BIRDS 103 – HERRING GULL IN CITY CENTRE HABITAT

 

 


.
Herring Gull Larus argentatus at a city centre food source.  An adult, in breeding plumage.

Gulls?  Rats with wings is one name I’ve heard for them but, as always, I love them, having grown up alongside them all those years ago – this is a photo for you, Lynn, my ex-birder friend – enjoy!

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 6400 ISO; Lightroom, using the Velvia/Vivid film simulation; Welsh Back, central Bristol; 2 Feb 2018.
.
.
.

PEOPLE 318 – GOING TO WORK 51

 

 


.

What is this picture looking at?  Well, one aspect of the packed in and claustrophobic nature of Modern Humanity.  Here is the daily movement of human beings from the warm, insulated and comfortable womb of the home to the stark and absolute, exposed reality of the workplace.

Here is each day’s otherwise shadowy and tranquil awakening being polluted by congestion, engine noise, vehicle horns, exhaust fumes, emergency sirens and the glare of head and tail lights.

Does the phrase a necessary evil describe it, I wonder?

Details: the sun has yet to rise, and a main road going southeast out of the city – the road to Bath and to Wells too – is already filled with traffic.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 .  Each will open in a separate window.

Clicking onto this image will open a larger version in a separate window, and clicking onto that will further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 6400 ISO; Lightroom, using the Astia/Soft film simulation; Temple Gate, Bristol; 2 Feb 2018.

.
.
.

STILL LIFE 195 – PHOTOS FROM A DRENCHED CAR: 2

 

 


.
Photos taken through the streaming windows of my car during a torrential rainstorm – context and further images can be found here.

The upper image is very easy to decipher – assuming that you feel the need when faced with anything at all abstract, to know what you’re looking at – which most people do.  Its a car parked on the other side of the road with its headlights reflecting off the wet tarmac.

The lower image is a little more obscure.  Its a row of houses with – in the lower right hand corner – a woman walking under an umbrella.  Can you see her???

Click onto each image to open a larger version in a separate window.  You can click onto this larger image to enlarge it still further, but these images are very grainy.

Technique: TG-5 at 100mm (equiv); 3200 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 15 Jan 2018.
.

.
.
.

PEOPLE 317 – GOING TO WORK 50 >>> PHEW! NEVER THOUGHT THIS SERIES WOULD REACH 50!!!

 

 

.
Phew!!! >>> well!!! >>>  the first of these Going To Work images was posted way back on 23 July 2016, and I never thought this series would still be ongoing!  The pictures have received some favourable words along the way, and for those I’m very grateful – simple fact is, such opinions provide encouragement, they help me to keep on keeping on with photography generally >>> so >>> thank you!

Where is this series going now?  Well, as usual, I’ve no idea.  I’ll just see what comes up.  But two points to make.

First, this series has been significantly facilitated by the portability of the Fujifilm X-T1 and X-T2 cameras – I take only one of these cameras and one lens with me on my long walks around the city, and they are eminently compact and portable.  I’ve also used the heavier Nikon DSLRs once or twice – and there’s getting away from the fact that for pinpoint focus in situations with very poor light and/or movement, these bigger DSLRs (D700 and D800) have the edge. But, camera portability is certainly a factor, and especially so for a no-longer-so-young(!) person like me.

And then second, maybe my having retired (nearly 5 years ago now) has allowed me to get outside of the “work ethic”, necessary as it is in any society, and to stand back from it a bit.  Maybe being on the outside looking in – after all those decades spent on the inside looking out –  has produced a more detached perspective.  And so to early mornings photographing the city rush hour, and the thought that five days on and two off each week – and a life outside of work to lead too –  can be quite a punishing schedule.

And so to this picture.  Just before sunrise, I was on a traffic island in the middle of the busy dual carriageway below Temple Meads railway station, leaning back against a street light to steady the camera and watching the steamy windows of the towering double-decker buses as they arrived with their cargoes of inbound workers.  Several buses would arrive at once, and so to firing off quick series of single shots (rather than motorised bursts) before waiting for the next gaggle of buses to pull ponderously in.  I looked along the windows on the upper deck of a bus, this woman’s red coat caught my eye, I took one shot, she looked at me and I fired again. 

Technique: the light was dismal – 6400 ISO, 1/45th second with the 305mm lens wide open at f4.8 – but the image stabilisation (+ leaning on the street light!) held it steady.  One thing about these mirrorless cameras is that, since they do not have a mirror, there is no vibration as the mirror moves during an exposure (mirror slap) and so they can take sharper pictures at lower shutter speeds than DSLRs.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 .  Each will open in a separate window.

Clicking onto this image will open a larger version in a separate window, and clicking onto that will further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 6400 ISO; Lightroom, using the Velvia/Vivid film simulation; Temple Gate, in Bristol City centre; 2 Feb 2018.

.
.
.

ARCHIVE 339 – DRIVING IN TOWN

 

 


.

Early morning Bristol, seen from the upper deck of a double-decker bus; 0650 15 Dec 2011.

This dates back to the time – not so very long ago – before my retirement.  In those days, come rain or shine, five days of every week saw me taking the 6.30am bus to work from the bottom of our road.  Many of our buses are huge double-deckers and, still being something of a little boy, my favourite seat is upstairs, at the front, where there is a wonderful view out ahead.

The little Canon fitted easily into the rucksack containing my lunchtime apple and sandwiches, and my brolly and security pass, etc., and up there in the front seat, looking down into this camera’s bright screen gave a good view of the road ahead, even early on dark December mornings.

Click onto the image to open a larger version in a separate window.

Technique: Canon PowerShot G11; 3200 ISO.

.
.
.

PEOPLE 316 – YOUNG GIRL (MONO)

 

 


.
One of our friends’ daughters; growing up very fast now. 

Click onto the image to open a larger version in a separate window, and click upon that image to further enlarge it – recommended.

Technique: D700 with 105mm Nikkor lens; 3200 ISO; centre-weighted metering; Lightroom; Silver Efex Pro 2, starting at the Warm Tone Paper preset and adding a moderate coffee tone.
.
.
.

PEOPLE 315 – GOING TO WORK 49

 

 


.

The walk to work, in November: warm breath, cold air, the dazzling but icy gold of sunrise.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 800 ISO; Lightroom; Bristol Bridge, central Bristol; 11 Nov 2016.
.
.
.

STILL LIFE 194 – A GOOD FRIEND 3 (MONO)

 

 


.

Another look at this very friendly creature, who is living out her life with our friends.

There are earlier images of her here and here .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: D700 with 105mm Nikkor lens; 1600 ISO; Lightroom; Silver Efex Pro 2, starting at the Antique Portrait preset; Bristol; 26 Aug 2017.
.
.
.

PEOPLE 314 – GOING TO WORK 48

 

 


.

Upstairs on an early bus: someone with buds in and phone out, someone who is essentially somewhere else.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 6400 ISO; Lightroom, using the Velvia/Vivid film simulation; Union Street, central Bristol; 15 Dec 2017.
.
.
.

STILL LIFE 191 – A GOOD FRIEND 2 (MONO)

 

 


.

Another picture of this sociable and (usually) gentle being.  I find that talking very quietly to cats engages their attention – they open their eyes and look at you.  And so it was here.

Eye contact, we were looking into one another’s eyes.  Who knows what was in her mind?  Whatever it was, I felt it a privilege – I always feel it a privilege – to be able to interact with another living being, a being from another species, in this way.

Focus is on the right eye and, with the lens’s aperture wide open at f2.8, everything else was left to look after itself in terms of sharpness.

Another image can be found here .

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

Technique: D700 with 105mm Nikkor lens; 3200 ISO; Lightroom; Silver Efex Pro 2, starting at the Antique Plate II preset and adding a moderate coffee tone.
.
.
.

%d bloggers like this: