STILL LIFE 160 – LOOKING AT CHAIRS 5

 

I’ve sampled the excellent food in Rosemarino’s Italian restaurant several times now, and taken some pictures while waiting for my meal to arrive.  Two photos (including a chair) are already posted here and here.

Now, looking at chairs some more, here are more Minimalist views of this restaurant’s simple but completely adequate seating.  My favourite amongst them?  Probably the second image down, for its simple silhouettes and pale, pastel colours – and also, looking at this image naively, the question: which are in the foreground, the colours or the silhouettes?

Which (if any!) of these images do you prefer?

The first post in this series on chairs, which contains context and an image, can be found hereSubsequent posts are here: 2 3 4

Click onto each image to open a larger version in a separate window.

Technique: all of these images are jpegs straight out of the X-T2; aside from application of the X-T2’s in-camera film simulations, there has been no post-capture processing whatsoever.  All were taken with the 55-200 Fujinon lens at 305mm (equiv); 400 ISO; spot metering.

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STILL LIFE 155 – TWO YELLOW CHAIRS, BACK TO BACK

 

 


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Two chairs, back to back, beside a window.

Sitting in Browns, waiting for the third breakfast of the long morning – a repast which might have equated to what we Brits call Elevenses, except that it was just after ten.

I always sit at any table that looks across the room towards the windows onto the street, because these provide good cross- and backlighting.

Click onto the image to open a larger version in a separate window, and then click onto that image to further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO; Lightroom; Browns Restaurant, Bristol; 19 May 2017.
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SOMERSET LEVELS 299 – MISTY MORNING, ALLERTON MOOR 3

 

 


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Looking into misty light, early in the day.

You can find other images from this dark and mysterious morning here and here.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom, using the Provia/Standard film simulation; Allerton Moor;  22 Aug 2017.
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PEOPLE 292 – PORTRAIT OF A GIRL (MONO)

 

 


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The daughter of friends, someone I’ve known for all of her life.  And now growing up fast, and long past the time when a favourite pastime was trying to pull my thumbs off.  And also a long time since, if she was at all unhappy, I could rattle a bunch of keys to instantly brighten her mood.  And, yes, now growing up fast – time rushes on – but still, as ever, a very valued friend.

Technique: D700 with 105mm Nikkor lens; 3200 ISO; Lightroom; Silver Efex Pro 2, starting at the Full Dynamic Smooth preset and adding a light tone; Bristol; 24 Aug 2017.
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STILL LIFE 154 – BROAD PLAIN

 

 


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Shafts of morning sunlight softly caress a façade – or rake harshly across it, laying bare its every jagged line and texture – its just a matter of how we look at things in the moment.

But the window keeps its privacy in cool shadow; also for the moment.

Analysis: this is a picture of a window (oh, you’re thinking, he’s sharp …), but to me (but maybe not to you …) its more an assemblage of shapes, textures, light and shadow.  Apart from the window’s frame it has Minimal colour but, as so often happens, presenting in it black and white would certainly lose something – the very faint yellow below the window, for example, adds something I think.  I’ve talked about a method of photography where the photographer looks for good light and then thinks what to do with it, how to use it, and I know I’m not alone in this.  Here is an example.  The morning sunlight was slanting across the façade, and I walked along, looking up at the interplays of the light with the building, thinking what might be possible.  And, as always, a telephoto was useful in picking out details from the overall scene.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm; 200 ISO; Lightroom; Broad Plain, central Bristol; 26 May 2017.
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STILL LIFE 151 – CHAIR BESIDE A ROUND TABLE (MONO)

 

 


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Felt like a black and white fix, it gets me like that from time to time, and so … The chair next to mine, in Browns Restaurant, Bristol.

This view was immediately to the left of the one here, the chair pictured above can just be seen on the far left.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again – recommended.

Technique: X-T2 with 10-24 Fujinon lens at 36mm (equiv); 6400 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the High Contrast Orange Filter preset, and adding a light coffee tone; 28 Apr 2017.
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STILL LIFE 150 – STAIRS IN AN ALLEYWAY

 

 


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Street art and a flight of steps, off Quay Street in the city centre.

Click onto the image to open a larger version in a separate window, and click onto that version to enlarge it further – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 84mm (equiv); 400 ISO; Lightroom, using the Provia/Standard film simulation; Bristol; 19 May 2017.
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STILL LIFE 147 – SHADOWS OF THE NATURAL WORLD

 

 


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A meeting of the Natural and Unnatural worlds; shadows of roadside trees on bland, precise, sterile, retail architecture.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 10-24 Fujinon lens at 36mm (equiv); 400 ISO; Lightroom, using the Velvia/Vivid film simulation; Broadmead shopping centre, Bristol; 11 Aug 2017.
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SOMERSET LEVELS 297 – RIVER BANK 2

 

 


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Bank of the River Sheppey, beside Hurn Drove, northwest of Polsham.

A picture taken from the opposite bank of this little river, and rotated 90 degrees anticlockwise.  The plants on the left are on the river bank, while those on the right are in the river and aligned with the water’s gentle flow.

The first of these river bank pictures is here.

Click onto the image to open another version in a separate window, and click upon that image to enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 215mm (equiv); 3200 ISO; Lightroom, using the Provia/Standard film simulation; rotated; 18 Aug 2017.
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BRISTOL 124 – AND IN THE BEGINNING WAS THE CAT 7

 

 


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Lying down, relaxing beside us, being with us.  This cat lives with friends of ours’, and one of the things that I really love about her is her quite evident desire for human closeness and company.  And so, when we visited our friends last week, we sat around a table in their kitchen chatting, and the cat was at first nowhere to be seen.  But she must have heard us, because she soon appeared and was at once all around our feet, and then jumped up onto a seat and sat beside us.  She has the thickest fur of any cat I’ve ever known and it is a great tactile pleasure to stroke her, but she seems to like being around people whether she’s being stroked or not – she just lies still, relaxes and enjoys the company.

Earlier images in this series, all of this particular cat, can be found here: 1  2  3  4  5  6  .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: D700 with 105mm Nikkor lens; 3200 ISO; Lightroom; Bristol; 24 Aug 2017.
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