ARCHIVE: LOOKING AT CARS 20

 

 


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The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 25mm (equiv); 3200 ISO; Lightroom, starting at the B&W Blue Filter profile; south Bristol; 12 Sept 2020.

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ARCHIVE: LOOKING AT CARS 19

 

 


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Scene from a suburban driveway: status symbol with sunrise and heavy dew.

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 .

Click onto the “early morning” tag (below) to see more images from the early hours of the day.  

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 100mm (equiv); 800 ISO; spot metering; Lightroom, starting at the Camera Portrait profile; south Bristol; 5 Sept 2020.
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ARCHIVE: LOOKING AT CARS 18 – SUNRISE BEHIND PARKED VAN

 

 


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Walking into the sunrise, walking towards a van, walking home.  At first the glare from the sun was totally dazzling, I was in a world of blinding highlights and impenetrable silhouettes.  But as I moved into the van’s shadow, there appeared this view in through its dew-soaked windscreen.

The steering wheel is at lower left, and one of the black wiper blades at lower right.  The circular black spot attaches the faintly seen rear view mirror to the inside of the windscreen, and there are also the vague outlines of seats with headrests and the illuminated panes of its rear windows – through which the sun is shining onto the inside of the windscreen.

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

Click onto the “early morning” tag (below) to see more images from the early hours of the day.  

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 61mm (equiv); 800 ISO; spot metering; Lightroom, starting at the Modern 01 profile; south Bristol; 9 Oct 2020.
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OUTER SUBURBS 282 – WET MORNING AT THE SUPERMARKET

 

 


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Sitting in my car, in a supermarket car park on a wet morning >>>  FATman Photos takes you to some exotic places, there’s no denying that …   Anyway, here’s the view through my car’s wet window.

There are the supermarket’s white emergency exit doors, and a bollard to prevent the over-enthusiastic driving straight in through those doors; then there’s a yellow container full of salted grit in case of ice; and, on the right, one of the columns – looking somewhat the worse for wear, it has to be said – that supports the structure of the building.

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 100mm (equiv); 1600 ISO; Lightroom, starting at the Modern 01 profile; south Bristol; 2 Oct 2020.
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ARCHIVE: LOOKING AT CARS 17 – DARK CAR (MONO)

 

 

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An image of three parts.  The two cars, manufactured and highly mobile confections of metal, plastic, rubber and glass, racing away from each other on a road that is certainly not for those more sensitive souls who are forever slowing down to compose poetry or look at the wildflowers.

And then the white line in the road’s center, undulating slightly as it climbs towards the hill’s crest.

And finally the light, spotlighting the dark car as it rushes urgently towards us,  and seen more faintly through the trees on the right, and then more brightly (the light at the end of the tunnel?) on the left.

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom; Silver Efex Pro 2, starting at the Architectural preset; fast road over the Mendip Hills, above Compton Martin, Somerset; 24 Nov 2017.
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ARCHIVE: LOOKING AT CARS 16

 

 

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The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 70mm; 800 ISO; spot metering; Lightroom, starting at the Modern 01 profile; south Bristol; 26 July 2020.

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ARCHIVE: LOOKING AT CARS 15 – WHITE CAR (MONO)

 

 


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White car with its boot open, Broad Street, central Bristol; 16 Aug 2013.

I guess that here I’m attempting something abstract and different, trying out an idea.  I was approaching this car through a covered alleyway, the open end of which framed it.

The car is stark – pure (i.e. completely blown) white highlight, pure black windows, and a very few more middling tones.  And, as a foil to its immaculate, streamlined lines, it has its open boot stuck up in the air at an acute angle.

And then, in this abstract composition, other, somewhat less pale, elements are set in the enveloping blackness.  Most notably, the pale column coming downwards from the top of the frame (where is cut by the dark lines of a grill) to intersect the car’s black back window.  Then there are the two white rectangles on the pavement below the car, and the less obtrusive white elements left and upper left of the car.

This is a simplification of reality and an attempt at graphic design.

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14

Click onto the image to open a larger version in a separate window.

Technique:  G11 PowerShot at 140mm (35mm equiv); 400 ISO; Silver Efex Pro 2, starting at the Silhouette preset.

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ARCHIVE: LOOKING AT CARS 14 – REFLECTION ON BROAD STREET

 

 


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Up close and personal with a (rather up market) car; Broad Street, central Bristol; 16 Sept 2016.

A somewhat abstract image.  As with pictures I’ve done of animals, getting close in, filling the frame, the photo’s subject in a way trying to burst out of the frame – but with the added dimension here of reflections, the large pale grey one on the left being the (distorted!) paving stones in a pavement.

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T1 with 55-200 Fujinon lens at 300mm (equiv); 3200 ISO.

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ARCHIVE: LOOKING AT CARS 13 – EARLY MORNING, TEALHAM MOOR

 

 


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Early morning mist, Tealham Moor, south of Wedmore; 8 Apr 2015.

The old and the new.  A smart new vehicle coming south down the tarmac of Jack’s Drove at a good pace and, next to it,  the water-filled ditch (rhyne) which has been here for a century or two, well back into the times when the only vehicles along here were horse drawn.

The rhyne acts as the fence around the field of pasture visible on the right, the gate of which is accessed from the drove via the little bridge.  The metal gate, which is hardly visible on the right, has wooden rails at its sides to stop ever venturesome cattle from trying to squeeze around it and escape.  The droves are tracks between the fields which allow farmers to access their land without crossing that of others.

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 .

Click onto the “early morning” tag (below) to see more images from the early hours of the day.  

Click onto the image to open a larger version in a separate window – recommended.

Technique: D700 with 70-300 Nikkor lens at 270mm; 400 ISO.

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ARCHIVE: LOOKING AT CARS 12 – CAR PARKED BESIDE TRAFFIC LIGHTS, EARLY MORNING

 

 


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Most mornings, I walk past this car.  It is parked up on a broad stretch of pavement beside traffic lights and a main road and now, as the early mornings darken, I’m more and more attracted by the bright reflections of lights in its clean, shiny bodywork.

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 .

Click onto the “early morning” tag (below) to see more images from the early hours of the day.  

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 100mm (equiv); 3200 ISO; spot metering; Lightroom, starting at the Modern 01 profile; south Bristol; 20 Sep 2020.
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