GARDEN 69 – ANGRY MORNING

 

 


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I was making a cup of tea in the kitchen, which faces due east, and being struck by the ferocity of the winter sunrise over to the southeast.  A wild morning, an angry morning, the sort of morning that has an undeniable wild beauty, but which takes some strength of resolve to get outdoors and get to grips with.

And in front of me an oak tree that I have watched grow up from a naturally sown acorn – perhaps buried and forgotten by a squirrel – over the past twenty or so years.  And although it does not know it yet, an unfortunate oak, a healthy and burgeoning tree that because of its close proximity to the house will have to be cut down in the near future.

But back again to that fierce, early light, which was transfixing as it radiantly backlit the few of the oak’s leaves that had managed to hang on during the recent gales.  The camera was to hand, and so to spot metering … and the wonderful luminosity of those last few leaves.

And although it is a rather underexposed caricature of the original, below is an idea, just an idea, of the angry sky that was producing this beautifully fierce, hard and cold light …
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Click onto each image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); spot metering; Lightroom; Bristol; 8 Dec 2017.
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PEOPLE 301 – GOING TO WORK 36

 

 


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Steamy windows on the winter bus and there’s tedium in the air too – but mobile devices distract.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  . Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 3200 ISO; Lightroom; Union Street, central Bristol; 1 Dec 2017.
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STILL LIFE 174 – WINTER SUN, IN A CAR PARK

 

 


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Low angle winter sunlight floods across a car park, illuminating a front tyre.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 206mm (equiv); 800 ISO; Lightroom, using the Velvia/Vivid film simulation; Capture NX2; Temple Meads Station, Bristol; 1 Dec 2017.
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BIRDS 102 – WOOD PIGEON

 

 


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Adult Wood Pigeon amongst the autumn leaves and raggedly cut grass on our back “lawn”, photographed through the double glazing of the kitchen window – opening the window even a tiny bit would send these birds rocketing frantically away!  Here I tapped very, very gently on the inside of the window to attract their attention and, after a brief glance towards me, they carried on foraging.

A small flock of these pigeons have taken to visiting our back grass, and its a real pleasure seeing them there.

This is in fact an agricultural pest, a bird that anyone can shoot.  And this is a species that I’ve actually eaten but, well, that was nothing to write home about – and anyway I’d far rather be looking at them!

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO; Lightroom, using the Provia/Standard film simulation; Bristol; 23 Nov 2017.
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STILL LIFE 173 – BROAD STREET 2

 

 


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Loitering in Broad Street, lolling back against a shop front, gazing blearily up at the façade across the street.

Another image from the same moments, as the rising sun blasted along Broad Street, is here.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO; Lightroom, using the Velvia/Vivid film simulation; Broad Street, central Bristol; 1 Dec 2017.
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STILL LIFE 172 – BROAD STREET

 

 


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Early morning, and low angle sunlight – hard, cold, bright – sears across the facades of Broad Street.

Another early morning journey down into the city.  Staggering out of Hart’s Bakery after a hot, thick, toasted cheese, garlic and mushroom sandwich – and a hefty slice of moist bread pudding (paradise on Earth!) – I found the sun still only just struggling up over the tall southern skyline. 

And so swiftly on into the still dark canyons of the city centre’s streets, waiting for the sun, looking for the light.

And then it came, cold, bright and totally dazzling, and I was glad of the peak on my cap and the deep hood on my lens.  And so to this picture, looking across to the other side the road, and isolating details with the long end of a zoom; I used spot metering for precise exposure of a small part of the frame.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO; Lightroom, using the Velvia/Vivid film simulation; Broad Street, central Bristol; 1 Dec 2017.
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BRISTOL 127 – THE SUN BREAKING THROUGH

 

 


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A cold morning, and the rising sun starts to burn through the mists over Whitchurch village, on the southern outskirts of Bristol.

The first image in this series, along with context, can be found hereSubsequent images are here: 2   .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: TG-5 at 100mm (equiv); 320 ISO; Lightroom, using the Camera Vivid film simulation; Whitchurch, south Bristol; 2 Nov 2017.
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STILL LIFE 168 – FROSTY MORNING, MELTING

 

 


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After a cold night, still icy in the shadows.

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 70mm (equiv); 160 ISO; Lightroom, using the Camera Vivid film simulation; Hart’s Bakery, Temple Meads, Bristol; 8 Nov 2017.
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PEOPLE 299 – GOING TO WORK 35

 

 


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All my pictures of Bristol’s morning rush hour have been taken in the city centre.  But here is something different, here is “rush hour” out in the sticks, out on the city’s edge.  To be sure there are still houses around, both to the left and to the right of this shot, but there are also trees and broad grass verges, and back behind the bus shelter are open fields with sheep and cattle. The sunrise of a clear, frosty morning is blazing in across that open farmland.

Two people wait for the morning bus to work, perhaps enjoying the bright (but still cold) sun, but for sure deeply engaged with their mobile devices.  Through the bus shelter’s icy windows we see only their engrossed shadows.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  . Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: TG-5 at 100mm (equiv); 200 ISO; Lightroom; Capture NX2; south Bristol; 8 Nov 2017.
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PEOPLE 298 – WALKING TO SCHOOL

 

 


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The road to learning, through restful autumn mists and the anything but restful morning rush hour.  I was a young schoolboy like him rather more than 50 years ago.  Our family had one car, which my father used for work – which left mum and I without transport, and anyway mum never learned to drive.  And so to a long, solitary bus ride back and fore to school each day – which was fine, and which was what many kids did in those days, especially those coming in from the surrounding countryside.

Times have changed, and now many children – on occasion even into their mid teens – are taken to school by car, the infamous, twice daily, “school run”.  That young people can face dangers from elements within our society is beyond question – I’ve worked in children’s social services, I should know.  But the problem is that totally shielding them from every real and imagined threat leaves them less prepared – maybe less streetwise says it – for the days when, sooner or later, they will need to be looking out, at least in part, for their own safety and welfare.

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 100mm (equiv); 400 ISO; Lightroom; south Bristol; 2 Nov 2017.
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