ARCHIVE 326 – IN A FIELD IN SOUTH BRISTOL (MONO)

 

 


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In a field in south Bristol; 28 Aug 2010.

This was one of a group of these beautiful animals that lived in a nearby field.  Our neighbours used to love feeding them – carrots were a firm favourite.  One day I went along with them, and took a few shots.

Once again, I like to get close in to large animals, filling the frame with them.  This isn’t the whole of the horse’s head, but I like the way the rough, tough and very textured harness frames the upper part of the face – this could be a picture of Nature bridled or firmly restrained.

Technique: D700 with 70-300 Nikkor lens at 75mm; 3200 ISO; converted to mono in Silver Efex Pro 2.

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STILL LIFE 161 – MASONRY

 

 


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Surface of a wall near the railway station.  Pale cream or honey-coloured stone, perhaps Bath Stone from the Jurassic, used ornamentally amongst certainly older rocks.

A picture about differing colours, shapes and, above all, textures – enlarge it to see the rocks’ rough textures.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it still further – recommended, for the textures.

Technique: X-T2 with 10-24mm Fujinon lens at 36mm (equiv); 200 ISO; Lightroom, using the Velvia/Vivid film simulation; angled camera; Lower Approach Road, Temple Meads Station, Bristol; 28 Apr 2017.
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STILL LIFE 160 – LOOKING AT CHAIRS 5

 

I’ve sampled the excellent food in Rosemarino’s Italian restaurant several times now, and taken some pictures while waiting for my meal to arrive.  Two photos (including a chair) are already posted here and here.

Now, looking at chairs some more, here are more Minimalist views of this restaurant’s simple but completely adequate seating.  My favourite amongst them?  Probably the second image down, for its simple silhouettes and pale, pastel colours – and also, looking at this image naively, the question: which are in the foreground, the colours or the silhouettes?

Which (if any!) of these images do you prefer?

The first post in this series on chairs, which contains context and an image, can be found hereSubsequent posts are here: 2 3 4

Click onto each image to open a larger version in a separate window.

Technique: all of these images are jpegs straight out of the X-T2; aside from application of the X-T2’s in-camera film simulations, there has been no post-capture processing whatsoever.  All were taken with the 55-200 Fujinon lens at 305mm (equiv); 400 ISO; spot metering.

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STILL LIFE 155 – TWO YELLOW CHAIRS, BACK TO BACK

 

 


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Two chairs, back to back, beside a window.

Sitting in Browns, waiting for the third breakfast of the long morning – a repast which might have equated to what we Brits call Elevenses, except that it was just after ten.

I always sit at any table that looks across the room towards the windows onto the street, because these provide good cross- and backlighting.

Click onto the image to open a larger version in a separate window, and then click onto that image to further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO; Lightroom; Browns Restaurant, Bristol; 19 May 2017.
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PEOPLE 293 – GRANDDAUGHTER 9

 

 

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Our younger granddaughter, backlit.

Earlier images in this series, with context, are here: 1; 2; 3; 4; 5; 6;  7; 8.

Click onto the image to open a larger version in a separate window, and click onto that larger version to enlarge it still further – recommended.

Technique: D800 with a 24-120 Nikkor lens at 120mm; 6400 ISO; window light; Lightroom; Bristol; 9 Apr 2017.

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STILL LIFE 156 – LOOKING AT CHAIRS 4

 

 


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Decaying public seating in central Bristol; 14 June 2013.

I focused on the rotting wood and let the rest look after itself – a benefit of cameras with smaller sensors is that they increase depth of focus.  The out of focus metal armrest lower right brings both depth and a graceful curve to the composition.  The rear leg of the seat introduces more curves, and the pavement is a neutral, segmented backdrop.

The dull, overcast day, with it paucity of shadows, was right for this kind of photo.

And I received the usual puzzled stares – “What’s that daft old **** doing?!” – as I slowly circled what had attracted my eye.

The first post in this series on chairs, which contains context and an image, can be found hereSubsequent posts are here: 2 3

Technique: Canon G11 PowerShot at 140mm (35mm equivalent); 200 ISO; rotated 90 degrees clockwise.

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PEOPLE 292 – PORTRAIT OF A GIRL (MONO)

 

 


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The daughter of friends, someone I’ve known for all of her life.  And now growing up fast, and long past the time when a favourite pastime was trying to pull my thumbs off.  And also a long time since, if she was at all unhappy, I could rattle a bunch of keys to instantly brighten her mood.  And, yes, now growing up fast – time rushes on – but still, as ever, a very valued friend.

Technique: D700 with 105mm Nikkor lens; 3200 ISO; Lightroom; Silver Efex Pro 2, starting at the Full Dynamic Smooth preset and adding a light tone; Bristol; 24 Aug 2017.
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STILL LIFE 154 – BROAD PLAIN

 

 


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Shafts of morning sunlight softly caress a façade – or rake harshly across it, laying bare its every jagged line and texture – its just a matter of how we look at things in the moment.

But the window keeps its privacy in cool shadow; also for the moment.

Analysis: this is a picture of a window (oh, you’re thinking, he’s sharp …), but to me (but maybe not to you …) its more an assemblage of shapes, textures, light and shadow.  Apart from the window’s frame it has Minimal colour but, as so often happens, presenting in it black and white would certainly lose something – the very faint yellow below the window, for example, adds something I think.  I’ve talked about a method of photography where the photographer looks for good light and then thinks what to do with it, how to use it, and I know I’m not alone in this.  Here is an example.  The morning sunlight was slanting across the façade, and I walked along, looking up at the interplays of the light with the building, thinking what might be possible.  And, as always, a telephoto was useful in picking out details from the overall scene.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm; 200 ISO; Lightroom; Broad Plain, central Bristol; 26 May 2017.
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STILL LIFE 153 – ADVERTISEMENT 2

 

 


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A little the worse for wear … part of an advert on a hoarding surrounding a building site.

The first advert image, from yesterday, is here.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom, using the Velvia/Vivid film simulation; Broad Plain, central Bristol; 26 May 2017.
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STILL LIFE 152 – ADVERTISEMENT

 

 


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Close up of an advertisement.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 150mm (equiv); Lightroom; central Bristol; 7 July 2017.
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