OUTER SUBURBS 258 – POST BOX AMONGST TREES (MONO + COLOUR)

 

 


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The Royal Mail, amongst trees.

Click onto the image to open a larger version in a separate window – recommended.

Technique:  TG-5 at 100mm (equiv); 1600 ISO; Lightroom, using the Camera Vivid profile; Silver Efex Pro 2, starting at the Push Process N+3 preset and selectively restoring colour; south Bristol; 23 July 2020.
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ARCHIVE 538 – THE VIEW EASTWARDS, ACROSS HERONS GREEN BAY (MONO)

 

 


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Looking out eastwards across Herons Green Bay, to the low hills that surround Chew Valley Lake, Somerset; 27 July 2011.

Click onto the image to open a larger version in a separate window – recommended.

Technique: D700 with 70-300 Nikkor lens at 300mm; 800 ISO; Silver Efex Pro, probably.

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ARCHIVE KENYA 58 – MT KENYA (MONO)

 

 


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Mt Kenya, seen from the gate of Mt Kenya National Park; August 1978.

The dark highland forest surrounding the mountain has mist clouds. Above this forest is a great mass of slightly paler, hummocky country known as the Vertical Bog, a steep and muddy section. Further up again, are bare rock, ice and snow.

Click onto the image to open a larger version in a separate window – recommended.

Technique: OM-1 with 75-150 Zuiko lens; Agfa CT18 colour slide film rated at 64 ISO; converted into mono with Alien Skin’s Exposure 2.

THE ARCHIVE KENYA SERIES

I’m re-posting photographs that I took in Kenya over 30 years ago.  You can find more context here .  Click onto the “Archive Kenya” tag (below) to see more of these film images from Kenya.

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ARCHIVE KENYA 57 – AMBOSELI SUNSET (MONO + COLOUR)

 

 


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Sunset over Amboseli Game Reserve, Kenya; July 1978.

With something definitely more striking than natural in mind, I’ve scanned this 34 (now 42!) year old slide into digital and then taken it into SEP2 as a .tiff .  Contrast and structure have been raised, grain added, and then some of the sunset’s wonderful colours restored.  The top of the dark cloud, directly above the sun, shows a nice luminous edge.

The trees are Yellow-barked Acacias or “Fever Trees”, that grow around the lakes in Amboseli’s otherwise very dry (and extremely dusty!) environment.

Click onto the image to open a larger version in a separate window: recommended.

Technique: OM-1 with 75-150 Zuiko lens at 150mm;  Agfa CT18 colour slide film, rated at 64 ISO; converted to mono, and selectively re-coloured, in Silver Efex Pro 2.

THE ARCHIVE KENYA SERIES

I’m re-posting photographs that I took in Kenya over 30 years ago.  You can find more context here .  Click onto the “Archive Kenya” tag (below) to see more of these film images from Kenya.

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ARCHIVE KENYA 54 – DUSK AT THE SAND RIVER GATE, MAASAI MARA

 

 


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Dusk at the Sand River Gate, Maasai Mara Game Reserve; April 1979.

Click onto the image to open a larger version in a separate window.

Technique: OM-1 with 28mm Zuiko lens; Agfa CT18 colour slide film, rated at 64 ISO.

THE ARCHIVE KENYA SERIES

I’m re-posting photographs that I took in Kenya over 30 years ago.  You can find more context here .  Click onto the “Archive Kenya” tag (below) to see more of these film images from Kenya.

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ARCHIVE KENYA 51 – DAWN MISTS AT LAKE NAKURU (MONO)

 

 


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Dawn mists rising from Lake Nakuru in central Kenya; Jan 1978. 

The large birds with huge bills in the foreground are White Pelicans.  In the lake behind them are the remains of trees that, flooded by the lake, have been killed by the high concentration of sodium bicarbonate in its waters.  Cormorants  perch on these dead trunks, and there is also a nest of sticks.  Around the bottom of these trees, three flamingos are feeding, heads down in the water.  More pelicans are further out on the lake, fading into the haze.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window.

Technique: Vivitar 400mm telephoto on Olympus SLR, mounted on a tripod.

THE ARCHIVE KENYA SERIES

I’m re-posting photographs that I took in Kenya over 30 years ago.  You can find more context here .  Click onto the “Archive Kenya” tag (below) to see more of these film images from Kenya.

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ARCHIVE 531 – FANTASY IN INFRARED

 

 


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Mist on Tadham Moor, and the road past the Magic Carpark given the look of colour infrared film, courtesy of Nik’s excellent Color Efex Pro 4 image editing software.

One of my aims with this blog is to present a variety of imagery.  This is both to stimulate and perhaps even enthral those looking at these posts – and also to keep myself on my toes in terms of imagination and creativity.  Producing a blog with a constant theme might be a way to attract a large and loyal number of viewers who enjoy that theme, but I have to hold up my hands and admit to not being able to resist going here and there, following where my imagination takes me, and here is an example.

Its a core belief of mine that its always worth looking long and hard at images – and I (and many others too) have found that returning to an image weeks, months or even years after it was captured can and does inspire new ideas and new ways of looking at it.  Indeed, some photographers make a point of never working on their images soon after they have been taken but, instead, of always coming back to them some days or even weeks after the event – with fresh minds and well rested eyes.

I am not returning to this particular image long after it was taken, but I have subjected it to another of my core routines, which is to look at it long and hard before deciding upon what, if anything, to do with it.  What sorts of things to I think about in this situation? – well, colour/mono/both, possible types of crop, potential for rotation/flipping, effects of various software edits, etc.

And experimenting (which is another way of saying “playing around”!) in Color Efex Pro 4 I came upon this infrared colour film filter, and was instantly attracted by its effect here.  There are of course the mysterious silhouettes and the warm orange glow, but this is not like simply using some kind of orange filter because the colours of the tarmac road and its grass verges are still faintly visible.  Whether this image will stand the test of time – whether I’ll still like it in a month’s or year’s time – is another matter but, for now, here it is.

Other thoughts.  Does it represent reality?  No, of course not but, as I say, I like the look of it, and if I like the look of it – its in! 🙂  

And fantasy – well, ok, what’s out there beyond those “last two trees”?  If you’re a TOLKIEN fan, are we standing on the edge of the desolation wrought by the dragon SMAUG, looking out on a land ravaged by his fire and covered by rolling clouds of glowing smoke?  I’ll go along with that.  And who, or what, is going to appear in all that smoke, dimly seen at first but growing ever more stark, as they trudge up this road trying to escape a vast and monstrous foe that, for all of their lives, has just been an old and half-forgotten legend, the stuff of childhood nightmares, the stuff of fireside tales?

Click onto the image to see a larger version in a separate window – recommended.

Technique: D700 with 70-300 Nikkor lens at 230mm; 200 ISO; Color Efex Pro 4; the Somerset Levels; 8 Apr 2015.

UPDATE 2020: well, its considerably more than a year after this image was posted, and yes I certainly do still like it >>> and I am certainly still a fan of The Hobbit and The Lord of the Rings!

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ARCHIVE 530 – SUNRISE, TADHAM MOOR

 

 


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Sunrise over Tadham Moor, on the Somerset Levels; 9 Jan 2015.

A very quiet and simple scene.  Totney Drove, a single track, metalled lane, passes through a small group of tall willows that, as so frequently happens with such silhouettes, reminds me of an exploding artillery shell.  The trees are reflected in the still waters of the rhyne (rhymes with seen), the water-filled ditch which borders the road and which acts as a field boundary.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window – highly recommended.

Technique: D700 with 16-35 Nikkor lens at 31mm; 1000 ISO; Color Efex Pro 4.
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ARCHIVE KENYA 48 – THE SHORE AT LAKE NAKURU (MONO)

 

 


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Dead trees on the shore of Lake Nakuru, in central Kenya; 27 Apr 1980.  These trees grew beside the lake, but then were killed when the lake’s highly alkaline waters rose and flooded their roots.

Despite the fact that its over 40 years ago now, I can still remember taking this shot, which was originally in colour.  I remember placing the nearest tree on the right of the frame, and liking it because it was partially sunlit, and because it was leaning into the frame.

Looking at it now, my eye is taken from this leaning tree, out across the bright sky reflections in the shallow pools of water, to the tree with a dense canopy, which looks rather like an upside down ice cream cone.  This tree is also leaning into the frame, while being silhouetted against the bright sky, and just about at a compositional strong point in the picture, on the junction of the upper third and the left hand third.

Click onto the image to open a larger version in a separate window – recommended.

Technique: OM-1 with 28mm Zuiko lens; Agfa CT18 colour slide film, rated at 64 ISO; converted to monochrome in Silver Efex Pro.

THE ARCHIVE KENYA SERIES

I’m re-posting photographs that I took in Kenya over 30 years ago.  You can find more context here .  Click onto the “Archive Kenya” tag (below) to see more of these film images from Kenya

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ARCHIVE 526 – TREE TRUNK AND LEAF (MONO + COLOUR)

 

 


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Tree in the grounds of Chew Valley Lake, a reservoir in Somerset; 14 Sept 2009.

I’ve taken this image into SEP2, added lots of contrast and structure, and then re-introduced colour into the leaf.  Converting an image to mono and then re-introducing colour to selected elements of it is very easily done in SEP2 and, of course, most easily done where, as in this image, one part of the composition is of a very different colour to the rest.

Click onto the image to open a larger version in a separate window – recommended.

Technique: D700 with 70-300 Nikkor lens at 210mm; 6400 ISO; converted to mono in Silver Efex Pro 2, with selective restoration of colour.

 

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