OUTER SUBURBS 159 – EARLY MORNING 30

 

 

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This picture is best viewed enlarged: click onto it to open a larger version in a separate window, and click onto that image to further enlarge it.

Bus shelter (with illuminated arrival times) beside a busy main road, a major route into the city from the south.  And the first, faint flush of sunrise.

A few minutes prior to this, crossing this road, I had witnessed two cars narrowly avoiding a collision, only to then myself narrowly avoid being hit by a driver speeding through a red light – ah, south Bristol ….. que je t’aime! …..

Other images in this Early Morning series – from both rural and urban settings, and from Kenya too – are here: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 .

Technique: TG-5 at 70mm (equiv); 800 ISO; spot metering; Lightroom, starting at the Camera Portrait profile; south Bristol; 27 Nov 2019.

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OUTER SUBURBS 158 – EARLY MORNING 29

 

 

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Other images in this Early Morning series – from both rural and urban settings, and from Kenya too – are here: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: TG-5 at 25mm (equiv); 800 ISO; spot metering; Lightroom, starting at the Camera Vivid profile; south Bristol; 9 Nov 2019.
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OUTER SUBURBS 146 – EARLY MORNING 25

 

 

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Other images in this Early Morning series – from both rural and urban settings, and from Kenya too – are here: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 100mm (equiv); 800 ISO; Lightroom, starting at the Camera Vivid profile; south Bristol; 19 Oct 2019.
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OUTER SUBURBS 144 – EARLY MORNING 24

 

 

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Autumn begins and, as always, its welcome.  For one thing, sunrises are getting later in the day – I’ll be photographing in the dark soon!  And there are always the colours and mists of autumn, and the certain – and perhaps reassuring –  feel of the year getting older.

Other images in this Early Morning series – from both rural and urban settings, and from Kenya too – are here: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 .

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: TG-5 at 100mm (equiv); 400 ISO; spot metering; Lightroom, starting at the Camera Portrait profile; south Bristol; 17 Oct 2019.
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SOMERSET LEVELS 416 – LIGHTHOUSE (MONO)

 

 

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The lighthouse on Flat Holm island in the Bristol Channel, on a stormy day.  In the background, the coast of south Wales.

The Somerset Levels run out westwards into the sea – into the Bristol Channel in fact – and on this low coast are two rather cheap and cheerful seaside towns, Weston-super-Mare and Burnham-on-Sea.  The heyday of the family seaside holiday is long past, and both of these towns are rather feeling the economic pinch.  This coast is notable for having the second highest tidal range in the world – 43 feet (13 m) – and also for the fact that, since the Bristol Channel is in fact the estuary of the River Severn, in addition to some nice sandy beaches there are also vast amounts of glutinous estuarine mud – Weston-super-Mud being the rather unkind jibe.

But Weston is also notable to me for another reason: it is my home town, the place of my youth, some of it altered out of all recognition now of course, but still filled with a vast and undying store of memories.

And so to a visit there on a wet and windy day – its only 20 miles or so from Bristol.  And standing high above the sea, bracing myself against the gale, I looked out over the seascape of my youth.  There in the murk was Flat Holm island, not a part of Somerset (or even of England) at all, but rather the most southerly point of Wales.  A sudden break in the overcast, a fleeting moment of sunlight, and I managed several frames.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

Technique: Z 6 with 70-300 Nikkor lens at 300mm; 1600 ISO; Lightroom, starting at the Camera Graphite profile; Silver Efex Pro 2, starting at the Neutral preset; looking west from Upper Kewstoke Road, Weston-super-Mare, Somerset; 4 Oct 2019.

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ARCHIVE 422 – EARLY MORNING 20

 

 

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Sunrise over stratus cloud, seen from a London-Nairobi flight on 25 Sept 1979.

Back in those days, my (very portable) camera was often with me, and flights to and from Kenya were vast photo opportunities – here I’m flying south, and sitting on the left of the plane to catch the sunrise.

Below, the world is shrouded in a great blanket of stratus cloud, and the low angle light of the sunrise reveals the cotton wool textures on the cloudbank’s upper surface.

Stratus is the name for clouds that form a layer or stratum, whereas clouds that consist of many discrete parts – sometimes looking like lots of balls of cotton wool – are known as cumulus.  Cirrus clouds are the thin veils of vapour that form high up in the atmosphere.  These three cloud types all intergrade to give, for example, stratocumulus, a cloud that is in layers that consist of individual smaller cloudlets.

Other images in this Early Morning series – from both rural and urban settings, and from Kenya too – are here: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 .

Click onto the image to open a larger version in a separate window.

Technique: OM-1 with 50mm Zuiko lens; Agfa CT18 colour slide rated at 64 ISO; Color Efex Pro 4; Dfine 2.

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SOMERSET LEVELS 415 – EARLY MORNING 19 (MONO)

 

 

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A stormy morning, and Westhay Moor Drove – one of the many dead straight roads in this relatively recently created, lowland landscape – makes off eastwards towards the wild sky of the sunrise.

Other images in this Early Morning series – from both rural and urban settings, and from Kenya too – are here: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T2 with 10-25 Fujinon lens at 15mm (equiv); 200 ISO; Lightroom, starting at the Camera Acros+R profile; Westhay Moor Drove, Westhay Moor, on the Somerset Levels southeast of Wedmore; 9 Aug 2019.
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ARCHIVE 421 – EARLY MORNING 14

 

 

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Sunrise over the Maasai Mara Game Reserve, southwest Kenya; Nov 1977.

Well, a 37 year old colour transparency that resided for over a decade in the heat and humidity of the tropics.  The colours are altering slightly, a little too much purple or mauve in there now, I think.

But does this matter, is this important?

I could refrain from posting this image because it is no longer a totally accurate representation of the scene – or simply enjoy it for what it now is.

To me, the former option would be far more than a tad puritanical, somewhere along a long road to nowhere perhaps.  Somewhere I never want to be.

Other images in this Early Morning series – from both rural and urban areas – are here: 1 2 3 4 5 6 7 8 9 10 11 12 13 .

Click onto the image to open a larger version in a separate window.

Technique: OM-1 with 28mm Zuiko lens; Agfa CT18 colour slide, rated at 64 ISO.

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OUTER SUBURBS 133 – EARLY MORNING 13

 

 

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Early morning: looking up above a main road.

Other images in this Early Morning series – from both rural and urban areas – are here: 1 2 3 4 5 6 7 8 9 10 11 12 .

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: TG-5 at 100mm (equiv); 200 ISO; Lightroom, using the Camera Natural profile; south Bristol; 28 Aug 2019.
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OUTER SUBURBS 132 – EARLY MORNING 12

 

 

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The rising sun lights a roadside tree, which has been pollarded (scalped might be a better description) perhaps a little late in the season >>> and so it brightens my mornings to see it sprouting lots of new leaves before autumn really gets itself into gear.

This is the thing really.  While our species is creating havoc with the natural world – while during the Anthropocene we are causing another of the great species extinctions that have occurred in the geological past (think dinosaurs and comet impacts for example)  – given just half a chance Nature never stops >>> LOL! >>> as gardeners who try to impose their will on it will readily testify!

Other images in this Early Morning series – from both rural and urban areas – are here: 1 2 3 4 5 6 7 8 9 10 11 .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 35mm (equiv); 400 ISO; Lightroom, starting at the Camera Natural profile; south Bristol; 27 Aug 2019.
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