picture of mine: a farmer and his wife off to check on their stock at first light on a foggy morning.  A very friendly couple, my age I suppose, they always wave and smile

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Sunrise, looking over towards Glastonbury

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Rhyne; misty morning

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Mute Swans coming in to land on floods; Tadham Moor

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Freezing morning, ice on the rhyne – I was driven to putting my fingers in my mouth to try and unfreeze them – should have dunked them in my coffee!!!  Tadham Moor

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Glastonbury Tor – and finding out that pointing a 400mm lens at the sun does not do miracles for the eyeballs!

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Looking west at sunrise: Our Star rising, and its light just catching the tops of the clouds; Tealham Moor

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Misty morning

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People call me The FATman … they’re really very rude, you know …

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Tealham Moor, looking east along a rhyne

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Its just a question of avoiding the last, over curious lunge, when that big, drooling muzzle goes straight into the front of the lens ….

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SOMERSET LEVELS 330 – HIGH GROUND, EARLY MORNING

 

 

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High ground below the colours of sunrise.  Looking up, from Tadham Moor.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: Z 6 with 70-300 Nikkor lens used in DX (= APS-C) format to give 450mm; 1600 ISO; Lightroom, using the Camera Vivid V2 picture control; high ground above Tadham Moor, on the Somerset Levels; 12 Apr 2019.
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SOMERSET LEVELS 321 – JACK’S DROVE (MONO)

 

 

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An unreal landscape.  Just a single track road, its verges and, standing up on either side, the precipitous, abrupt lines of machine-cut trees – that are either columns along the nave of some vast, natural, outdoor cathedral or, equally fancifully, sombre beings – Ents perhaps! – standing obediently aside to let us pass through. 

But pass through to where, that is the question. 

The mist is down, and beyond this road and these trees there lies only uncertainty.

There are other images from this early morning shoot here: 1 2 3 4 5 6 7 8 9 10 11 12 13 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: X-T2 with 55-200 Fujinon lens at 101mm (equiv); 200 ISO; Lightroom, using the Velvia Vivid film simulation; Silver Efex Pro 2, starting at the Antique Plate 1 preset; Jack’s Drove, on the Somerset Levels south of Wedmore; 19 Oct 2018.
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ARCHIVE 404 – EARLY MORNING, TADHAM MOOR (MONO)

 

 

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Beside the single track road across Tadham Moor, on the Somerset Levels, quite early in the day; 8 Apr 2015.

Three trees, willows I think, fade gradually into the morning mist.

Click onto the image to open a larger version in a separate window.

Technique: D700 with 70-300 Nikkor at 300mm; 400 ISO; Silver Efex Pro 2, starting at the Full Dynamic Harsh preset.

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SOMERSET LEVELS 320 – SUNRISE, TADHAM MOOR

 

 

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Looking east, Tadham Moor: the day begins.

There are other images from this early morning shoot here: 1 2 3 4 5 6 7 8 9 10 11 12 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 300mm (equiv); 200 ISO; Lightroom, using the Astia/Soft film simulation; Tadham Moor, on the Somerset Levels south of Wedmore; 19 Oct 2018.
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SOMERSET LEVELS 319 – WINTER SCENE (MONO)

 

 

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If you want to be standing on Jack’s Drove, looking up its length on this cold morning, this image is best viewed enlarged >>> click onto it to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

The view northwards up Jack’s Drove on Tadham Moor, in winter.  Mud and water on the road, the flat sides of the bare, machine-cut trees on either side, and in the distance (best seen with the image enlarged), the small, black metal upper works of the little bridge over the North Drain. 

And behind that, the higher ground around Wedmore, which was formerly an island when, not long ago, this drove and all the country around was covered by lakes and swamp.

Technique: X-T2 with 55-200 Fujinon lens at 83mm (equiv); 3200 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the Warm Tone Paper preset and adding a split tone; Tadham Moor, on the Somerset Levels; 11 Jan 2019.
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OUTER SUBURBS 87 – MODERN LIFE 8: COMMUNICATION

 

 

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This image is best viewed enlarged: click onto it to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Turning a corner, on a street and, to my left, three means of communication, three means of getting your message across.

First, an image, an image of a man as it happens, another image in a world already swamped in images.  And this image – of course – is contained within yet another image, the image posted here.  So I’m contributing to the problem >>> at this point I could get into repeated utterances of “Mea culpa!!!” (I always knew a classical education would come in useful … eventually … ) along with energetic thumping of my quailing breast, but I’m wary of Repetitive Strain Injury, so what the hell?

Then tags, street art, graffiti, call them what you will.  Desires to be known, to be acknowledged; proofs of presence, of existence even, in an increasingly online and lonely world.  And so, via my totally indispensable paper diary, to Herbert Prochnow (1897-1998): “A city is a large community where people are lonesome together.”.

And finally the phone, a landline, archaic now, communication from my childhood but, still, eminently effective.  As Lennon and McCartney so succinctly put it, “You know my name, look up the number.“.

There are earlier Modern Life posts here: 1 2 3 4 5 6 7 .  Each will open in a separate window.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 .  Each will open in a separate window.

Technique: TG-5 at 25mm (equiv); 1600 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 29 Jan 2019.
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ARCHIVE 397 – SELFIE WITH ROAD SIGN (MONO + COLOUR)

 

 

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Quite early on a morning in spring, and Jack’s Drove, the road north across the Tadham and Tealham Moors, on the Somerset Levels, is blocked; 10 Apr 2014.

The jet black area that cuts horizontally through my silhouette is the water-filled ditch that separates the rough pasture of the field at the top of the frame from the road on which I’m standing.  These wet ditches do duty as fences hereabouts.

Click onto the image to open a larger version in a separate window.

Technique: D700 with 16-35 Nikkor lens at 16mm; 400 ISO; Silver Efex Pro2, starting at the Dramatic preset, and restoring the sign’s colour.

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SOMERSET LEVELS 316 – LOOKING EAST, TOTNEY DROVE 2

 

 

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This image is best viewed enlarged – click onto it to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

Looking eastwards along Totney Drove, a single track, tarmacked lane, as the sun rose through the mists on this autumn morning.

There are other images from this early morning shoot here: 1 2 3 4 5 6 7 8 9 10 11 .  Each will open in a separate window.

Technique: X-T2 with 55-200 Fujinon lens at 83mm (equiv); 400 ISO; Lightroom, using the Astia/Soft film simulation; Tadham Moor, on the Somerset Levels; 19 Oct 2018.
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SOMERSET LEVELS 315 – TADHAM MOOR, LOOKING SOUTH (MONO)

 

 

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Out on the Somerset Levels, I walked down the single track lane known as Jack’s Drove and, ahead of me, this rough track carried on southwards across Tadham Moor.  In the far distance, the long line of the Polden Hills, which stood high and dry when this whole flat landscape was one of lakes and marshes.  In those days, the Romans kept to the high ground: they built a road along the top of the Poldens, which led westwards to a harbour down on the coast.

Click onto the image to open another version in a separate window, and click onto that image to further enlarge it – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 83mm (equiv); 400 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the Expressive Portrait preset and adding a light Selenium tone; Tadham Moor, on the Somerset Levels; 30 Nov 2018.
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