Something of a milestone, I suppose, my 300th post from these lush, wet (often very wet!!!) flatlands. What can I say? I love the place. I love the very basic, what-you-see-is-what-you-get simplicity of the place. There is no advertising hype here, no marketing, no tourism, just a flat landscape, the local farmers, the occasional person walking their dog, the occasional person simply walking, the occasional birdwatcher or photographer, and that’s it.
Many years ago, I recall going into the single shop in Westhay (which has long since closed down) and saying to the shopkeeper “There aren’t many people about this morning”, to which I received the somewhat mournful response “There are never many people about round here”. Bring it on! The place is not of course immune from the noise of motor vehicles, but sometimes there are just the sounds of the wind, the birds, the cows, and the soft lapping of water.
And here on Tealham Moor, and on the nearby Tadham Moor too, great big open skies which powerfully remind me of the vast open skies above Africa – actually, more specifically, the skies above Kenya. For me, there are far too many people in England, but that’s not the problem it might be because in the main, and especially so away from tourist areas, most people stay relatively close to their cars.
So, what is pictured here? Well, flat land, land at or just below sea level, that was underwater in the geologically extremely recent past – I’m talking of only a few hundred years ago – and which will be underwater again in due course, when the coastal defences along the nearby Bristol Channel can no longer totally hold back the sea. In Roman times, seagoing boats regularly crossed this area, inland to Glastonbury.
As we look at this view, there is slightly higher ground up on the right. Not long ago, that was an island. And the dead straight waterway disappearing off towards the horizon on the left is the North Drain – a totally man-made channel vital to the drainage of the area.
The large white birds are Mute Swans, a species whose wings make a beautiful, rhythmic singing sound in flight.
And finally, not far beyond the horizon, along the muddy shores of the Bristol Channel, well, that’s where I come from. If I have one, that’s my homeland.
Click onto the image to open a larger version in a separate window – recommended.
Technique: X-T1 with 10-24 Fujinon lens at 15mm (equiv); 400 ISO; Lightroom, using the Astia/Soft film simulation; Tealham Moor, south of Wedmore; 24 June 2016.
SOMERSET LEVELS: SOME KEYWORDS
And finally – some keywords that will often be mentioned in this archive series:
Droves: to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.
Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field. These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.
Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.
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