ARCHIVE 565 – MEGALITH 5 (MONO)

 

 


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Amongst the prehistoric ritual stones at Stanton Drew, in the Chew Valley south of Bristol.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T1 with 10-24 Fujinon lens at 15mm (equiv); 200 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the Tin Type preset; Stanton Drew, in the Chew Valley south of Bristol; 6 Nov 2017.

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ARCHIVE 519 – THE LOVE OF JACKDAWS FOR CHIMNEYS

 

 


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A bright moon on an icy morning,  just at sunrise, and a pair of Jackdaws are on the top of a chimney in the village Stanton Drew, not far south of Bristol.

Jackdaws are our smallest crow, they pair for life, and they are often around our houses – and especially our chimneys – in which (amongst other places) they nest.  They are sociable, garrulous and often quite accepting of man, and I have a lot of affection for them – but then, I have a lot of affection for wildlife generally.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window.

Technique: X-T2 with 55-200 Fujinon lens at 300mm (equiv); 3200 ISO; Lightroom, using the Provia/Standard film simulation; Stanton Drew, near Bristol; 6 Nov 2017.

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ARCHIVE 495 – CHICKEN 5

 

 


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Once again, up close and personal – in close with a long telephoto.  I love getting in close like this to living things, both in terms of being there with them, and also of seeing the resulting very shallow depths of focus.

The expression is one of consternation and horror – well, its not unknown for me to have that effect.   I like the curve of the body from the head out to the tail.  Compositionally, viewing the image from left to right as we Westerners do, the sweep of the creature’s back leads my eye into the photo and up and on to the in-focus face.

Other pictures of these birds, and context, are herehere and here.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 300mm (equiv); 3200 ISO; Lightroom, using the Astia/Soft film simulation; Stanton Drew, near Bristol; 4 May 2018.

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ARCHIVE 483 – MEGALITH 1 (MONO)

 

 


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Standing ritual stone – or megalith – erected in prehistoric times at Stanton Drew, south of Bristol.

More about the Stanton Drew prehistoric site is here .

Click onto the image to open a larger version in a separate window – definitely recommended.

Technique: X-T1 with 10-24 Fujinon lens at 15mm (equiv); 200 ISO; Lightroom; Silver Efex Pro 2, starting at the Fine Art Process preset, and giving the image the look of Kodak Tri-X 400 TX Pro black and white film; Stanton Drew; 6 Nov 2017.
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ARCHIVE 469 – TEASELS (MONO + COLOUR)

 

 


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Teasels, Stanton Drew, in the Chew Valley, south of Bristol; 1 Aug 2013.

I’ve restored the pale blues of the few petals remaining at the apex of the left hand flower, but I think a larger image is needed to fully appreciate this.

Click onto the image to open a larger version in a separate window – recommended.

Technique: D700 with 70-300 Nikkor lens at 260mm; 200 ISO; Silver Efex Pro 2’s Pinhole preset, and selective restoration of colour.

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STANTON DREW 61 – WINTER SCENE (MONO)

 

 


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This image is best viewed enlarged – click onto it to open a larger version in a separate window, and click onto that image to further enlarge it.

Gull flock amongst the prehistoric standing stones at Stanton Drew.  Such flocks are a common sight on pastureland during the winter: this one consists mostly of Black-headed Gulls (lacking the dark heads of their breeding plumage), but there are a few Common and Lesser Black-backed Gulls in there too.

Tall, dark stones, sombre sentinels (sombre sentinels??? >>> what on earth am I on???) overlook the scene, and bare winter trees form the backdrop.

Already posted images from this early morning shoot are here: 1 (with context) 2 3 4 5 6 7 .  Each will open in a separate window.

Technique: X-T2 with 55-200 Fujinon lens at 300mm (equiv); 800 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting  at the Underexpose EV-1 preset and adding a light Selenium tone; Stanton Drew, in the Chew Valley south of Bristol; 14 Dec 2018.
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STANTON DREW 60 – FROSTY MORNING

 

 


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Early morning in the village.

Already posted images from this early morning shoot are here: 1 (with context) 2 3 4 5 6 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 300mm (equiv); 1600 ISO; Lightroom, using the Velvia/Vivid film simulation; Color Efex Pro 4; rotated; flipped; Stanton Drew, in the Chew Valley south of Bristol; 14 Dec 2018.
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ARCHIVE 400 – TEASELS 2 (MONO)

 

 


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Teasels at Stanton Drew, in the Chew Valley, south of Bristol; 1 Aug 2013.

For me, the diffuse darker area “anchors” the shot, helping to push the subject out towards us; and it also displays the thorns on the plant’s stem – and strands of spider’s web – to greater advantage.

You can find an earlier and differently presented Stanton Drew Teasel picture here.   There is also one from the Somerset Levels here.  Both will open in separate windows.

Technique: D700 with 70-300 Nikkor lens at 300mm; 200 ISO; Silver Efex Pro 2, starting at the Landscape preset.

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STANTON DREW 59 – WINTER SUNRISE 2

 

 


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Blackbird in winter branches, at sunrise.

Earlier images from this early morning shoot are here: 1 (with context) 2 3 4 5 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 300mm (equiv); 1600 ISO; Lightroom, using the Provia/Standard film simulation; Stanton Drew, in the Chew Valley south of Bristol; 14 Dec 2018.
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STANTON DREW 58 – THE VIEW NORTHEAST FROM THE STANDING STONES (MONO)

 

 


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This image is certainly best viewed enlarged: click onto it to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

A view from the prehistoric standing stones in Stanton Drew .  What can we see?  Two of the standing stones are on the right of the image, with another, now toppled, off to the left.  Behind these are a line of trees and dark undergrowth, along the banks of the little River Chew.  Beyond this, some farm buildings can just be seen, and there is a flock of sheep up on the slopes in the distance.

A very tranquil scene: this is in fact (originally) the biggest prehistoric henge in the country, but it has none of the crowds and commercialism seen at the far better known sites at Stonehenge and Avebury.  This is a wonderful place to come for a quiet walk, in open and relatively unspoilt English countryside – and it is adjacent to the similarly quiet and peaceful churchyard, another wonderful spot for peace and quiet reflection, from which I have posted many images (you can find them under this blog’s Stanton Drew category >>> use the drop down Category list in this blog’s sidebar).

Earlier images from this early morning shoot are here: 1 (with context) 2 3 4 .  Each will open in a separate window.

Technique: X-T2 with 55-200 Fujinon lens at 111mm (equiv); 400 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the Strong Infrared Low Contrast preset and adding a light tone; Stanton Drew, in the Chew Valley south of Bristol; 14 Dec 2018.
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