ARCHIVE 577 – NEAR WEST LITTLETON (MONO)

 

 


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Early in the day: above the byway, east of West Littleton; South Gloucestershire; 12 Apr 2017.

More context on this second visit to the extreme south of the Cotswold Hills, and more images, can be found here.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 206mm (equiv); 400 ISO; Lightroom; Silver Efex Pro 2, starting at the Neutral preset.

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ARCHIVE: LOOKING AT CARS 17 – DARK CAR (MONO)

 

 

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An image of three parts.  The two cars, manufactured and highly mobile confections of metal, plastic, rubber and glass, racing away from each other on a road that is certainly not for those more sensitive souls who are forever slowing down to compose poetry or look at the wildflowers.

And then the white line in the road’s center, undulating slightly as it climbs towards the hill’s crest.

And finally the light, spotlighting the dark car as it rushes urgently towards us,  and seen more faintly through the trees on the right, and then more brightly (the light at the end of the tunnel?) on the left.

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom; Silver Efex Pro 2, starting at the Architectural preset; fast road over the Mendip Hills, above Compton Martin, Somerset; 24 Nov 2017.
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ARCHIVE 573 – MORNING SKY, LOOKING NORTH (MONO)

 

 


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Looking up, looking to the north, early on a spring morning.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.  

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 10-24 Fujinon lens at 15mm (equiv); 800 ISO; Lightroom, using the Provia/Standard film simulation; Silver Efex Pro 2, starting at the Landscape preset and adding a Split Tone; Bourtonbridge Drove, Queen’s Sedge Moor, on the Somerset Levels; 26 April 2019.

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ARCHIVE 568 – NEAR WEST LITTLETON

 

 


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Something Minimal, there’s really not much here, both in terms of content and colour, but straight black and white would lose a little I think.  And the bird – and getting focus on the bird – were fortuitous!

Click onto this image to open it in a separate window.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom, using the Classic Chrome film simulation; near West Littleton, South Gloucestershire; 12 Apr 2017.

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ARCHIVE 567 – BICYCLE

 

 


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A bicycle.  Blue and yellow.  And in my mind its lying down, relaxing, but raising one pedal to look at me.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 800 ISO; Lightroom, using the Velvia/Vivid film simulation; The Grove, central Bristol; 12 May 2017.

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ARCHIVE 563 – FOUR CHAIRS BELOW A TABLE (MONO)

 

 


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Browns restaurant, Queens Road, Bristol; 3 Feb 2017.

My day started early as they often do, and I got downtown at dawn and took a few photos.  But my heart wasn’t really in it because I know that yet another deep depression was steamrollering its way in from the Atlantic, and that it would be saturating Bristol with rain well before the morning was through.

And so to a stop in Browns up market (and certainly not down budget!) palace for Eggs Royale and a pot of very nice english tea.  I lounged there, looking around and feeling a bit out of things after the early start, and a table with four chairs that was catching the light from a window kept drawing my eye.

And so to opening my bag and getting out the camera, and looking through the viewfinder – but by then a couple had occupied the table next to the one I was looking at, and I had the uncomfortable feeling that they thought the camera was being pointed at them.  But at least this Fuji is not so large and intimidating, or so loud, as the Nikons, and I pressed quickly on and took two frames.

Technique: the table’s top was brightly lit and cluttered with many things, but I liked the look of the seats of the four chairs that were faintly glowing in the table’s shadow – and so to a composition in which the table’s bright and cluttered top is squeezed into the top fifth or so of the frame, while the seats of the chairs glow in the less brightly lit ‘underworld’ below.  There was a lot of contrast in the scene but the camera’s multi-zone metering (aided by the live histogram I’ve opted to have visible in the viewfinder) dealt with it well, and although the colour image is attractive – one of those instances where the near absence of colour really works – it really seemed to be a scene that would suit black and white, and so to SEP2.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 125mm (equiv); 12,800 ISO; Lightroom; Silver Efex Pro 2, starting at the Full Dynamic Smooth preset and adding a tone.

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ARCHIVE: LOOKING AT CARS 3 – RIVER OF WHEELED METAL

 

 


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The walk to work, across the slowly moving river of claustrophobically packed, wheeled metal that, edging disconsolately forwards, approaches the unpromised land of work stations and places.

The Looking at Cars series: looking back through the nine years of the FATman Photos archives, I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 .

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window – recommended.  

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 6400 ISO; Lightroom, using the Velvia/Vivid film simulation; Temple Gate, Bristol; 2 Feb 2018.
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ARCHIVE: LOOKING AT CARS 1 – TWO CARS

 

ARCHIVE: LOOKING AT CARS – A NEW CATEGORY ON THIS BLOG

I’ve been posting pictures of parked cars, most of which have been taken quite recently, as part of this blog’s Outer Suburbs category.  Looking back through nine years of archives though, I’ve found posts with many other studies of cars – some of which are abstract (and some downright peculiar … ) and many of which I’ve forgotten about. 

And so, having posted the  Looking at Chairs series in the past, I’ll try another archive –  Archive: Looking at Cars – and see how it goes.  As always, I’ll try for a mix of images, i.e. a range of ways of looking at cars.  This first image is an abstract, but there’ll be other styles too.  Hope you’ll enjoy the pictures!

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Cars parked next to each other – looking through the windows of the nearest car to the one behind.

Click onto the image to open a larger version in a separate window.

Technique: X-T2 with 55-200 Fujinon lens at 205mm (equiv); 400 ISO; Lightroom, including adding Fuji’s Velvia colour profile; thin black border added in Color Efex Pro 4; outside Harts Bakery, Bristol; 7 Apr 2017.

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ARCHIVE 551 – WINDOW BOX

 

 


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Window box in Christmas Steps, a narrow and ancient alleyway in Bristol city centre.

May sunshine was flooding across Bristol, but one side of the deep cleft of Christmas Steps was still in deep shadow.  I’m not usually someone who waits around for photos to happen, I’m usually on the move, if only slowly.  But the sunlight was inching its way around towards the Steps’ northeastern side – you could almost see the light creeping across the masonry – and I decided, this once, to be patient, because I wanted to see the light flooding across the textures of the buildings’ facades.

It seemed like an eternity, but a cat came over to see me and that passed some of the time.  And then the blazing light hit a window box, with the wall behind it still in deep shadow, and I took this picture.  The slightly open window frame is glowing in light reflected from a shop sign just out of shot on the left.

What does this picture do for me?  Well, it talks to me about peace – something not in limitless supply in the UK on this particular Sunday morning – and quiet; it talks about warm air, warm breezes and warm shadows to relax in, and some release from the pace, stresses and lowered quality of modern life.  It reminds me of pictures from more southerly climes, there’s something Mediterranean here perhaps, something not experienced over large parts of the year by us relative northerners.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 195mm (equiv); 200 ISO; spotmetering for highlights; Lightroom, using the Provia/Standard film simulation; Christmas Steps, central Bristol; 26 May 2017.

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ARCHIVE 550 – SHOP SELLING BRIDAL WEAR

 

 


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Elegant, graceful bling: it comes at a price mind, but then its for the day when no expense is spared and perfection is the sole (no pun intended!), simply must-have outcome.

There is another Queens Road dress here.

Click onto the image to open a larger version in a separate window.

Technique: X-T2 with 55-200 Fujinon lens at 276mm (equiv); 400 ISO; Lightroom, using the Velvia/Vivid film simulation; Queens Road, central Bristol; 7 Apr 2017.

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