ARCHIVE: LOOKING AT CARS 38 – RUSH HOUR (MONO)

 

 


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Morning rush hour:  alone amongst a torrent of temporarily stationary metal.

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  These Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 .  Each post will open in a separate window.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T1 with 55-200 Fujinon lens at 300mm (equiv); 400 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the Cool Tones 2 preset, giving the image the look of Fuji Neopan Acros 100 black and white film, and adding a strong selenium tone; Victoria Street, central Bristol; 11 Nov 2016.
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ARCHIVE: LOOKING AT CARS 37 – MISTY MORNING

 

 


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Misty early morning in the street, the people sleeping and the cars silent, dark and still >>> LOL! which is a very poor attempt at Dylan Thomas!!!  What about something from The Master himself then, from Under Milk Wood, very certainly one of my most favourite books in this whole world, and an endless source of both awe and inspiration:

Time passes.  Listen.  Time passes.

Come closer now.

Only you can hear the houses sleeping in the streets in the slow deep and silent black, bandaged night.

Only you can hear and see, behind the eyes of the sleepers, the movements and countries and mazes and colours and dismays and rainbows and tunes and wishes and flight and fall and despairs and big seas of their dreams.

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  These Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 .  Each post will open in a separate window.

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 80mm (equiv); 6400 ISO; Lightroom, starting at the Modern 03 profile; south Bristol; 30 Nov 2020.
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OUTER SUBURBS 304 – WALKING THE STREETS AT NIGHT’S END (MONO)

 

 


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Walking the misty, deserted streets at night’s end, listening to the silence, watching the foxes making for their daytime lairs, passing the stolid ranks of cold cars – and very much having the feeling of enjoying the very simple and uncomplicated moment, of being glad to be up and about … of seeing and savouring the world at the antisocial hours that only a few early joggers and dog walkers know.

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 100mm (equiv); 3200 ISO; spot metering; Lightroom, starting at the Camera Portrait profile; Silver Efex Pro 2, starting at the Cool Tones 2 preset and adding a tone; south Bristol; 22 Nov 2020.
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OUTER SUBURBS 301 – BUS SHELTER 2

 

 


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HAPPY NEW YEAR!  🍺

There is another recent bus shelter photo here .

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 25mm (equiv); 1600 ISO; Lightroom, starting at the Camera Vivid profile; south Bristol; 6 Dec 2020.
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OUTER SUBURBS 299 – BUS SHELTER

 

 


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Bus shelter, dawn breaking.

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 25mm (equiv); 3200 ISO; Lightroom, starting at the Camera Vivid profile; south Bristol; 15 Dec 2020.
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ARCHIVE: LOOKING AT CARS 34 – MOMENTS OF UNEASE

 

 

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Driving eastwards on Hearty Moor on the Somerset Levels, driving towards the rising sun.  A farmer in a huge 4×4 stopped, looked down at my little car and me, and announced that his cows were on their way down the road towards me, but “just pull over to the side and you’ll be fine!”.

Well, a narrow – in fact single track – road, there was nowhere else to go.  And so to really large, living things moving slowly down the road past me, to huge faces brushing up against the car windows and, catching sight of me within, shying away in panic; and in one unnerving instance, one of their significant bulks trying to squeeze through the little gap between the car and the hedge …

Well, you say, they were only cows, but I have two takes on this.

First, and on the positive side, I used to take paying guests on safari in Kenya, and often used to stop my vehicle in front of an advancing column of elephants, telling everyone to be very quiet and to keep still, and to let the elephants bear down upon us and flow around the vehicle like water around an island in a stream – once, one took even some greenery that had become entangled in our front bumper and ate it.   These were truly wonderful experiences, the great beasts moving slowly past us, the noises, the smells – it was said that an elephant can smell each individual occupant of a vehicle and remember the smell too!  BUT I was younger and less sensible then >>> although my hand was always on the vehicle’s ignition key, and I was in a larger, safari vehicle rather than my little car!  And having been studied for many years, the elephants of Amboseli Game Reserve were very used to people.  Although, even then, getting too near a big bull was really not a good idea.

But second, on the negative side – and much nearer home too – a cow broke out of its field near Bristol a few years back, panicked and ran off down the road.  And when confronted by a small car like mine, it ran up over the bonnet and roof in its panic, killing the driver.  And so to moments of unease on Hearty Moor, though still managing to fire off a few frames.

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 .  Each post will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

Technique: X-T2 with 10-25 Fujinon lens at 36mm (equiv); 800 ISO; Lightroom, starting at the Camera Provia/Standard profile; Hearty Moor, east of Glastonbury on the Somerset Levels; 24 May 2019.

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ARCHIVE: LOOKING AT CARS 33 – MAIN ROAD, DAWN (MONO)

 

 


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Driving at dawn, in autumn: bare trees, mist, darkness and – rather unsettlingly – a fat, disheveled old man, with far more hair than is immediately apparent, photographing your passing car …

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 .  Each post will open in a separate window.

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 25mm (equiv); 3200 ISO; spot metering; Lightroom, starting at the B&W 03 profile; south Bristol; 22 Nov 2020.

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ARCHIVE: LOOKING AT CARS 30 – RISE OF THE MACHINES

 

 


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Early morning on the main road in from the south.  To me, this image has a distinctly hard, cold, ruthless feel, to me there is almost a soulless malevolence here.  Thinking back to the Terminator films, is this The Rise Of The Machines???

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 .  Each post will open in a separate window.

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 300mm (equiv); 6400 ISO; Lightroom, using the Astia/Soft film simulation; Temple Gate, Bristol; 2 Feb 2018.

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ARCHIVE 587 – FOGGY MORNING (MONO)

 

 


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Foggy morning along a main road in south Bristol; 13 Mar 2014.

The huge Plane tree in the foreground has had its branches pruned many times, including recently, giving it its bare, knobbly appearance.  At top left, a pigeon perches, probably a Wood Pigeon, gazing down at the crawling traffic below.  There is another pigeon, further right.  The tree behind retains its growth of thin branches from last year – it has yet to be shorn.

Click onto the image to open a larger version in a separate window – recommended.

Technique: Canon G11 PowerShot at 63mm (35mm equiv); 200 ISO; Silver Efex Pro 2, starting at the Film Noir 1 preset.

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OUTER SUBURBS 295 – AUTUMN 7 (MONO + COLOUR)

 

 


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Something else in autumn, early on a foggy morning.

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 57mm (equiv); 1600 ISO; Lightroom, starting at the Modern 04 profile; south Bristol; 6 Nov 2020.
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