ARCHIVE: LEVELS 61 – FANTASY IN INFRARED

Mist on Tadham Moor, and the road past the Magic Carpark given the look of colour infrared film, courtesy of Nik’s excellent Color Efex Pro 4 image editing software.

One of my aims with this blog is to present a variety of imagery.  This is both to stimulate and perhaps even enthrall those looking at these posts – and also to keep myself on my toes in terms of imagination and creativity.  Producing a blog with a constant theme might be a way to attract a large and loyal number of viewers who enjoy that theme, but I have to hold up my hands and admit to not being able to resist going here and there, following where my imagination takes me, and here is an example.

Its a core belief of mine that its always worth looking long and hard at images – and I (and many others too) have found that returning to an image weeks, months or even years after it was captured can and does inspire new ideas and new ways of looking at it.  Indeed, some photographers make a point of never working on their images soon after they have been taken but, instead, of always coming back to them some days or even weeks after the event – with fresh minds and well rested eyes.

I am not returning to this particular image long after it was taken, but I have subjected it to another of my core routines, which is to look at it long and hard before deciding upon what, if anything, to do with it.  What sorts of things to I think about in this situation? – well, colour/mono/both, possible types of crop, potential for rotation/flipping, effects of various software edits, etc.

And experimenting (which is another way of saying “playing around”!) in Color Efex Pro 4 I came upon this infrared colour film filter, and was instantly attracted by its effect here.  There are of course the mysterious silhouettes and the warm orange glow, but this is not like simply using some kind of orange filter because the colours of the tarmac road and its grass verges are still faintly visible.  Whether this image will stand the test of time – whether I’ll still like it in a month’s or year’s time – is another matter but, for now, here it is.

Other thoughts.  Does it represent reality?  No, of course not but, as I say, I like the look of it, and if I like the look of it – its in!   

And fantasy – well, ok, what’s out there beyond those “last two trees”?  If you’re a TOLKIEN fan, are we standing on the edge of the desolation wrought by the dragon SMAUG, looking out on a land ravaged by his fire and covered by rolling clouds of glowing smoke?  I’ll go along with that.  And who, or what, is going to appear in all that smoke, dimly seen at first but growing ever more stark, as they trudge up this road trying to escape a vast and monstrous foe that, for all of their lives, has just been an old and half-forgotten legend, the stuff of childhood nightmares, the stuff of fireside tales?

Click onto the image to see a larger version in a separate window – recommended.

Technique: D700 with 70-300 Nikkor lens at 230mm; 200 ISO; Color Efex Pro 4; the Somerset Levels; 8 Apr 2015.

UPDATE 2021: well, its considerably more than a year after this image was posted, and yes I certainly do still like it >>> and I am certainly still a fan of The Hobbit and The Lord of the Rings!

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.

ARCHIVE: LEVELS 59 – TREES IN MIST (MONO)

Trees in mist on Tadham Moor, south of Wedmore, on the Somerset Levels; 27 Oct 2011.

Today was filthy weather down on the Levels – rain and more rain, and mud and water everywhere.  I tried to wipe the condensation off the inside of the windscreen but it remained wet, and the camera managed to focus through both this condensation inside the car and the mist and pouring rain outside.

Click: onto the image to open a larger version in a separate window.

Technique: D700 with 70-300 Nikkor lens at 116mm; 3200 ISO.  The shot has been converted into mono in Silver Efex Pro 2:  I applied this software’s Antique Portrait preset, and reduced its pale vignette a little.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.

ARCHIVE: LEVELS 54 – THE VIEW SOUTH, TADHAM MOOR (MONO)

Looking south on a wet morning in early winter, with a wide angle lens on the camera, and a split tone added in post-capture processing.

Compositionally, the lines of the track, the banks of the water-filled ditch to the left of the track, the horizon and the cloud formations all draw my eyes down past the large tree.  A tree that is certainly valued, perhaps even loved –  I never come to this very special place without touching it and talking to it, as it clings stoutly to the steep bank of yet another water-filled ditch, always in danger of toppling over, as three other long-known willows behind the camera have already toppled.

Click onto the image twice to open an enlarged version: recommended.

Technique: X-T2 with 10-24 Fujinon lens at 15mm (equiv); 800 ISO; Lightroom, starting at the B&W 12 profile; Silver Efex Pro 2, starting at the Neutral preset and adding a split tone; Tadham Moor, on the Somerset Levels south of Wedmore; 6 Dec 2019.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.

ARCHIVE: LEVELS 52 – SUNRISE, TOTNEY DROVE

 

A misty morning on the Somerset Levels: Totney Drove, a single track, tarmac lane makes off eastwards across Tadham Moor.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 181mm (equiv); 400 ISO; Lightroom, starting at the Camera ASTIA/Soft profile; Totney Drove, Tadham Moor, on the Somerset Levels southwest of Wells; 19 Oct 2018.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.

ARCHIVE: LEVELS 49 – CROW ON FALLEN TREE (MONO)

Carrion Crow perched on a fallen tree; Tadham Moor, south of Wedmore, on the Somerset Levels; 31 Mar 2014.

Early in the day, I pulled bleary eyed into the Magic Carpark, stumbled out of the car – and saw this crow.  Praying that it wouldn’t move, and all fingers and thumbs, I readied the camera, turned and – it was still there!  In fact it stayed there for sometime.

The tree is a casualty of the recent severe flooding.  It was probably not standing vertically before, but then its roots had been able to find sufficient purchase in the soil.  But, saturate that soil with floodwater for many weeks and turn it into something like blancmange or wet rice pudding, and the roots were simply not up to the task of keeping the great bulk of trunk and branches above them upright.

I went for a pure silhouette, with the sky completely burnt out, for simplicity – a Minimalist approach.  To me, the few branches entering the frame at upper right serve to balance the composition.  The adding of a blue tone takes the scene further away from reality.

Click onto the image to open a larger version in a separate window – recommended.

Technique: D800 with 70-300 Nikkor lens at 300mm; 800 ISO; Silver Efex Pro 2, starting at the Classic Portrait preset, and adding a Cyanotype tone.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.

ARCHIVE: LEVELS 45 – FATman WITH A FISHEYE (MONO)

 

The FATman using a fisheye lens on Tadham Moor on the Somerset Levels; 11 Dec 2013.

The tall, dark but not handsome shadow lower left is me, taking this photo with a full-frame fisheye, which has a 180 degree field of view across the diagonal.  I’m tilting this wild lens slightly downwards, and so the horizon is slightly bowed upwards.

I’m standing at a small crossroads that I know very well and love very much.  To the left, out of view, is the Magic Carpark.  Straight on is Totney Drove, which rolls on westwards towards Rattling Bow and Westham.  And to the right is Jack’s Drove, which I often mention, making off northwards towards Tealham Moor.  Jack’s Drove is flanked by one of the water-filled ditches, the rhynes (rhymes with “scenes”), that are the field boundaries in this very damp area, and pale lengths of corrugated iron have been built into the rhyne’s bank to (try to!) prevent the road from collapsing into the waterway.

Click onto the image to open a larger version in a separate window – recommended.

Technique: D700 with Sigma 15mm fisheye lens; 200 ISO; Silver Efex Pro 2’s Triste2 preset.

UPDATE (sometime ago): to me, this is a very well known and indeed, treasured, spot – very simple and completely real, and I ask little else.  But time moves on.  Back behind my shadow there is a big dark tree with something pale standing up in front of it.  The dark tree is in fact two big dark trees, while the pale object is the dead stump of a third tree.  The three of these trees were standing beside a rhyne (see above).

Well, four points in time.  I have a wonderful book of black and white pictures from the Levels: Wetland – Life in the Somerset Levels.  This book was published in 1986, and it has a picture of this spot, showing all three of these trees alive and in full leaf: that white stump was the largest and hence I imagine the oldest of these three trees.  Then there is this picture from 2013: the largest tree is now a dead, white stump but the other two are still alive.  However, I visited the spot after much flooding on 31 Mar 2014, and one of the other two trees had toppled over, while the other was leaning at a dangerous angle – that is the problem here when flooding saturates the ground, the peat and clay soils are converted to something approaching the consistency of blancmange, so that the roots of any leaning tree are unable to keep it upright, and it topples over – the scene in 2014 is here .  And so to today, 2020: the old white stump still stands here, but the stumps of the other two are barely visible, having been moved around when the farmers dredge out the rhynes every year.

As Dylan Thomas put it, “Time passes.  Listen.  Time passes.”.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.

 

ARCHIVE: LEVELS 41 – RAINY DAY, TADHAM MOOR

Rainy day on Tadham Moor, on the Somerset Levels; 14 May 2013.

As the rain poured down, the view through the window of my car, towards a nearby Willow.

Click onto the image to open a larger version in a separate window – certainly recommended.

Technique: Canon G11 PowerShot at 140mm (35mm equiv); 200 ISO; conversion to mono, selective colour restoration and toning in Silver Efex Pro 2, starting at the Antique Portrait preset.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.

ARCHIVE: LEVELS 33 – POLLARD IN FLOODWATER (MONO)

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Pollarded Willow standing in floodwater on Tadham Moor, south of Wedmore, on the Somerset Levels; 23 Nov 2012.

With its bulky, rounded crown, this tree is top heavy and well on its way to collapse.  The usually wet, peat soils provide little in the way of support.

More about the practice of pollarding can be found in my first Somerset Levels post 

Click onto the image to open a larger version in a separate window.

Technique: D700 with 70-300 Nikkor lens at 165mm; 200 ISO; converted to mono with Silver Efex Pro 2, using the Yellowed 1 preset as a starting point.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.
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ARCHIVE: LEVELS 31 – KEEPING VERY STILL AND QUIET (MONO)

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A summer’s morning down on the Levels, and after a lot of early morning photography I was relaxing with hot coffee and a sandwich in a spot on Tadham Moor that I know as the Magic Carpark.  I’ve given it this somewhat strange name because, many years ago now, being in this little, quiet place helped me through terrible times in my life, and I’ve been coming here ever since.  And, after I’ve downed the very last of my very special Belgian beers, this is where my ashes will be scattered.  A wonderful and eminently simple little place.

On this particular morning, in the field next to the rough track that leads off south from the Carpark, there was a herd of cows, largely motionless, along with their calves.  And the more I looked at these cows, and at the morning’s light washing over them, the more I was drawn to them.  And so, putting down the coffee and picking up the Z 6, I walked slowly and quietly down the rough track towards them.

Arriving next to the cows, I kept very still and quiet and just looked at them.  Most were unconcerned by my presence, but this one, who had been lying down beside her calf, stood up to look at me, and advanced a few paces – and I was very glad of the water-filled ditch – the rhyne – that lay between us.  But, keeping silent and motionless paid off and, slowly raising the camera, I carefully started making images of this very placid scene.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

Technique: Z 6 with 70-300 Nikkor lens used in DX (= APS-C) format to give 330mm; 800 ISO; Lightroom, starting at the Camera Neutral v2 profile; Silver Efex Pro 2, starting at the Cool Tones 1 preset; the Magic Carpark, Tadham Moor, on the Somerset Levels; 12 July 2019.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.

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ARCHIVE: LEVELS 29 – FLOODED FIELD

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The tips of coarse marsh grasses protruding from floodwater on Tadham Moor, on the Somerset Levels; 23 Nov 2012.

Click upon this image to open a larger version in a separate window – certainly recommended.

I’d had thoughts about cropping in more closely on this image, to better show the grasses, but I’m sticking with this version because I think that the surrounding negative space gives the image “room to breathe” – ie it is not cramped, and it gives more of a sense of the isolation and desolation that the floods have brought.

Technique: D700 with 70-300 Nikkor lens at 300mm; 200 ISO.
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