GARDEN 69 – ANGRY MORNING

 

 


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I was making a cup of tea in the kitchen, which faces due east, and being struck by the ferocity of the winter sunrise over to the southeast.  A wild morning, an angry morning, the sort of morning that has an undeniable wild beauty, but which takes some strength of resolve to get outdoors and get to grips with.

And in front of me an oak tree that I have watched grow up from a naturally sown acorn – perhaps buried and forgotten by a squirrel – over the past twenty or so years.  And although it does not know it yet, an unfortunate oak, a healthy and burgeoning tree that because of its close proximity to the house will have to be cut down in the near future.

But back again to that fierce, early light, which was transfixing as it radiantly backlit the few of the oak’s leaves that had managed to hang on during the recent gales.  The camera was to hand, and so to spot metering … and the wonderful luminosity of those last few leaves.

And although it is a rather underexposed caricature of the original, below is an idea, just an idea, of the angry sky that was producing this beautifully fierce, hard and cold light …
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Click onto each image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); spot metering; Lightroom; Bristol; 8 Dec 2017.
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STILL LIFE 174 – WINTER SUN, IN A CAR PARK

 

 


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Low angle winter sunlight floods across a car park, illuminating a front tyre.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 206mm (equiv); 800 ISO; Lightroom, using the Velvia/Vivid film simulation; Capture NX2; Temple Meads Station, Bristol; 1 Dec 2017.
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STILL LIFE 172 – BROAD STREET

 

 


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Early morning, and low angle sunlight – hard, cold, bright – sears across the facades of Broad Street.

Another early morning journey down into the city.  Staggering out of Hart’s Bakery after a hot, thick, toasted cheese, garlic and mushroom sandwich – and a hefty slice of moist bread pudding (paradise on Earth!) – I found the sun still only just struggling up over the tall southern skyline. 

And so swiftly on into the still dark canyons of the city centre’s streets, waiting for the sun, looking for the light.

And then it came, cold, bright and totally dazzling, and I was glad of the peak on my cap and the deep hood on my lens.  And so to this picture, looking across to the other side the road, and isolating details with the long end of a zoom; I used spot metering for precise exposure of a small part of the frame.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO; Lightroom, using the Velvia/Vivid film simulation; Broad Street, central Bristol; 1 Dec 2017.
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STILL LIFE 169 – DARK CAR (MONO)

 

 

Dark car

racing from the light,

drawn down by the white line,

drawn down into darkness.

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Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom; Silver Efex Pro 2, starting at the Architectural preset; fast road up over the Mendip Hills, above Compton Martin, Somerset; 24 Nov 2017.
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STILL LIFE 164 – LOOKING AT CHAIRS 7

 

 


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Public seating on the waterfront, close in with a telephoto.

This is the seat also pictured in black and white here, where it is viewed from the back.  The picture above is looking at this seat from the front.

The first post in this series on chairs, which contains context and an image, can be found here Subsequent posts are here: 2 3 4 5 6

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom, using the Velvia/Vivid film simulation; beside Welsh Back, central Bristol; 7 Apr 2017.
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BIRDS 96 – SWAN, PREENING

 

 


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Mute Swan reaching back behind its wing to get at an itch or readjust its feathers.  This shot was taken moments before that shown in the black and white Still Life 102 post.

Click onto this image to open a larger version in a separate window, and click onto that image to enlarge it yet again – highly recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom; Herriots Bridge, Chew Valley Lake, Somerset; 3 Apr 2017.
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STILL LIFE 160 – LOOKING AT CHAIRS 5

 

I’ve sampled the excellent food in Rosemarino’s Italian restaurant several times now, and taken some pictures while waiting for my meal to arrive.  Two photos (including a chair) are already posted here and here.

Now, looking at chairs some more, here are more Minimalist views of this restaurant’s simple but completely adequate seating.  My favourite amongst them?  Probably the second image down, for its simple silhouettes and pale, pastel colours – and also, looking at this image naively, the question: which are in the foreground, the colours or the silhouettes?

Which (if any!) of these images do you prefer?

The first post in this series on chairs, which contains context and an image, can be found hereSubsequent posts are here: 2 3 4

Click onto each image to open a larger version in a separate window.

Technique: all of these images are jpegs straight out of the X-T2; aside from application of the X-T2’s in-camera film simulations, there has been no post-capture processing whatsoever.  All were taken with the 55-200 Fujinon lens at 305mm (equiv); 400 ISO; spot metering.

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STILL LIFE 155 – TWO YELLOW CHAIRS, BACK TO BACK

 

 


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Two chairs, back to back, beside a window.

Sitting in Browns, waiting for the third breakfast of the long morning – a repast which might have equated to what we Brits call Elevenses, except that it was just after ten.

I always sit at any table that looks across the room towards the windows onto the street, because these provide good cross- and backlighting.

Click onto the image to open a larger version in a separate window, and then click onto that image to further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO; Lightroom; Browns Restaurant, Bristol; 19 May 2017.
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SOMERSET LEVELS 299 – MISTY MORNING, ALLERTON MOOR 3

 

 


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Looking into misty light, early in the day.

You can find other images from this dark and mysterious morning here and here.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom, using the Provia/Standard film simulation; Allerton Moor;  22 Aug 2017.
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PEOPLE 292 – PORTRAIT OF A GIRL (MONO)

 

 


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The daughter of friends, someone I’ve known for all of her life.  And now growing up fast, and long past the time when a favourite pastime was trying to pull my thumbs off.  And also a long time since, if she was at all unhappy, I could rattle a bunch of keys to instantly brighten her mood.  And, yes, now growing up fast – time rushes on – but still, as ever, a very valued friend.

Technique: D700 with 105mm Nikkor lens; 3200 ISO; Lightroom; Silver Efex Pro 2, starting at the Full Dynamic Smooth preset and adding a light tone; Bristol; 24 Aug 2017.
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