ARCHIVE 387 – MORNING RUSH HOUR, BROAD QUAY (MONO)

 

 


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Morning rush hour, Broad Quay, Bristol; 9 Dec 2016.

This is an early image from the Going to Work series: a recent image in this series can be found here .

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO;  Silver Efex Pro 2, starting at Full Dynamic Harsh preset.

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PEOPLE 363 – GOING TO WORK 87 (MONO)

 

 


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This image is best viewed enlarged: click onto it to open another version in a separate window, and click onto that image to further enlarge it.

At long last I’ve used the Olympus TG-5 TOUGH camera for what it is designed for – appalling weather.  Early on a Thursday morning, I was returning from one of my long walks around south Bristol, when the skies opened.  Wedging myself into a shop doorway to escape the worst of the deluge, I looked out over a grey and pouring main road, with a solitary soul sitting in a bus shelter, on their way to work.  The scene looked promising, and the TG-5 is after all claimed to be waterproof down to quite a depth underwater – a year ago, I bought it to photograph in the rain after all!

And so I started firing frames.  I would have dearly liked to have has a longer telephoto but – well, we just do the best we can with the camera we have with us.  And, as usual, if I see something that might have visual appeal, I take quite a few pictures, with varying compositions and viewpoints – not having to worry about how many frames I have left is one of the very beautiful and eminently user-friendly aspects of digital!!!

So here is yet another take on the early morning journey into work.  At least the shelter keeps her huddled figure dry, and buses into the city centre are regular along this main road.

Technique: because I didn’t have a longer telephoto with me – the TG-5 only goes up to 100mm equivalent, which = x2 magnification – this is an enlargement of a small area of the frame – and I’m impressed with what this little camera has achieved.  The low ISO (400) helped, and the 1/250th shutter speed has elongated the raindrops, and so given more sense of the downpour, more atmosphere.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 Each will open in a separate window.

Technique: Olympus TG-5 at 38mm (equiv) ; 400 ISO; Lightroom, using the Camera Vivid film simulation; Silver Efex Pro 2, starting at the High Structure Harsh preset and adding a light Selenium tone; south Bristol; 8 Nov 2018.
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PEOPLE 362 – GOING TO WORK 86

 

 

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An old and very dear friend of mine is a professional psychologist and avid people-watcher.  Her insights into everyday human behaviour never cease to fascinate and amaze me.  I had the idea sometime back of giving her a photobook of the Going To Work images (produced via Blurb) for her birthday, and that project is moving ahead.  In the course of assembling these pictures for use in her book, I have found six images that have not been posted in the Going To Work series but which really belong there, and so I am incorporating them into this series here.  This is the last of the six.  You can find the other images here: 1 2 3 4 5 : each will open in a separate window.

Another early morning in the city.  I walked up Crow Lane, away from the harbour’s glistening waters, and photographed the clown poster.  Then, as I turned squinting into the bright morning light, there was a man, silhouetted, sitting in his car and totally immersed in his phone.  If I had to pick a single, important facet of this image, it would be the tiny point of light visible through his otherwise silhouetted glasses: to me, this brings him more alive, rather than being just a blank silhouette.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto the larger image to enlarge it yet again.

Technique:  a telephoto zoom is ideal for this sort of quick, close in, intimate shot – the Fuji 55-200 (a 85-305 35mm equivalent) is often the only lens I carry.  And, when out photographing, I make a habit of frequently looking behind me – and especially so if the light is coming from behind me – and of doubling back on myself >>> you never quite know what might be lurking back there!   X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; spotmetering for the highlights; Lightroom.
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PEOPLE 361 – GOING TO WORK 85 (MONO)

 

 


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An old and very dear friend of mine is a professional psychologist and avid people-watcher.  Her insights into everyday human behaviour never cease to fascinate and amaze me.  I had the idea sometime back of giving her a photobook of the Going To Work images (produced via Blurb) for her birthday, and that project is moving ahead.  In the course of assembling these pictures for use in her book, I have found six images that have not been posted in the Going To Work series but which really belong there, and so I am incorporating them into this series here.  This is the fifth of the six.  You can find the other images here: 1 2 3 4 : each will open in a separate window.

Caught in traffic.

Taking her chance amongst the traffic surging along Queens Road, on the edge of Bristol’s up market Clifton suburb.

The converging cars remind me of a wolf or shark pack closing in upon her – especially the sharp and down-curved “snout” of the car at upper right.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: D700 with 70-300 Nikkor lens at 300mm; 6400 ISO; Silver Efex Pro 2, starting at the Full Dynamic Smooth preset; 2 Dec 2016.

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PEOPLE 357 – GOING TO WORK 84 (MONO)

 

 


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An old and very dear friend of mine is a professional psychologist and avid people-watcher.  Her insights into everyday human behaviour never cease to fascinate and amaze me.  I had the idea sometime back of giving her a photobook of the Going To Work images (produced via Blurb) for her birthday, and that project is moving ahead.  In the course of assembling these pictures for use in her book, I have found six images that have not been posted in the Going To Work series but which really belong there, and so I am incorporating them into this series here.  This is the fourth of the six.  You can find the other images here: 1 2 3 .

Waiting for the morning bus.

Composition: the two men in the foreground make this image, and there are at least two ways of viewing the resulting composition.  I first thought that the man on the right, the one peering around the edge of the shelter, makes this image – probably because he’s sharp and not obscured by the sunlit grime of the shelter’s transparent side.  My eyes seemed first to go to him, and then to the fully exposed face of the older man on the left, and thence on to the other two, half-seen men further back in the shelter.  But now I wonder if the older man on the left is not the attention grabber and, if that is the case, then there is a dynamic – do I go from him to look at the man on the right (which I probably do), or go to look at the men at the back – and thence find my eyes going back and fore along this “human chain”?  What do you think?  Who do you look at first?

With superhuman patience I might have been able to further reduce the amounts of grime visible on the shelter’s side, but I don’t have that patience and, anyway, this is unprettified city life.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and then click again on this larger version.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom; Silver Efex Pro 2, starting at the Strong Infrared High Contrast preset and adding a light coffee tone; Victoria Street, central Bristol; 24 Feb 2017.

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PEOPLE 356 – GOING TO WORK 83 (MONO)

 

 


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Walking to work, early on a summer’s morning.

A silhouette, and an image about shape, form, shadow and texture.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 1000 ISO; Lightroom, using the Classic Chrome film simulation; Silver Efex Pro 2, starting at the High Contrast Harsh preset; near Bristol Bridge, Baldwin Street, central Bristol; 19 July 2016.
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PEOPLE 355 – GOING TO WORK 82

 

 


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Inbound: the blazing headlights, blaring horns and sheer cut and thrust of the morning rush into work.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image enlarge it further.

Technique: X-T2 with 55-200 Fujinon lens at 285mm (equiv); 6400 ISO; Lightroom, using the Velvia/Vivid film simulation; Temple Gate, Bristol; 2 Feb 2018.
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PEOPLE 353 – GOING TO WORK 81

 

 


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The early morning bus in winter: close, overheated, steamy, and everyone dressed for the cold outdoors.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 6400 ISO; Lightroom, using the Provia/Standard film simulation;  Temple Gate, Bristol; 2 Feb 2018.
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PEOPLE 352 – GOING TO WORK 80

 

 


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An old and very dear friend of mine is a professional psychologist and avid people-watcher.  Her insights into everyday human behaviour never cease to fascinate and amaze me.  I had the idea sometime back of giving her a photobook of the Going To Work images (produced via Blurb) for her birthday, and that project is moving ahead.  In the course of assembling these pictures for use in her book, I have found six images that have not been posted in the Going To Work series but which really belong there, and so I am incorporating them into this series here.  This is the third of the six.  You can find the other images here: 1 2 .

This is morning rush hour, this is the city, and in this view of the city are only two representatives of the real, Natural World.  At lower right, a real, living person, who is hurrying to work through an artificial canyon ablaze with faces, noise and messages, all crowding in close, claustrophobically close, all around her.  She hurries to get through it all, she hurries to be rid of it all.

And the only other representative of the Natural World in all of this artificially constructed reality is the sky is at upper right – calm, quiet, cloudy and serene, tainted only by our fumes and emissions.

Photographically, I enjoy the city, I love being there with a camera, this artificial, human environment has so much of interest to the lens.  But in other terms, to me, the ability to access undisturbed peace and quiet is one of the most desirable and valued of all things on this planet.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto the enlarged image to enlarge it yet again – recommended.

Technique: X-T2 with 10-24 Fujinon lens at 30mm (equiv); 400 ISO; Lightroom; Temple Gate, central Bristol; 28 Apr 2017.

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PEOPLE 351 – GOING TO WORK 79

 

 


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Taking us to work.

Remorselessly.

Every 30 minutes.

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Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: X-T2 with 55-200 Fujinon lens at 305mm(equiv); 6400 ISO; Lightroom, using the Velvia/Vivid film simulation; Temple Gate, Bristol; 2 Feb 2018.
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