OUTER SUBURBS 104 – PARADISE REVISITED

 

 


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Awhile back, I posted a picture of this tree on a misty autumn morning – and instantly thought the resulting very simple scene a portrayal of Paradise.  Several of you agreed.

Happily, this tree is often along the routes of the long walks that I take through Bristol’s outer suburbs, and often I see it daily.

And so to a misty morning in spring, and it being resplendent in its flowers.  Paradise revisited?  Well its got my vote.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: TG-5 at 65mm (equiv); 320 ISO; Lightroom, using the Camera Natural film simulation; south Bristol; 30 Mar 2019.
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ARCHIVE 405 – THE VIEW SOUTHEAST FROM EASTWATER LANE (MONO)

 

 


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Looking southeast from Eastwater Lane, high up on the Mendip plateau in Somerset; 4 Feb 2014.

In their central and western reaches, the Mendip Hills are a steep sided and formidable, west-east barrier of hard, old (Palaeozoic) rocks.  They have the Old Red Sandstone of the Devonian period in their cores, and the Carboniferous Limestone all around.  But especially in their central area, these precipitous slopes give up onto a flattish or gently undulating plateau, with sturdy farms huddling amongst windbreaks, and pubs with evocative names – names that recall my youth and things that have always been a part of my life – the Castle of Comfort, the Miner’s Arms and Hunters Lodge.

Wondering about floods, I drove up onto Mendip yesterday, and spent some time in Eastwater Lane – a favourite place because it is a dead end and so has no through traffic.  I was also around the village of Priddy.  It was a cold, damp day, initially lit by pale, glinting sun, but with dark clouds and spitting rain all too soon coming up on the gusting southerly.  There were flood warnings in several places, but the waters had either subsided, or were only thinly masking the little roads – although all of that may have changed with the storm that hit us later yesterday afternoon and overnight – and today too.

I walked along Eastwater Lane, enjoying  the sight and atmosphere of the Bronze Age round barrows on the hill crests, and seeing where streams running down from the sandstone hilltops disappear underground into caverns as soon as they encounter the far more soluble limestone.

Here was Eastwater Cavern, that I descended as a plump, pudgy teenager, and I tried to recall if I’d become stuck in it or not.  Yes, is the probable answer, as I had to be helped through many a difficult cave by my school friends – but the vast Swildons Hole, from which the Mendip Cave Rescue had to come out and extricate me, is off towards Priddy.  I made the local papers – I think I was 16 at the time.

Click onto the image to open a larger version in a separate window.

Technique: D800 with 80-400 Nikkor lens at 400mm; Silver Efex Pro 2’s Film Noir 3 preset.

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OUTER SUBURBS 103 – FOGGY MORNING 3

 

 


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Main road; early morning; fog.

Technique: selective desaturation of colour: the green lights are the main thing here and the morning was in any case very grey, but I’ve desaturated the yellows and blues of the crossing control boxes mounted on the traffic lights’ poles, and also the traffic cones standing on the traffic islands, to remove distractions and give the green lights greater prominence.  Another method would have been to convert the image to mono in Silver Efex Pro 2 and then restore the lights’ colours.

There are earlier foggy morning pictures here: 1 2 .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 100mm (equiv); 640 ISO; Lightroom, selectively desaturating colour; south Bristol; 30 Mar 2019.
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OUTER SUBURBS 102 – FOGGY MORNING 2 (MONO)

 

 


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Main road; early morning; fog.

There is another foggy morning picture here: 1 .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that to enlarge it further.

Technique: TG-5 at 70mm (equiv); 640 ISO; Lightroom, using the Camera Vivid film simulation; Silver Efex Pro 2, starting at the Antique Portrait preset; south Bristol; 30 Mar 2019.
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OUTER SUBURBS 96 – PARKED CAR 2 (MONO)

 

 


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Walking the outer suburbs, this time somewhere a little closer to the city, this time somewhere a little more affluent.

Lots of cars like this, but the tree caught my eye – something almost Oriental here, something natural and graceful overlooking the sleek, manufactured metal – something natural completely at ease alongside the machine’s designer styling.

There is an earlier parked car image here: 1 .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 46mm (equiv); 1250 ISO; Lightroom, using the Camera Monotone film simulation; south Bristol; 28 Feb 2019.
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OUTER SUBURBS 94 – WINTER TREES 3

 

 


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The harsh silhouettes of the cold months.

More trees in winter, from the same location, can be found here and here .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 25mm (equiv); 250 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 20 Mar 2019.
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SOMERSET LEVELS 321 – JACK’S DROVE (MONO)

 

 


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An unreal landscape.  Just a single track road, its verges and, standing up on either side, the precipitous, abrupt lines of machine-cut trees – that are either columns along the nave of some vast, natural, outdoor cathedral or, equally fancifully, sombre beings – Ents perhaps! – standing obediently aside to let us pass through. 

But pass through to where, that is the question. 

The mist is down, and beyond this road and these trees there lies only uncertainty.

There are other images from this early morning shoot here: 1 2 3 4 5 6 7 8 9 10 11 12 13 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: X-T2 with 55-200 Fujinon lens at 101mm (equiv); 200 ISO; Lightroom, using the Velvia Vivid film simulation; Silver Efex Pro 2, starting at the Antique Plate 1 preset; Jack’s Drove, on the Somerset Levels south of Wedmore; 19 Oct 2018.
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ARCHIVE 404 – EARLY MORNING, TADHAM MOOR (MONO)

 

 

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Beside the single track road across Tadham Moor, on the Somerset Levels, quite early in the day; 8 Apr 2015.

Three trees, willows I think, fade gradually into the morning mist.

Click onto the image to open a larger version in a separate window.

Technique: D700 with 70-300 Nikkor at 300mm; 400 ISO; Silver Efex Pro 2, starting at the Full Dynamic Harsh preset.

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SOMERSET LEVELS 319 – WINTER SCENE (MONO)

 

 


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If you want to be standing on Jack’s Drove, looking up its length on this cold morning, this image is best viewed enlarged >>> click onto it to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

The view northwards up Jack’s Drove on Tadham Moor, in winter.  Mud and water on the road, the flat sides of the bare, machine-cut trees on either side, and in the distance (best seen with the image enlarged), the small, black metal upper works of the little bridge over the North Drain. 

And behind that, the higher ground around Wedmore, which was formerly an island when, not long ago, this drove and all the country around was covered by lakes and swamp.

Technique: X-T2 with 55-200 Fujinon lens at 83mm (equiv); 3200 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the Warm Tone Paper preset and adding a split tone; Tadham Moor, on the Somerset Levels; 11 Jan 2019.
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OUTER SUBURBS 76 – WINTER TREES 2 (MONO)

 

 


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More trees in winter, from the same site as those pictured in the first of these posts, which can be found here .

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The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 .  Each will open in a separate window.

Click onto each image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 25mm (equiv); 400 ISO; Lightroom, using the Camera Monotone film simulation; south Bristol; 5 Feb 2019.
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