OUTER SUBURBS 72 – PATH THROUGH MODERN HOUSING 6

 

 


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Another functional and not unattractive pathway through modern housing, and something very different from the previous one.  Unusually for me, colour and mono images here – for me the black and white gets it – and I think its worth enlarging >>> click onto it to open a larger version in a separate window, and click onto that image to enlarge it yet again.

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Earlier pictures of a paths through modern housing are here: 1 2 3 4 5 .  Each will open in a separate window.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 .  Each will open in a separate window.

Technique: TG-5 at 25mm (equiv); Lightroom, using the Camera Vivid film simulation; Silver Efex Pro 2, starting at the High Contrast Orange preset and adding a light Coffee tone; south Bristol; Jan & Feb 2019.
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PEOPLE 364 – GOING TO WORK 88 (MONO)

 

 


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Winter morning.  Walking to work, perhaps disconsolately, below the railway bridge.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to further enlarge it.

Technique: Olympus TG-5 at 40mm (equiv); 800 ISO; Lightroom, using the Camera Vivid film preset; Silver Efex Pro 2, starting at the Full Spectrum preset and adding a light Selenium tone; St Luke’s Road, south Bristol; 29 Jan 2019.
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OUTER SUBURBS 64 – WALKING HOME

 

 


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This picture is best viewed enlarged – get inside it!!!  To do so, click onto it to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

The walk home, below a bridge that carries the railway.  Loneliness?  Perhaps.  But safety too because, as the pavement rises up beside the road, tastefully green railings keep us all safe from the often roaring road below.

And the wonderfully unkempt, purely functional bridge standing above all, enlivened by fading colour, seeping rust and the various proofs of human presence that I see far more as street art than graffiti.  And heights in feet and inches, and metres too, which perhaps sum up this country’s relationship with the rest of Europe … a hot point just now!  But, after nearly seven decades, I’m far more at home with feet and inches – while thanking the Great Good Common Sense that our road signs still show distances in miles, rather than kilometres, and that we still use the pound sterling rather than the euro.

LOL!!! there are two words fashionable at the moment.  The T-word refers to the individual who holds the title, President of the United States.  And then the B-word refers to Brexit: Europe is a very good idea, but how dreadfully sad it is that the EU was not allowed to remain as a bloc in which the countries just had free trade and mutual defence cooperation agreements with each other.  I have spoken to so many others who share this sadness.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 .  Each will open in a separate window.

Technique: TG-5 at 25mm (equiv); 800 ISO; Lightroom, using the Camera Natural film simulation; south Bristol; 16 Jan 2019.
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OUTER SUBURBS 63 – MAIN ROAD, EARLY MORNING

 

Main road, early morning. 

Emptiness, space; 

loneliness, peace. 

For awhile, at least. 

And, out of shot, a fat, dishevelled and rather improbable figure, standing on a traffic island and pointing a little camera at it all.

I’m a great fan of the film Terminator 2.  I was extremely fortunate in being introduced to it by my kids.  And now, looking at this image, I’m irresistibly reminded of Sarah Connor’s words:

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The future, always so clear to me, had become like a black highway at night.  We were in uncharted territory now, making up history as we went along.

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I’m not sure if her second sentence also applies to my Outer Suburbs pictures, but sometimes it can feel like uncharted territory … 🙂 …

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

Technique: TG-5 at 25mm (equiv); 3200 ISO; Lightroom, using the Camera Natural film simulation; south Bristol; 5 Jan 2019.
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ARCHIVE 397 – SELFIE WITH ROAD SIGN (MONO + COLOUR)

 

 


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Quite early on a morning in spring, and Jack’s Drove, the road north across the Tadham and Tealham Moors, on the Somerset Levels, is blocked; 10 Apr 2014.

The jet black area that cuts horizontally through my silhouette is the water-filled ditch that separates the rough pasture of the field at the top of the frame from the road on which I’m standing.  These wet ditches do duty as fences hereabouts.

Click onto the image to open a larger version in a separate window.

Technique: D700 with 16-35 Nikkor lens at 16mm; 400 ISO; Silver Efex Pro2, starting at the Dramatic preset, and restoring the sign’s colour.

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SOMERSET LEVELS 317 – FLOODS, TEALHAM MOOR (MONO)

 

 


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Flooding on Tadham Moor.  Early morning, looking northeast, with the much higher ground of the Mendip Hills just glimpsed, far away on the horizon.

Composition: the frame is crossed by paler and darker bands which, apart from that in the foreground, are more or less horizontal – the land, still dark on the early morning; and the paler water and sky.  The more sloping band of water in the foreground adds a dynamic – its almost coming out to meet us – and its animated by its small, bright reflection.  To me, the sky’s bright reflection in this foreground water brings the scene to life: it was moving as the clouds moved and, valuing it, I chased it up the road to get it into the frame.

Click onto the image to open another version in a separate window, and click onto that image to further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 83mm; 3200 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the Dark Sepia preset;  Tadham Moor, on the Somerset Levels; 11 Jan 2019.

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ARCHIVE 394 – CARRION CROW (MONO)

 

 


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Carrion Crow over our back garden, not long after dawn; 27 Nov 2011.

This has been converted into mono in Silver Efex Pro 2, and I’ve used the one of the Film Noire presets to instil drama – the powerful, jet black crow diving through a patch of clear sky in an angry, boiling cloudscape.

Technique: D700 with 70mm-300 Nikkor lens at 200mm; 800 ISO.

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OUTER SUBURBS 58 – MODERN HOUSING 8 (MONO)

 

 


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Sunrise.

There are earlier Modern Housing posts here: 1 2 3 4 5 6 7 .  Each will open in a separate window.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

Technique: TG-5 at 25mm(equiv); 500 ISO; Lightroom, using the Camera Vivid film simulation; Silver Efex Pro 2, starting at the Landscape preset and adding a light Coffee tone; south Bristol; 1 Oct 2018.
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OUTER SUBURBS 56 – PATH THROUGH MODERN HOUSING 4

 

 

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Path between houses, in the early morning, just after dawn.

Earlier pictures of a paths through modern housing are here: 1 2 3 .  Each will open in a separate window.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 43mm (equiv); 2500 ISO; Lightroom, using the Camera Natural film simulation; south Bristol; 12 Dec 2018.

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OUTER SUBURBS 54 – JAGUAR (MONO)

 

 


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An up market car, a Jaguar, in the soft dew of the early morning. 

Or, then again, car porn, the type of image used to make us buy cars, or cameras, or whatever commodity is being marketed.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 .  Each will open in a separate window.

Click onto the image to open a  larger version in a separate window, and click onto that image to further enlarge it – recommended.

Technique: TG-5 at 74mm (equiv); 6400 ISO; Lightroom, using the Camera Vivid film simulation; Silver Efex Pro 2, starting at the Film Noir 2 preset and adding a split tone; south Bristol; 22 Dec 2018.
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