ARCHIVE 362 – RUDE GIRL

 

 


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Poster in the window of a beauty salon, seen through the shop’s security grill; Newquay, Cornwall; 11 Sept 2013.

Click onto the image to open a version in a separate window, and click onto that version to enlarge it.

Technique: D800 with 70-300 Nikkor lens at 240mm; 1600 ISO.

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ARCHIVE 361 – SWAN, PREENING (MONO)

 

 


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This image is best seen at larger scale – click onto to it to see a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Mute Swan at Herons Green, Chew Valley Lake, not far south of Bristol; 6 Apr 2015.

The bird is preening, busily rearranging its feathers in a flurry of activity that is sending concentric ripples out across the surrounding water.

There is another photo of this bird, in very different pose and style, here .

Technique: D700 with 70-300 Nikkor lens at 300mm; 200 ISO; -0.3EV; Silver Efex Pro 2, starting at the Low Key 2 preset.

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PEOPLE 334 – GOING TO WORK 65

 

 


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Early morning bus, in November: parka, mittens, screen time.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO; Lightroom, using the Velvia/Vivid film simulation; Bristol Bridge, central Bristol; 11 Nov 2016.
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KENYA 79 – YOUNG WOMAN FROM UGANDA (MONO)

 

 


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Young woman from Uganda, living in Nairobi; 1978/9.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: OM-2 with 75-150 Zuiko lens; Agfa CT18 colour slide, rated at 64 ISO; Lightroom; Silver Efex Pro 2, starting at the Warm Tone Paper preset.
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KENYA 78 – WARBLER AMONGST ACACIA THORNS

 

 


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Small warbler – perhaps a Cisticola – amongst fearsome Acacia thorns, any one of which could so easily transfix it; probably in Nairobi National Park, in the late 1970s.

The Cisticolas are a group of small warblers that that all look very similar to each other; they are the archetypal “small brown birds”.

Click onto the image to open a larger version in a separate window – recommended.

Technique: OM-1 with a Vivitar 400mm telephoto; Agfa CT18 colour slide rated at 64 ISO; Lightroom.  This would have been taken from the window of my car, from one of the tracks in the National Park.
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KENYA 75 – GRANT’S GAZELLE (MONO)

 

 


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Grant’s Gazelle, in the blazing overhead light of the equatorial midday; Nairobi National Park, Kenya; the late 1970s.

Despite being mainly a birder, I shot thousands of photos – mainly colour slides (transparencies) – while living in Kenya.  Some years back now, around the time I was starting up this blog, I scanned many of these photos, and others too, into digital – and now, looking through the folders on my computer, I’m rather taken aback to discover just how many of these scans there are!

Many of these scans have already been posted, but here is one that has yet to see the light of cyberspace – Grant’s Gazelle, one of the common, smaller antelopes on the open plains of Kenya.

Click onto the image to open a larger version in a separate window, and clock onto that image to enlarge it still further.

Technique: OM-1 with 75-150 Zuiko lens at 150mm; Agfa CT18 colour slide; Silver Efex Pro 2, starting at the Cool Tones 2 preset.
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BIRDS 107 – CHICKEN 5

 

 


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Once again, up close and personal – in close with a long telephoto.  I love getting in close like this to living things, both in terms of being there with them, and also of seeing the resulting very shallow depths of focus.

The expression is one of  consternation and horror – well, its not unknown for me to have that effect.   I like the curve of the body from the head out to the tail.  Compositionally, viewing the image from left to right as we Westerners do, the sweep of the creature’s back leads my eye into the photo and up and on to the in-focus face.

Other pictures of these birds, and context, are herehere and here.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm; 3200 ISO; Lightroom, using the Astia/Soft film simulation; Stanton Drew, near Bristol; 4 May 2018.
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STILL LIFE 223 – THREE FLOWERS

 

 


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Three flowers. 

One up close and personal: solid, real, in our world, in our face too maybe but, in any case, in the way we see things. 

The other two are hazy, more remote; vague, they are imperfect impressions of reality, such as might appear in our dreams, or under the influence of myopia or intoxication.  And yet these vague impressions reflect the human condition if not visual reality – one is damaged, wounded; the other marginalised and only partly seen.  

And all are pallid, desaturated; they are pale representations of how the world ought to be.

Technique: this effect has been produced in Lightroom, by setting Vibrance to -100 and reducing Contrast.  Today there’s mostly a trend towards either bright, attention-grabbing, vivacious colours or no colour at all – black and white.  But between the two lie many possibilities – possibilities that I for one frequently forget to consider.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom; Stanton Drew, south of Bristol; 4 May 2018.
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BIRDS 106 – WOOD PIGEON

 

 


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Looking up, in Church Lane.

There are other images from Church Lane, and more context, here.

Click onto the image to open a larger version in a separate window, and click onto the image to enlarge it further – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 800 ISO; Lightroom, using the Astia/Soft film simulation; Church Lane, Whitchurch, Bristol; 4 May 2018.
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ARCHIVE 352 – PAINTED LADY

 

 


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Painted Lady butterfly beside the South Drain, on Shapwick Heath, south of Westhay, on the Somerset Levels; 26 Oct 2009.

Technique: D700 with 70-300 Nikkor lens at 300mm; 800 ISO.

An absolutely beautiful and highly informative book which I recommend to anyone interested in butterflies and/or wildlife art is The Butterflies of Britain & Ireland, by Jeremy Thomas (a butterfly specialist) and Richard Lewington ( a very skilled artist); 1991; ISBN 0-86318-591-6 – highly recommended.  From this book I learn that this species is probably not permanently resident in any part of Europe, because it does not hibernate and  its caterpillars perish at any temperature below 5 degrees C.  Instead, the Painted Ladies that we often see in parks and gardens and in the countryside have probably bred around desert edges in Africa and Arabia, and then moved north up into Europe in huge numbers – something which I find impressive.

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