OUTER SUBURBS 103 – FOGGY MORNING 3

 

 


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Main road; early morning; fog.

Technique: selective desaturation of colour: the green lights are the main thing here and the morning was in any case very grey, but I’ve desaturated the yellows and blues of the crossing control boxes mounted on the traffic lights’ poles, and also the traffic cones standing on the traffic islands, to remove distractions and give the green lights greater prominence.  Another method would have been to convert the image to mono in Silver Efex Pro 2 and then restore the lights’ colours.

There are earlier foggy morning pictures here: 1 2 .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 100mm (equiv); 640 ISO; Lightroom, selectively desaturating colour; south Bristol; 30 Mar 2019.
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SOMERSET LEVELS 324 – FLOODED ROAD (MONO)

 

 


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Exploring out on Queen’s Sedge Moor, not far south of the tiny city of Wells, in filthy conditions – rain falling from grey overcast, lots of surface water and simply heroic amounts of mud.  And then onto this little single track road heading for the tiny village of Barrow – when a van, obviously driven by a local, someone who knows the place – rounded a corner and came straight at me at speed.  There was no danger, this image was taken with a 450mm telephoto, which gives x9 magnification, and so it was still quite far off – but it put on speed through the surface water and spray flew everywhere.

Lots of familiarisation with this new camera paid off: I just had time to engage Continuous Autofocus, focus onto the number plate, hold down AF-ON and start firing – three frames and then the vehicle was on me and I was off into the (very soggy) roadside grass.  But, as is often the case down there, a cheery wave from the driver – after all, if I choose to stand in the road, its my lookout!

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: Z 6 with 70-300 Nikkor lens used in DX (APS-C) format to give 450mm; 1600 ISO; Lightroom, using the Camera Neutral V2 Picture Control; Silver Efex Pro 2, starting at the Dramatic preset; Queen’s Sedge Moor, south of Wells, on the Somerset Levels; 5 Apr 2019.
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OUTER SUBURBS 102 – FOGGY MORNING 2 (MONO)

 

 


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Main road; early morning; fog.

There is another foggy morning picture here: 1 .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that to enlarge it further.

Technique: TG-5 at 70mm (equiv); 640 ISO; Lightroom, using the Camera Vivid film simulation; Silver Efex Pro 2, starting at the Antique Portrait preset; south Bristol; 30 Mar 2019.
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OUTER SUBURBS 101 – FOGGY MORNING

 

 


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Walking in early morning fog.  Walking off the edge of the world.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 100mm (equiv); 500 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 30 Mar 2019.
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OUTER SUBURBS 97 – MAIN ROAD 2 (MONO)

 

 


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One of the city’s main arteries, passing through the Outer Suburbs, and channelling workers into the city in the mornings before emptying them back southwards into the countryside again in the afternoons.  

There is an earlier picture of this main road here: 1 .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: TG-5 at 25mm (equiv); 640 ISO; Lightroom, using the Camera Vivid film simulation; Silver Efex Pro 2, starting at Janices Infrared preset; south Bristol; 18 Aug 2018.
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SOMERSET LEVELS 321 – JACK’S DROVE (MONO)

 

 


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An unreal landscape.  Just a single track road, its verges and, standing up on either side, the precipitous, abrupt lines of machine-cut trees – that are either columns along the nave of some vast, natural, outdoor cathedral or, equally fancifully, sombre beings – Ents perhaps! – standing obediently aside to let us pass through. 

But pass through to where, that is the question. 

The mist is down, and beyond this road and these trees there lies only uncertainty.

There are other images from this early morning shoot here: 1 2 3 4 5 6 7 8 9 10 11 12 13 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: X-T2 with 55-200 Fujinon lens at 101mm (equiv); 200 ISO; Lightroom, using the Velvia Vivid film simulation; Silver Efex Pro 2, starting at the Antique Plate 1 preset; Jack’s Drove, on the Somerset Levels south of Wedmore; 19 Oct 2018.
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OUTER SUBURBS 92 – STREET SCENE 7: OUTSIDE A PRIMARY SCHOOL

 

 


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Outside a primary school: a tarmac road, with a yellow line prohibiting the parking of cars.

And a child’s toy – or perhaps something from a handicraft lesson – broken and let fall.  After school.  On the way home.

There are earlier Street Scene posts here: 1 2 3 4 5 6 .  Each will open in a separate window.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 53mm (equiv); 800 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 21 Feb 2019.

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SOMERSET LEVELS 319 – WINTER SCENE (MONO)

 

 


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If you want to be standing on Jack’s Drove, looking up its length on this cold morning, this image is best viewed enlarged >>> click onto it to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

The view northwards up Jack’s Drove on Tadham Moor, in winter.  Mud and water on the road, the flat sides of the bare, machine-cut trees on either side, and in the distance (best seen with the image enlarged), the small, black metal upper works of the little bridge over the North Drain. 

And behind that, the higher ground around Wedmore, which was formerly an island when, not long ago, this drove and all the country around was covered by lakes and swamp.

Technique: X-T2 with 55-200 Fujinon lens at 83mm (equiv); 3200 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the Warm Tone Paper preset and adding a split tone; Tadham Moor, on the Somerset Levels; 11 Jan 2019.
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OUTER SUBURBS 75 – WALKING, JUST AROUND DAWN (MONO)

 

 


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If you want to be out there on the cold street in the early morning, click onto the picture to open another version in a separate window and click onto that image to enlarge it further.  On the other hand, you may find cold, early morning streets of only limited appeal, and I can live with that … 🙂

Walking the winter streets, just around dawn.  Streetlights and shadows, and – at the day’s start – the first lights coming on in the houses.

And dark it was – even at 6,400 ISO, the little camera was working at 1/60th second, wide open at f2.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 .  Each will open in a separate window.

Technique: TG-5 at 25mm (equiv); 6400 ISO; Lightroom, using the Camera Vivid film simulation; Silver Efex Pro 2, starting at the Yellowed 2 preset and adding a light Selenium tone; south Bristol; 22 Jan 2019.

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OUTER SUBURBS 73 – LATE AFTERNOON LIGHT

 

 


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The shadows of trees, and a roadside drain, late on a winter’s afternoon.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 .  Each will open in a separate window.

Click onto the image to open another version in a separate window and click onto that image to enlarge it further.

Technique: TG-5 at 25mm (equiv); 400 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 14 Feb 2019.
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