ARCHIVE: LOOKING AT CARS 73 – GOING TO WORK 29 (MONO)


 

Going to work.  The bike beats the jams but he’s jammed in – anonymous, wary, vulnerable, claustrophobically picking his way between shifting walls of gleaming metal and glass; lungs poisoned by fumes, ears blasted by engines and horns, and always the thought that he’ll fare worst in any tussle with these mechanised beings.

Oh come, you’ll say, mechanised beings? – each has a human driver!  Well, the way things are going, that will not be true for too much longer – so, thinking of the Terminator films – is this Rise Of The Machines???

Technique: this is tight crop, aimed at accentuating how the cyclist is being hemmed in, to accentuate how the “mobile metal monsters” are queuing up to squeeze closely past him.  And these feelings of claustrophobia are (hopefully!) added to by cropping The Man Himself; and especially so his eyes, which at once renders him anonymous and unknown; leaving only his mouth, which looks rather taut, stressed and ready for the worst.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T1 with 55-200 Fujinon lens at 300mm (equiv); 400 ISO; LightroomCapture NX2; Baldwin Street, central Bristol; 19 July 2016.



ARCHIVE: LOOKING AT CARS 70 – GOING TO WORK 10


Something from the Going to Work series, which seems a long time ago now:

He’s giving me a rather fixed stare.  I’m glad we weren’t sharing the back seat ……..

Click onto the image to open a larger version in a separate window.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 800 ISO; morning rush hour, Baldwin Street, central Bristol; 5 Aug 2016.



ARCHIVE 604 – ON THE UPPER DECK OF THE EARLY MORNING BUS

 

 


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Three travellers on the upper deck of the early morning bus to work.

The woman beside the window is engrossed in a newspaper, her expression reacting – negatively, perhaps –  to the day’s news.  But the other two people – further into the shot and less clearly seen – appear more passive and preoccupied.  And the steaminess of the bus’s window is thick, almost opaque in places, and densely textured.

Those two people at the back get to me.  First, they can only be partly seen, its almost as if they are fading into the background – which brings thoughts about the dehumanising effects of some workplaces, and of the unnaturalness of lives spent commuting and working in cities.  And second, both of these people are staring fixedly ahead.  Are they somewhere far away in daydreams, or do they see something nearer at hand, closer ahead, in either the present time or in times soon to come?

Also, this blurred image is starting to look like some sort of painting or daub (more probably the latter), and when any photo does this I feel I’m getting somewhere.

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a  larger version in a separate window, and click onto that image to enlarge it further – recommended >>> come on in, the grain is lovely!

Technique: X-T2 with 55-200 Fujinon lens at 300mm (equiv); 12,800 ISO; Lightroom, using the Provia/Standard film simulation; Temple Meads, central Bristol; 15 Dec 2017.

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ARCHIVE: LOOKING AT CARS 38 – RUSH HOUR (MONO)

 

 


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Morning rush hour:  alone amongst a torrent of temporarily stationary metal.

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  These Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 .  Each post will open in a separate window.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T1 with 55-200 Fujinon lens at 300mm (equiv); 400 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the Cool Tones 2 preset, giving the image the look of Fuji Neopan Acros 100 black and white film, and adding a strong selenium tone; Victoria Street, central Bristol; 11 Nov 2016.
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OUTER SUBURBS 286 – EARLY MORNING, LEAVING FOR WORK

 

 


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Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 100mm (equiv); 1600 ISO; spot metering; Lightroom, starting at the Camera Portrait profile; south Bristol; 23 Oct 2020.
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BRISTOL 171 – STREET SCENE 11

 

 


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Other images in the Bristol Street Scenes series are here: 1 2 3 4 5 6 7 8 9 10 .  Searching on the “street” tag (below here) will also find these posts.

Click onto the image to open a much larger version in a separate window – definitely recommended.

Technique: TG-5 at 38mm (equiv); 1600 ISO; Lightroom, using the Modern 01 profile; Bedminster, south Bristol; 21 Jan 2020.
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PEOPLE 398 – GOING TO WORK 105

 

 


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The morning rush hour, people coming in to work from the south and passing beneath one of the Bristol’s main railway lines.

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 40mm (equiv); 800 ISO; Lightroom, starting at the Camera Portrait profile; Bedminster, south Bristol; 29 Jan 2019.

Recent Going to Work posts are here: 93 94 95 96 97 98 99 100 101 102 103 104 . Each will open in a separate window. (Post 100 contains selected images from the first 99 posts.)

GOING TO WORK: THE EARLIER POSTS: 1-92.

You can see a summary of the Going to Work series here .

Earlier images from this series can be found here: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 . Each will open in a separate window.

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PEOPLE 395 – CHRISTMAS CHEER

 

 


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Contemplating cold reality in the Season of Good Cheer: waiting for a bus in the morning rush hour.  Christmas seems so long ago now, and as far away and inaccessible as this tree is – inside the glass in the warm – from this man, who is outside the glass in the cold. 

Still, the only way is forward – as I read on blogs this morning, we should try to concentrate on the here and now and not be brought down by the prospect of what may be ahead.  This seems good advice.  Some recent thoughts on coronavirus are here .

Click onto the image to open a larger version in a separate window.

Technique: X-T2 with 55-200 Fujinon lens at 300mm (equiv); 6400 ISO; Lightroom, starting at the Camera Astia/Soft profile; central Bristol; 15 Dec 2017.
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SOMERSET LEVELS 452 – GOING TO WORK, TOTNEY DROVE (MONO)

 

 


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Going to work – at high speed – over pretty dreadful, single track roads in the wilds of Somerset.  Becoming temporarily airborne is a feature of these exciting rides. 

Click into the image to in a larger version in a separate window – highly recommended.

Technique: Z 6 with 70-300 Nikkor lens at 262mm; 200 ISO; jpeg created and processed in-camera from a raw file, using the Graphite profile; Tealham Moor, on the Somerset Levels southwest of Wedmore; 14 Feb 2020.
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PEOPLE 394 – GOING TO WORK 104

 

 


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Life in the city, going to work.

Click onto the image to open a larger version in a separate window.

Technique: X-T2 with 55-200 Fujinon lens at 300mm (equiv); 6400 ISO; Lightroom, starting at the Camera Astia/Soft profile; central Bristol; 1 Dec 2017.

Recent Going to Work posts are here: 93 94 95 96 97 98 99 100 101 102 . Each will open in a separate window. (Post 100 contains selected images from the first 99 posts.)

GOING TO WORK: THE EARLIER POSTS: 1-92.

You can see a summary of the Going to Work series here .

Earlier images from this series can be found here: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 . Each will open in a separate window.

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