STILL LIFE 170 – THREE HERONS (MONO)

 

 


.
Left to right, a Little Egret and two Great White Egrets – three herons – processed with Silver Efex Pro 2.

And good news!  Google acquired Silver Efex Pro 2 (and the other Nik Collection plug-ins) sometime back, but had ceased developing them and was plainly losing interest.  The situation has (hopefully!) now been saved by DxO, who have acquired these plug-ins from Google, apparently with a view to further developing them.  I’m very happy with SEP2 and Color Efex Pro 4 as they are, and so just knowing that they’re not going to disappear will be a big thing.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: the X-T2 firing at 200 ISO, and really quite a tribute to what this APS-C format camera can achieve with distant subjects.  X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the Strong Infrared Low Contrast preset; Capture NX2; Herons Green Bay, Chew Valley Lake; 24 Nov 2017.
.
.
.

STILL LIFE 168 – FROSTY MORNING, MELTING

 

 


.
After a cold night, still icy in the shadows.

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 70mm (equiv); 160 ISO; Lightroom, using the Camera Vivid film simulation; Hart’s Bakery, Temple Meads, Bristol; 8 Nov 2017.
.
.
.

STILL LIFE 162 – LOOKING AT CHAIRS 6 (MONO)

 

 


.

Seating in a bus shelter – the narrow and tilted seats, with intervening arm rests, that are designed to make it impossible for homeless people to sleep on them.

The first post in this series on chairs, which contains context and an image, can be found here.  Subsequent posts are here: 2 3 4 5

Click onto the image to open a larger version in a separate window.

Technique: Canon G11 PowerShot at 140mm (35mm equivalent); 200 ISO; converted to mono with Silver Efex Pro 2, using the Silhouette preset; Bristol; 24 Apr 2013.

.
.
.

STILL LIFE 159 – ASSASSIN (MONO)

 

 


.

Perception can so often be a matter of viewpoint. 

To our eyes, this may be a beautiful, even elegant, wild creature, the sight of which lifts our spirits and, indeed, our quality of life.

But in the real world, that thick, serpentine, muscular neck, and that dagger of a bill, are the tools of a precise and eminently stealthy predator – and any small creature moving under the water, if it sees this killer at all before being struck, views it quite differently.

Another picture of a Great White Egret at Chew Valley Lake, the first picture of this bird, is here.

Click onto this image to open a larger (and grainier) version in a separate window, and click onto that image to marginally enlarge it further.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the Film Noir 1 preset and adding a light coffee tone; Herons Green, Chew Valley Lake; 6 Oct 2017.  This is a huge enlargement of an APS-C image, with the X-T2 working at its highest quality, native 200 ISO.
.
.
.

ARCHIVE 321 – LAGOON AT MAGADI (MONO)

 

 


.

Alkaline lagoon at Lake Magadi, on the floor of the rift valley in southern Kenya; Nov 1977.

The water is made alkaline by high concentrations of sodium bicarbonate which have been leached out of the rift valley’s volcanic rocks.   This water is so alkaline that it feels soapy to the touch, i.e. it starts to dissolve skin on contact, and its high soda content gives it an awfully rank, chemical odour.  Add to that the fact that this is a very hot, low lying area of the rift, and Magadi becomes something of an acquired taste.  But, to anyone interested in the Natural World – wildlife, geology, landscape –  it is also a fascinating place.

Click onto the image to open a larger version in a separate window.

Technique: OM-1 with 28mm Zuiko lens;  Agfa CT18 colour slide rated at 64 ISO;  converted to mono with Silver Efex Pro.

.
.
.

ARCHIVE 317 – SELF-PORTRAIT WITH BLUE LORRY (MONO + COLOUR)

 

 


.

Self-portrait with blue lorry, near Peacock Farm, Westhay Moor, on the Somerset Levels; 24 Jul 2012.

I’m sitting very upright in the driving seat of my car, using a wideangle zoom to record both the scene in the rear view mirror, and the road ahead as seen through the windscreen.  Back home, I’ve converted the shot to mono using Capture NX2, but retained original colour – and added some brightness too – for the scene in the mirror.

The rows of small dots above the mirror are a device to help prevent dazzle when looking up at the mirror.

Click onto the image to open a (slightly) larger version in a separate window.

Technique: D700 with 16-35 Nikkor lens at 24mm; 800 ISO; manipulated with Capture NX2.

.
.
.

STILL LIFE 139 – CAR AFTER RAIN SHOWER

 

 


.

I’m married to my 55-200 Fujinon telezoom, which mirrors the 70-300mm of my very, very favourite, full-frame Nikon lens.  I also have the 10-24 Fujinon lens that is a 15-36 full-frame equivalent, but I’ve just not been able to get into using it much – and I’ve read of others finding the results of wide angle lenses tending to be formulaic in exactly the same way.

So last Friday, having no real other photographic targets in mind, I took the 10-24 into the city again – and did get a little more into it, especially when using it close-in.  And its smaller than the 55-200 and really quite handy.  But I wish it was a little longer at the upper focal length end, say up to 50mm or 75mm equivalent.  As I’ve said before, my 24-120 full frame Nikon zoom really is an extremely useful and flexible lens, the lens I’ll always take if I’m unsure what sorts of images are going to appear.

Click onto the image to open another version in a separate window, and click onto this version to enlarge it.

Technique: X-T2 with 10-24 Fujinon lens at 36mm (equiv); 800 ISO; Lightroom, using the Provia/Standard film simulation; Victoria Street, central Bristol; 4 Aug 2017.
.
.
.

STILL LIFE 137 – RED, WHITE AND BLUE

 

 


.

High Street, central Bristol, 9 Sept 2016.

Door Handle might be an alternative title here, because that and the pock-marked wall left of it are all that is in focus.  But should we always focus on what is in focus, or focus instead (sorry, couldn’t resist the repetition!  Its a Brit thing …) on the larger scene?  Which in this case included the passerby on this warm day, and the red rubbish bin away over on the other side of the road.  There is another photo of a reflection, far more abstract than this one, here.

Click onto the image to open a larger version in a separate window, and click onto the enlarged image to enlarge it yet again.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO; Lightroom, using the Velvia/Vivid film simulation.
.
.
.

PEOPLE 284 – GOING TO WORK 28

 

 


.

Going to work in summer – open-necked shirts, bottled water, shorts, teashirts, and sunny reflections along the side of public transport.

And if we’re thinking about public transport, a very different take on the morning mass migration from those shown in 25 and 26!  A change of season can make all the difference!  Sometimes.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26 and 27Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto the larger image to enlarge it yet again – recommended.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 1000 ISO; Lightroom, using the Provia/Standard film simulation; Baldwin Street, central Bristol; 19 July 2016.
.
.
.

STILL LIFE 135 – RESTAURANT WITH FLAG

 

 


.

Looking into a restaurant, through the reflection of a flag.

There are other glimpses into Bristol restaurants here, here, here and here.

Click onto the image to open a larger version in a separate window, and click onto that larger version to enlarge it yet again.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom, using the Provia/Standard film simulation; Capture NX2; Bristol’s Harbourside; 19 July 2016.
.
.
.

%d bloggers like this: