Technique: selective desaturation of colour: the green lights are the main thing here and the morning was in any case very grey, but I’ve desaturated the yellows and blues of the crossing control boxes mounted on the traffic lights’ poles, and also the traffic cones standing on the traffic islands, to remove distractions and give the green lights greater prominence. Another method would have been to convert the image to mono in Silver Efex Pro 2 and then restore the lights’ colours.
Click onto the image to open a larger version in a separate window – recommended.
Technique: TG-5 at 100mm (equiv); 640 ISO; Lightroom, selectively desaturating colour; south Bristol; 30 Mar 2019
A Garden Snail (Helix aspersa … I think …), climbing a wall next to a busy road. As usual, the internet overloads me with info about this beast, from which I can report that (a) it is very common, (b) that it is edible, (c) that its mucus has regenerative properties and as such is used in the cosmetics industry, and (d) that its top speed is 0.047 km/hour.
And why have I photographed it? Well, I like the textures here, I wanted to try the TG-5 out on something diminutive, and I have something of a background in the Life Sciences, as well as being a total enthusiast for the Natural World.
The TG-5 also has a Microscope mode, in which the camera can be 1cm from the subject – and this comes with Focus Stacking, Focus Bracketing and other wonders – I’ve tried these out very briefly and the results are impressive but whether I’ll get into this frequently is anybody’s guess!
Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.
Technique: TG-5 at 74mm (equiv); 1000 ISO; Lightroom, using the Camera Natural film simulation; south Bristol; 28 Aug 2018.
Exploring back lanes in the city, and finding an empty beer bottle jammed between railings: the reminder – along with that morning after feeling, no doubt – of a good night out.
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Technique: Z 6 with 24-120 Nikkor lens at 120mm; 1000 ISO; Lightroom, starting at the Camera Graphite profile; Leonard Lane, in the Old City area of central Bristol; 3 June 2019.
Walking in the frosty sunrise, and squeezing into the shadow of a tree – getting a tree’s eye view perhaps … But when you’re as bulky as me, squeezing in can be quite tricky – the bulge on the right of the trunk’s shadow may be my elbow.
The tree’s shadow is moving as the sun rises: on the left of the trunk’s shadow there is a halo of white, still unmelted frost, only just exposed to the sun’s weak winter rays.
And when I look at this image I see a dancer, perhaps a woman in a long dress, inclining her head to the left and raising her arms in celebration of the new morning’s warmth and light.
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Technique: TG-5 at 70mm (equiv); 400 ISO; spot metering; Lightroom, starting at the Modern 05 profile; south Bristol; 26 Feb 2021. . . .
Hi! I’m Adrian Lewis, based in Bristol, UK – these are my images, spread through the genres and tending towards adventurous rather than staid
All photos are my copyright and all rights are reserved.
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