SOMERSET LEVELS 394 – EARLY MORNING 6

 

 


.

Early morning, North Moor.

Other images in this Early Morning series are here: 1 2 3 4 5 .

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

Technique: Z 6 with 70-300 Nikkor lens at 200mm; 800 ISO; Lightroom, starting at the Camera Portrait v2 profile; North Moor, southwest of Wookey, on the Somerset Levels; 2 Aug 2019.
.
.
.

SOMERSET LEVELS 393 – EARLY MORNING 5

 

 


.

Early morning, Tealham Moor.

Once more, in-camera processing.  The image looks rather flat, but I’ve deliberately it in the Neutral profile (to which, since I shoot Raw files, my camera is permanently set) to stay with the rather low contrast, quite misty, early morning light.

Other images in this Early Morning series are here: 1 2 3 4 .

Click onto the image to open a larger version in a separate window – recommended.

Technique: Z 6 with 70-300 Nikkor lens used in DX (= APS-C) format to give 450mm; 800 ISO; jpeg created and processed in-camera from a Raw file, using the Camera Neutral v2 profile and in-camera cropping; further minor processing in Lightroom; Tealham Moor, on the Somerset Levels southwest of Wedmore; 9 Aug 2019.
.
.
.

ARCHIVE 420 – PARKED CAR 5

 

 


.

Sports car, Wells, Somerset; 1 May 2005.

Ninety degree anticlockwise rotation moves the wheel to the bottom right of the shot, with the door handle, bodywork and shadow now forming strong features dipping steeply left.

The wonderful yellow of the car’s body produces strong contrast between the silver and black wheel and the other picture elements.

There are earlier images in this Parked Car series here: 1 2 3 4 .

Technique: F6 with 80-200 Nikkor lens.  Fuji Provia 400 colour slide film push processed to 800 ISO.

UPDATE 2015: there was a time when I photographed quite a few of these automotive abstracts – this one was done 10 years ago –  but they’ve gone somewhat off my radar these days.  But I still like this image, I still see it as I did then, as an artificial object with deep inherent beauty – and I wonder if, were I to be processing this shot now, whether I’d be tempted to try and “clean” the small amounts of dirt off the bodywork at upper right.

UPDATE 2019: one from an arty(!) period way back: push processed colour slide film – Fuji Provia 400, my go-to film, a really good all rounder, wonderful quality at 400 ISO, but pushable to 3200 and even 6400 ISO  –  and paired with the last of Nikon’s professional film SLRs, the F6.

.
.
.

SOMERSET LEVELS 392 – TOTNEY DROVE, TEALHAM MOOR (MONO)

 

 

.

A vehicle approaches the tiny bridge over the North Drain at Rattling Bow, on Tealham Moor.  The bridge itself is seen as the low rise in the road immediately in front of the vehicle, while its guard rails to the right are catching the light.  Totney Drove, the single track road, glistens after rain.

This is in a rather different style to many of my other Levels pictures: it is an image both captured by the camera and which has received most of its post-capture processing within the camera (more detail below).  This in-camera processing is a different way of working: capturing images in the usual way, and then sitting down later with the camera (usually accompanied by a few excellent Belgian golden ales) and trying out different crops and (customisable) looks on them.

Obvious question then, do I like this picture, do I like the post-capture processing that, via my commands, the camera has given it?  I think I do, I think this way of working is worth pursuing as a side line to more “traditional” methods.  The camera’s treatment is harshly dark, but perhaps this suits this flat, wet, open and at times bleak landscape.

Click onto the image to open a larger version in a separate window – recommended.

Technique: Z 6 with 70-300 Nikkor lens at 300mm; 800 ISO; jpeg created and processed in-camera from a Raw file, using the Camera Graphite profile and in-camera cropping; further minor processing in Lightroom; Tealham Moor, on the Somerset Levels northwest of Westhay; 9 Aug 2019.
.
.
.

SOMERSET LEVELS 391 – FARM GATE

 

 


.

Always plenty for a fly to eat on a farm but, equally, always good to keep away from the cobwebs on the gates.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: Z 6 with 70-300 Nikkor lens at 300mm; 800 ISO; Lightroom, starting at the Camera Neutral v2 profile; Westhay Moor, on the Somerset Levels northeast of Westhay; 9 Aug 2019.
.
.
.

SOMERSET LEVELS 390 – EARLY MORNING 4

 

 


.

Looking into the distance as a day begins.

Other images in this Early Morning series are here: 1 2 3 .

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

Technique: Z 6 with 70-300 Nikkor lens used in DX (= APS-C) format to give 450mm; 800 ISO; Lightroom, starting at the Camera Landscape v2 profile; looking out towards Hay Moor from Swanshard Lane, on the Somerset Levels southwest of Wells; 2 Aug 2019.
.
.
.

SOMERSET LEVELS 389 – ASH MOOR, THE RIVER SHEPPEY

 

 


.

The River Sheppey meanders slowly across Ash Moor between high, densely vegetated banks.  In the background is Hurn Farm.

Its worth enlarging this picture to get further into it – click onto it to open a larger version in a separate window, and click onto that image to further enlarge it >>> and absorb more of the peaceful atmosphere of this little, out of the way place.

Technique: X-T2 with 10-24 Fujinon lens at 36mm (equiv); 400 ISO; Lightroom, starting at the Camera Astia/Soft profile;  Ash Moor, on the Somerset Levels southwest of Wells; 9 Aug 2019.
.
.
.

SOMERSET LEVELS 388 – EARLY MORNING 3

 

 


.
Early morning, North Moor.

Other images in this Early Morning series are here: 1 2 .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: Z 6 with 70-300 Nikkor lens at 200mm; 800 ISO; Lightroom, starting at the Camera Portrait v2 profile; North Moor, southwest of Wookey, on the Somerset Levels; 2 Aug 2019.
.
.
.

SOMERSET LEVELS 387 – ANIMAL 8

 

 


.
Driving across Godney Moor, glancing out of the car window and, momentarily, looking straight into his eyes.  And so to very slowly and quietly backing the car up to get opposite him, and to taking several shots out of the car window – while all the while being grateful for the water-filled ditch between us.

I started this Levels’ Animal series with portraits of farm cats: see this link for the first image in this series, and much context; there are other images of these cats from this series here 2 3 4 5 .  Then came a picture of a deer 6 .  Next there are some recent pictures of cattle: 7 .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – certainly recommended.

Technique: Z 6 with 70-300 Nikkor lens used in DX (= APS-C) format to give 450mm; 3200 ISO; Lightroom, starting at the Camera Standard v2 profile; Godney Moor, on the Somerset Levels west of Wells; 19 July 2019.
.
.
.

SOMERSET LEVELS 386 – EARLY MORNING 2 (MONO)

 

 


.

A bed of Stinging Nettles – at once soft, attractive and menacing – reaches out towards the camera.  Further back, a stump raises its one bare branch in a celebration of Life continuing.

Other images in this Early Morning series are here: 1 .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T2 with 10-24 Fujinon lens at 15mm (equiv); 400 ISO; Lightroom, starting at the Camera Velvia/Vivid profile; Silver Efex Pro 2, starting at the Film Noir 1 preset and adding a moderate Coffee tone; Hurn Drove, Ash Moor, on the Somerset Levels southwest of Wells; 2 Aug 2019.
.
.
.

%d bloggers like this: