ARCHIVE: LEVELS 64 – FROSTY ROAD (MONO)


Kid Gate Drove, Tealham Moor, before sunrise on a frosty morning.

Thick frost, bitter cold and the bare landscape of winter; I’m looking back up the road I’ve driven down, some of the tyre marks are mine.

Technique: strongly converging lines draw the eye into the image, all the way up the road to those dark trees, and in particular to that tall tree – which (as open happens) reminds me of a bursting artillery shell or bomb.  And the backdrop, behind those roadside trees, is faded, ill-defined and grey, with thin, dark mist drifting like smoke overhead.  The use of a slightly bluish Selenium tone hopefully(!) adds to the image’s cold feel.

Click onto the image to open another version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 84mm (equiv); 12,800 ISO; LightroomSilver Efex Pro 2, starting at the Full Dynamic Harsh preset and adding a moderate Selenium tone; 27 Jan 2017.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.



ARCHIVE: LEVELS 58 – THE ROAD SOUTH ACROSS TEALHAM MOOR


 

Jack’s Drove, arrowing southwards across Tealham Moor, south of Wedmore, on the Somerset Levels; 30 Oct 2014. Water-filled ditches (rhynes) covered in green waterweed accompany the drove on its journey south.

My heartland, where I like to be  And this was a dark morning, the sun up but really not making itself felt; and occasional spots of drizzle falling through an unseasonally soft mildness.  Nothing but the sounds of the breeze and the birds – wagtails coming to look at me, a meadow pipit briefly by, lapwings overhead, mallards in a ditch – and always the great, arch-winged herons, splitting the morning with their rough and far carrying barks.

But there was excitement too, a missed opportunity perhaps.  I was in the Magic Carpark,  leaning against the car, sucking down hot, sweet coffee, when there came a noise that really ought to have immediately meant more to an ex-birder.  A rushing and thumping, something like an old steam train off in the distance.  I moved away from the car, turned questioningly and there, pounding up the rhyne for all they were worth, were a family of five swans, running on the water, intent on getting up into the air and very nearly there – wingspans upwards of 7 feet and each hurtling body weighing at least 20 pounds – and all headed straight at me!

I don’t know who was most surprised.  I remember standing there, clutching my coffee, “Oh ************ ….!!!!”.   And, as I’d come out from behind the car, they’d seen me too and then they were suddenly up above the water and desperately veering and swerving off to either side.  It was like standing in a shooting gallery – like the scene in Ghostbusters 2 where Winston Zeddemore has the spectral locomotive go right through him on the old disused underground railway. 

And one moment they were there, the next they were streaming past either side of me at shoulder height – and the next they were gone.  Leaving me, frozen to the spot, with my coffee spilled.

Oh if I’d only had the camera around my neck!  But what if I had?  What would there have been time for?  Lifting and switching it on in one often used motion, and frantically thumbing the (absolutely wonderfully useful) AF-ON button.  I always leave the camera with the zoom back at 70mm and Matrix metering set, so that would have been just the job but, really, three seconds of frantically blasting away, if that – to produce at best … “artistically blurred creations” …  in the heat of the moment, the wide angle zoom, as used in the landscape above, would have been a better bet.

I love wild things and I loved that encounter.  It was far better to be full on in the middle of it than to try and photograph it.

Click onto the image to open a larger version in a separate window – recommended.

Technique: D700 with 12-24 Sigma lens at 12mm; 1600 ISO; Color Efex Pro 4.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.



ARCHIVE: LEVELS 54 – THE VIEW SOUTH, TADHAM MOOR (MONO)


Looking south on a wet morning in early winter, with a wide angle lens on the camera, and a split tone added in post-capture processing.

Compositionally, the lines of the track, the banks of the water-filled ditch to the left of the track, the horizon and the cloud formations all draw my eyes down past the large tree.  A tree that is certainly valued, perhaps even loved –  I never come to this very special place without touching it and talking to it, as it clings stoutly to the steep bank of yet another water-filled ditch, always in danger of toppling over, as three other long-known willows behind the camera have already toppled.

Click onto the image twice to open an enlarged version: recommended.

Technique: X-T2 with 10-24 Fujinon lens at 15mm (equiv); 800 ISO; Lightroom, starting at the B&W 12 profile; Silver Efex Pro 2, starting at the Neutral preset and adding a split tone; Tadham Moor, on the Somerset Levels south of Wedmore; 6 Dec 2019.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.



ARCHIVE: LEVELS 52 – SUNRISE, TOTNEY DROVE


 

A misty morning on the Somerset Levels: Totney Drove, a single track, tarmac lane makes off eastwards across Tadham Moor.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 181mm (equiv); 400 ISO; Lightroom, starting at the Camera ASTIA/Soft profile; Totney Drove, Tadham Moor, on the Somerset Levels southwest of Wells; 19 Oct 2018.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.



ARCHIVE: LEVELS 48 – EARLY MORNING 8


Swanshard Lane, as the first shafts of sunlight light up the mists of early morning.

Click into the image to open a larger version in a separate window – recommended.

Technique: Z 6 with 70-300 Nikkor lens at 210mm; 1600 ISO; Lightroom, starting at the Camera Portrait v2 profile; Swanshard Lane, on the Somerset Levels southwest of Wells; 23 Aug 2019.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.



ARCHIVE 620 – EARLY MORNING MIST, MAIN ROAD

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Walking amidst early morning’s dark uncertainties, the wild and welcome screams of gulls my only companions. 

And, alone still, reaching a road – with trees, mists, lights, and the sky slowly brightening.

Click onto the image twice to open a larger version in a separate window – recommended.

Technique: TG-5 at 38mm (equiv); 6400 ISO; Lightroom, starting at the Camera Portrait profile; south Bristol; 30 Dec 2019.

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ARCHIVE: LOOKING AT CARS 61 – HIGH SPEEDS DOWN NARROW LANES (MONO)

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Morning commute on the Somerset Levels: high speeds down narrow lanes.

Click onto image to open a larger version in a separate window – recommended.

Technique: Z 6 with 70-300 Nikkor lens used in APS-C format at 450mm; in-camera processing of raw file, starting at the Graphite profile; further processing of the jpeg in Lightroom; Totney Drove, on Tadham Moor, on the Somerset Levels southwest of Wedmore; 9 Sept 2019.

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ARCHIVE 617 – FOGGY MORNING 3

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Main road; early morning; fog.

Technique: selective desaturation of colour: the green lights are the main thing here and the morning was in any case very grey, but I’ve desaturated the yellows and blues of the crossing control boxes mounted on the traffic lights’ poles, and also the traffic cones standing on the traffic islands, to remove distractions and give the green lights greater prominence.  Another method would have been to convert the image to mono in Silver Efex Pro 2 and then restore the lights’ colours.

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 100mm (equiv); 640 ISO; Lightroom, selectively desaturating colour; south Bristol; 30 Mar 2019

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OUTER SUBURBS 308 – LOOKING DOWN OUT OF THE CITY AS THE SUN ROSE

 

 


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Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 43mm (equiv); 400 ISO; spot metering; Lightroom, starting at the Camera Vivid profile; south Bristol; 15 Feb 2021.
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ARCHIVE: LEVELS 11 – LOOKING EAST, TOTNEY DROVE (MONO)

 

 


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Looking eastwards along Totney Drove, a single track, tarmac road on Tadham Moor.  Tall Willows are silhouetted by the sunrise, and water-filled rhynes (ditches) flank the road on either side.  The distance is shrouded in fog, but the ghosts of cattle can just be made out in the background on the left.

This archive presents some of the pictures that I’ve taken on the Somerset Levels over many years.  More context can be found in the first post in this archive – 1 – and also in my first Somerset Levels post, from 2011 – here .  Further posts in this archive are here: 2 3 4 5 6 7 8 9 10 .  All of these links will open in separate windows. 

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

This image is best viewed enlarged: click onto it to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 83mm (equiv); 200 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the Tin Type preset; Totney Drove, Tadham Moor, on the Somerset Levels; 19 Oct 2018.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.

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