BRISTOL 140 – LOOKING DOWN STAIRS TOWARDS A CARPET

 

 


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With Paula in St Nicholas Market: a flight of battered yellow stairs lead down to a purple carpet.  Battered stairs?  Yes, well used, leading to a pub!

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: Z 6 with 24-120 Nikkor lens used (by mistake!) in DX (= APS-C) format to give 63mm – going to DX format was not necessary as 63mm us within the 24-120 range of the lens ; 1600 ISO; Lightroom, using the Camera Vivid v2 picture control; rotated; beside St Nicholas Market, Bristol; 3 June 2019.
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BRISTOL 137 – EARLY MORNING LIGHT – AND UNDER MILK WOOD

 

 


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Walking the old, narrow streets of Bristol city centre, looking at anything and everything.  And watching how the morning sunlight crept across the buildings’ facades, I was irresistibly reminded of lines written by Dylan Thomas in Under Milk Wood:

Time passes.  Listen.  Time passes. …

And the dawn inches up.

I just simply love the thought of being able to hear the passing of time; and similarly the sound and connotations of the word “inches” in this context grab me and do not let me go.

And Under Milk Wood itself?  I bought my first copy when I was a university student, and have never fallen out of love with it.  I can still remember opening the book and reading the first few words –

To begin at the beginning:

It is spring, moonless night in the small town, starless and bible-black, the cobblestreets silent and the hunched, courters’-and-rabbits’ wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboat-bobbing sea.

>> and I was hooked, and I have been hooked – wonderfully hooked – ever since!  The words inspire me and I think, in some small measure, have affected how I look at the world, how I see it and how I photograph it.

You can find out about Under Milk Wood here .

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: Z 6 with 70-300 Nikkor lens at 300mm; 1600 ISO; Lightroom, using the Camera Vivid V2 picture control; Little King Street, in central Bristol; 10 May 2019.
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BRISTOL 136 – RIVER REFLECTION

 

 


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Reflections of buildings in the river at Redcliffe Bridge.

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Technique: Z 6 with 70-300 Nikkor lens at 300mm; 1600 ISO; Lightroom, using the Camera Standard V2 picture control; the harbourside at Welsh Back, central Bristol; 10 May 2019.
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OUTER SUBURBS 110 – CINDERFORD GLOS (MONO)

 

 


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The shadows of a fence and streetlight, falling across a pavement and onto a road.  And a drain cover from long ago – probably before WWII –  when such things were still made around here (Cinderford being a town in Glos. (= Gloucestershire)).

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 .  Each will open in a separate window.

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Technique: TG-5 at 28mm (equiv); 500 ISO; Lightroom, using the Camera Monotone film simulation; south Bristol; 11 Mar 2019.
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OUTER SUBURBS 106 – PETROL STATION

 

 


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Canopy above the pumps in a supermarket petrol station.

Walking towards the supermarket on a beautifully sunny morning when, right in front of me,  this great, green and dark brown structure seemed to be floating up towards the clear blue sky.  There were three bands of colour – blue, green and dark – and then the less Minimal, more cluttered, human world below.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 80mm (equiv); 400 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 13 Apr 2019.
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OUTER SUBURBS 98 – BICYCLE TYRE (MONO)

 

 


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Pavement with early morning sun and bicycle tyre.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 35mm (equiv); 640 ISO; Lightroom, using the Adobe Monochrome film simulation; south Bristol; 26 Sept 2018.
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OUTER SUBURBS 92 – STREET SCENE 7: OUTSIDE A PRIMARY SCHOOL

 

 


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Outside a primary school: a tarmac road, with a yellow line prohibiting the parking of cars.

And a child’s toy – or perhaps something from a handicraft lesson – broken and let fall.  After school.  On the way home.

There are earlier Street Scene posts here: 1 2 3 4 5 6 .  Each will open in a separate window.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 53mm (equiv); 800 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 21 Feb 2019.

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STANTON DREW 60 – FROSTY MORNING

 

 


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Early morning in the village.

Already posted images from this early morning shoot are here: 1 (with context) 2 3 4 5 6 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 300mm (equiv); 1600 ISO; Lightroom, using the Velvia/Vivid film simulation; Color Efex Pro 4; rotated; flipped; Stanton Drew, in the Chew Valley south of Bristol; 14 Dec 2018.
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ARCHIVE 398 – DRAIN, WITH KERB, DASHED WHITE LINE AND SKID MARKS (MONO)

 

 


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Drain, with kerb, dashed white line and skid marks; Thatcham, Berkshire; 1 June 2016.

Street scene in downtown Thatcham: shapes, textures and (mainly) curving lines.

Color Efex Pro 4 has been used to give the end result the look of black and white infrared film.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: D700 with 24-120 Nikkor lens at 24mm; 400 ISO; Color Efex Pro 4.

POSTSCRIPT: to me, someone who admittedly doesn’t get out much, the curving lines are streaming out across the image from sources along its left margin.  The kerb has just missed the drain, and arrows on through the picture’s lower right corner.  The skid marks are spraying out upwards, towards the image’s upper margin.  But the white line is more accurately set, and we have caught the moment in which it first impacts on the drain’s periphery.  And if all this imagined dynamism – seen through a child’s eyes maybe –  is real, then this isn’t a still life at all, it should not have been originally posted in this blog’s Still Life category, and I have, as the phrase so happily puts it, shot myself in the foot …

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ARCHIVE 393 – RECTANGLES WITHIN RECTANGLES

 

 


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Caravans, Newquay, Cornwall; 10 Sept 2013.

A series of pale boxes, apparently floating in blackness.  The one on the right displays a slightly curved roof, and is leaning gently away from the vertical.  Otherwise, these are a series of rectangular shapes containing many other rectangular shapes.

There is an earlier photo in this style, including a tree, here .  It will open in a separate window.

Technique: D800 with 70-300 Nikkor lens at 300mm; 1600 ISO; Silver Efex Pro 2’s Pinhole preset.

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