STILL LIFE 174 – WINTER SUN, IN A CAR PARK

 

 


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Low angle winter sunlight floods across a car park, illuminating a front tyre.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 206mm (equiv); 800 ISO; Lightroom, using the Velvia/Vivid film simulation; Capture NX2; Temple Meads Station, Bristol; 1 Dec 2017.
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STILL LIFE 172 – BROAD STREET

 

 


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Early morning, and low angle sunlight – hard, cold, bright – sears across the facades of Broad Street.

Another early morning journey down into the city.  Staggering out of Hart’s Bakery after a hot, thick, toasted cheese, garlic and mushroom sandwich – and a hefty slice of moist bread pudding (paradise on Earth!) – I found the sun still only just struggling up over the tall southern skyline. 

And so swiftly on into the still dark canyons of the city centre’s streets, waiting for the sun, looking for the light.

And then it came, cold, bright and totally dazzling, and I was glad of the peak on my cap and the deep hood on my lens.  And so to this picture, looking across to the other side the road, and isolating details with the long end of a zoom; I used spot metering for precise exposure of a small part of the frame.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO; Lightroom, using the Velvia/Vivid film simulation; Broad Street, central Bristol; 1 Dec 2017.
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STILL LIFE 168 – FROSTY MORNING, MELTING

 

 


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After a cold night, still icy in the shadows.

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 70mm (equiv); 160 ISO; Lightroom, using the Camera Vivid film simulation; Hart’s Bakery, Temple Meads, Bristol; 8 Nov 2017.
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STILL LIFE 164 – LOOKING AT CHAIRS 7

 

 


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Public seating on the waterfront, close in with a telephoto.

This is the seat also pictured in black and white here, where it is viewed from the back.  The picture above is looking at this seat from the front.

The first post in this series on chairs, which contains context and an image, can be found here Subsequent posts are here: 2 3 4 5 6

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom, using the Velvia/Vivid film simulation; beside Welsh Back, central Bristol; 7 Apr 2017.
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STILL LIFE 163 – ARCHITECTURE

 

 


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Urban abstract, isolated with a telephoto.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it still further.

Technique: X-T2 with 55-200 Fujinon lens at 153mm (equiv); 400 ISO; Lightroom, using the Velvia/Vivid film simulation; Victoria Street, central Bristol; 7 Apr 2017.
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STILL LIFE 162 – LOOKING AT CHAIRS 6 (MONO)

 

 


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Seating in a bus shelter – the narrow and tilted seats, with intervening arm rests, that are designed to make it impossible for homeless people to sleep on them.

The first post in this series on chairs, which contains context and an image, can be found here.  Subsequent posts are here: 2 3 4 5

Click onto the image to open a larger version in a separate window.

Technique: Canon G11 PowerShot at 140mm (35mm equivalent); 200 ISO; converted to mono with Silver Efex Pro 2, using the Silhouette preset; Bristol; 24 Apr 2013.

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STILL LIFE 161 – MASONRY

 

 


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Surface of a wall near the railway station.  Pale cream or honey-coloured stone, perhaps Bath Stone from the Jurassic, used ornamentally amongst certainly older rocks.

A picture about differing colours, shapes and, above all, textures – enlarge it to see the rocks’ rough textures.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it still further – recommended, for the textures.

Technique: X-T2 with 10-24mm Fujinon lens at 36mm (equiv); 200 ISO; Lightroom, using the Velvia/Vivid film simulation; angled camera; Lower Approach Road, Temple Meads Station, Bristol; 28 Apr 2017.
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STILL LIFE 160 – LOOKING AT CHAIRS 5

 

I’ve sampled the excellent food in Rosemarino’s Italian restaurant several times now, and taken some pictures while waiting for my meal to arrive.  Two photos (including a chair) are already posted here and here.

Now, looking at chairs some more, here are more Minimalist views of this restaurant’s simple but completely adequate seating.  My favourite amongst them?  Probably the second image down, for its simple silhouettes and pale, pastel colours – and also, looking at this image naively, the question: which are in the foreground, the colours or the silhouettes?

Which (if any!) of these images do you prefer?

The first post in this series on chairs, which contains context and an image, can be found hereSubsequent posts are here: 2 3 4

Click onto each image to open a larger version in a separate window.

Technique: all of these images are jpegs straight out of the X-T2; aside from application of the X-T2’s in-camera film simulations, there has been no post-capture processing whatsoever.  All were taken with the 55-200 Fujinon lens at 305mm (equiv); 400 ISO; spot metering.

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STILL LIFE 155 – TWO YELLOW CHAIRS, BACK TO BACK

 

 


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Two chairs, back to back, beside a window.

Sitting in Browns, waiting for the third breakfast of the long morning – a repast which might have equated to what we Brits call Elevenses, except that it was just after ten.

I always sit at any table that looks across the room towards the windows onto the street, because these provide good cross- and backlighting.

Click onto the image to open a larger version in a separate window, and then click onto that image to further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO; Lightroom; Browns Restaurant, Bristol; 19 May 2017.
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STILL LIFE 156 – LOOKING AT CHAIRS 4

 

 


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Decaying public seating in central Bristol; 14 June 2013.

I focused on the rotting wood and let the rest look after itself – a benefit of cameras with smaller sensors is that they increase depth of focus.  The out of focus metal armrest lower right brings both depth and a graceful curve to the composition.  The rear leg of the seat introduces more curves, and the pavement is a neutral, segmented backdrop.

The dull, overcast day, with it paucity of shadows, was right for this kind of photo.

And I received the usual puzzled stares – “What’s that daft old **** doing?!” – as I slowly circled what had attracted my eye.

The first post in this series on chairs, which contains context and an image, can be found hereSubsequent posts are here: 2 3

Technique: Canon G11 PowerShot at 140mm (35mm equivalent); 200 ISO; rotated 90 degrees clockwise.

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