ARCHIVE 377 – CORN GROWING IN BLACK PEAT SOIL (MONO)

 

 


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Corn sprouting in the black peat soils of Westhay Moor, south of Wedmore, on the Somerset Levels; 3 June 2016.

There is another “pylon-scape” here.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: X-T1 with 55-200 Fujinon lens at 113mm (equiv); 3200 ISO; Silver Efex Pro 2.

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PEOPLE 360 – THE ARCHITECTURE OF YOUR WARDROBE (MONO + COLOUR)

 

 


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Walking, in central Bristol.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: X-T1 with 55-200 Fujinon lens at 106mm (equiv); 400 ISO; LightroomSilver Efex Pro 2, starting at the Fine Art High Key preset and selectively restoring colour; central Bristol; 16 Sept 2016.
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PEOPLE 359 – MAN WITH A PHONE (MONO)

 

 


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Man with a phone.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom; Silver Efex Pro 2, starting at the Pinhole preset; Deanery Road, central Bristol; 9 Sept 2016.
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STILL LIFE 248 – LOOKING AT CHAIRS 25: ARMCHAIR WITH CUSHION

 

 


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Armchair with cushion.

The first post in this series on chairs, which contains context and an image, can be found hereSubsequent posts are here: 2 3 4 5 6 7 8  9  10  11 12 13 14 15 16 17 18 19 20 21 22 23 24 .  Each will open in a new window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 3200 ISO; Lightroom; flipped, rotated; Cosy Club, Corn Street, Bristol; 5 Aug 2016.
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PEOPLE 358 – TRUE STORY

 

 


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I was looking at adverts in the windows of Bristol’s Broadmead shopping centre, thinking of trying for images about capitalism, materialism, consumerism, greed and so on – getting a bit radical about it all.  There came a giggling and a jostling just behind me … well I can have that effect on people … but turning I found two young women, probably in their early 20s, clearly together, clearly amused, looking over my shoulder.

Turning back to further fathom my great anti-capitalist ideal, I heard a loud smirk, followed by “… £79 … do you think that includes his clothes? …” and then a storm of giggles.

Ah … Bristol!” came into my mind, but maybe that should have been “Ah … Life!“.  After all, how boring Life would be if our senses were immune to things like wonder, humour and a sense of the absurd.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: X-T1 with 55-200 Fujinon lens at 202mm (equiv); 1600 ISO; Lightroom, using the Astia/Soft film simulation; Broadmead, central Bristol; 16 Aug 2016.
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PEOPLE 356 – GOING TO WORK 83 (MONO)

 

 


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Walking to work, early on a summer’s morning.

A silhouette, and an image about shape, form, shadow and texture.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 1000 ISO; Lightroom, using the Classic Chrome film simulation; Silver Efex Pro 2, starting at the High Contrast Harsh preset; near Bristol Bridge, Baldwin Street, central Bristol; 19 July 2016.
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STILL LIFE 247 – LOOKING AT CHAIRS 24: TWO CHAIRS AND A TABLE

 

 


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Table and chairs, for smokers and sun-worshippers, on the pavement outside a Bristol pub.

The backdrop, which considerably simplifies the picture, is some kind of hanging fabric, through which traces of words and patterns can faintly be seen.  In many instances, visual simplification is good – as enshrined in the KISS principle, which I think originated with press photographers, decades ago: KISS = Keep It Simple, Stupid!

The first post in this series on chairs, which contains context and an image, can be found hereSubsequent posts are here: 2 3 4 5 6 7 8  9  10  11 12 13 14 15 16 17 18 19 20 21 22 23 .  Each will open in a new window.

Click onto the image to open a larger version in a separate window.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom, using the Velvia/Vivid film simulation; Victoria Street, central Bristol; 16 Sept 2016.
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STILL LIFE 246 – LOOKING AT CHAIRS 23: CHAIR BEHIND DIRTY WINDOW

 

 


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A little while back, I decided to bring down the curtain on a series of images that I was doing called Looking At Chairs.  These were mainly more or less graphic studies – because, as with cars, chairs are often visually interesting, depending upon the directions from which they are viewed, in combination with the direction and nature of the light that is falling upon them.  Some said that they’d like to see more such images and, weak-willed pawn that I am, I agreed to further posts, as and when such images surfaced.  Here is one; one or two more are in the pipeline.

Silhouette of a chair on a dirty window.

The first post in this series on chairs, which contains context and an image, can be found hereSubsequent posts are here: 2 3 4 5 6 7 8  9  10  11 12 13 14 15 16 17 18 19 20 21 22 .  Each will open in a new window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T1 with 55-200 Fujinon lens at 212mm (equiv); 800 ISO; Lightroom; Welsh Back, central Bristol; 5 Aug 2016.
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STILL LIFE 245 – LITTLE KING STREET

 

 


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Tag on the wall of a bar.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T1 with 55-200 Fujinon lens at 223mm (equiv); 400 ISO; Lightroom, using the Velvia/Vivid film simulation; Little King Street, central Bristol; 19 July 2016.
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BRISTOL 130 – THE OUTER SUBURBS (MONO)

 

 


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Bristol’s city centre is actually quite small, it can be walked right across in an hour or so, but it is surrounded by suburbs that are vaster (and often wealthier) on the north, and smaller (and in many parts less well to do) on the south.  Most of my pictures of the city have been from the city centre but here is one quite far out in the southern suburbs.  This is the A37, known as the Wells Road, which is a main artery heading south out of the city towards the tiny city of Wells, and also Yeovil and – that (to me anyway) holiest of holies – the county of Dorset.

The edge of the city is not far ahead, perhaps a couple of miles or so, and beyond that are some of my favourite areas of countryside – the Chew Valley, the Mendip Hills and, of course – perhaps my spiritual home – the Somerset Levels.  This blog has image Categories for each of those areas – see the Categories drop-down list, which can be found in the sidebar, just below the gravatars of readers who have left Comments.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again – recommended.

Technique: X-T1 with 55-200 Fujinon lens at 129mm (equiv); 400 ISO; Lightroom, starting at the Provia/Standard film simulation; Silver Efex Pro 2, starting at the Antique Portrait preset; south Bristol; 19 July 2016.
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