OUTER SUBURBS 283 – EARLY MORNING, APPROACHING THE MAIN ROAD

 

 


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Walking towards the main road, with streetlights, tail lights, tall trees and a bus shelter, and sunrise starting to colour the sky.

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 100mm (equiv); 3200 ISO; spot metering; Lightroom, starting at the Camera Portrait profile; south Bristol; 10 Oct 2020.
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ARCHIVE: LOOKING AT CARS 17 – DARK CAR (MONO)

 

 

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An image of three parts.  The two cars, manufactured and highly mobile confections of metal, plastic, rubber and glass, racing away from each other on a road that is certainly not for those more sensitive souls who are forever slowing down to compose poetry or look at the wildflowers.

And then the white line in the road’s center, undulating slightly as it climbs towards the hill’s crest.

And finally the light, spotlighting the dark car as it rushes urgently towards us,  and seen more faintly through the trees on the right, and then more brightly (the light at the end of the tunnel?) on the left.

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom; Silver Efex Pro 2, starting at the Architectural preset; fast road over the Mendip Hills, above Compton Martin, Somerset; 24 Nov 2017.
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ARCHIVE KENYA 94 – SOMETIME EARLIER IN THE WORLD – AGAIN

 

 


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Sunrise at the mouth of the Njoro River at Lake Nakuru, Kenya; Jan 1978.  I showed this scene in colour in an earlier post – and that version is again shown, below.

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The colour version more reflects reality.  The colour is a little “off”, but then this is a decades old colour transparency that spent many years in the tropics, often as a valued part of slide presentations.

The mono version is rougher, grainier.  There is more structure in the mist, which I like.  And rather more detail and contrast in the foreground which, again, does it for me.  But what do you think? 

Click onto the “early morning” tag (below) to see more images from the early hours of the day.  

Click on each image to open a larger version in a separate window – recommended.

Here is the colour post’s text:

Early morning mists rise above the lake and, as the sun appears, everything is flooded by warm, golden light – a scene seemingly from long ago in the world that has always fascinated me.  Here is something primeval, here we are an irrelevance.

The gaunt skeletons of trees out in the lake are Yellow-barked Acacias that were killed as the lake’s soda-rich waters rose up around them.

There are two types of birds here.  Those holding their wings out to dry, and those perching on the dead trees, and those very faintly seen bottom right, are Cormorants – the same species as found in Europe.  The dark scrum of larger birds at the lake’s edge are White Pelicans – one great head and neck can be seen as, preening, a bird reaches deep into its plumage.

Technique: tripod-mounted OM-2 with 400mm Vivitar lens; Agfa CT 18 colour slide film, rated at 64 ISO.

THE ARCHIVE KENYA SERIES

I’m re-posting photographs that I took in Kenya over 30 years ago.  You can find more context here .  Click onto the “Archive Kenya” tag (below) to see more of these film images from Kenya.

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ARCHIVE 570 – AUTUMN HAZEL, DOUBLE EXPOSURE

 

 


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A double exposure of the Hazel tree in our Bristol garden, with the beautiful yellow leaves that it has in the autumn.  The camera was moved slightly between the two exposures.

Click onto the image to open a larger version in a separate window – recommended.

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ARCHIVE 568 – NEAR WEST LITTLETON

 

 


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Something Minimal, there’s really not much here, both in terms of content and colour, but straight black and white would lose a little I think.  And the bird – and getting focus on the bird – were fortuitous!

Click onto this image to open it in a separate window.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom, using the Classic Chrome film simulation; near West Littleton, South Gloucestershire; 12 Apr 2017.

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ARCHIVE KENYA 84 – SOMETIME EARLIER IN THE WORLD

 

 


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Sunrise at the mouth of the Njoro River at Lake Nakuru, Kenya; Jan 1978.

Early morning mists rise above the lake and, as the sun appears, everything is flooded by warm, golden light – a scene seemingly from long ago in the world that has always fascinated me.  Here is something primeval, here we are an irrelevance.

The gaunt skeletons of trees out in the lake are Yellow-barked Acacias that were killed as the lake’s soda-rich waters rose up around them.

There are two types of birds here.  Those holding their wings out to dry, and those perching on the dead trees, and those very faintly seen bottom right, are Cormorants – the same species as found in Europe.  The dark scrum of larger birds at the lake’s edge are White Pelicans – one great head and neck can be seen as, preening, a bird reaches deep into its plumage.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.  

Click onto the image to open a larger version in a separate window – recommended.

Technique: tripod-mounted OM-2 with 400mm Vivitar; Agfa CT 18 colour slide film, rated at 64 ISO.

THE ARCHIVE KENYA SERIES

I’m re-posting photographs that I took in Kenya over 30 years ago.  You can find more context here .  Click onto the “Archive Kenya” tag (below) to see more of these film images from Kenya.

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OUTER SUBURBS 277 – EARLY MORNING 12

 

 


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The early morning, the sun still just below the horizon, and an object of great beauty in the clear sky up above – an aircraft’s contrail caught in the very first of the rising sun’s rays.

I wanted to relate this spectacle to structures on the ground, and so got in close beside a lamp post and tree on one side, and the reflective windows of a house on the other – and so to this shot.

But now, down in the back roads of my mind, whenever I look at this picture I see the contrail watched by a host of upturned and enthralled, hirsute heads, looking up from below.  What am I on?  Whatever it is, must get some more …  🙂

Click onto the “early morning” tag (below) to see more images from the early hours of the day.  

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 100mm (equiv);  800 ISO; spot metering; Lightroom, starting at the Camera Vivid profile; south Bristol; 5 Sep 2020.
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ARCHIVE 561 – EARLY MORNING GARDEN 1

 

 


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Leaf on our Hazel tree; 24 June 2013.

The black elements in this photo have a vague upper left to lower right (or vice versa!) orientation, which produces something of a dynamic maybe.  And I like the leaf’s serrated periphery.

But most of all I enjoyed the cool, peaceful stillness of the garden early on this overcast morning – the grove of Cowslips gone to seed, some new Badger holes, and everything generally running riot, certainly heading to something like jungle unless I intervene.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window.

Technique: D700 with 105mm Nikkor lens; 12,800 ISO.

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OUTER SUBURBS 276 – THE LIGHT STARTS TO RETURN …

 

 


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The early mornings darken, the light becomes softer and more attractive, and I start to anticipate the first thin mists and slight but certain chills of autumn.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 85mm (equiv); 400 ISO; spot metering; Lightroom, starting at the Camera Vivid profile; south Bristol; 31 Aug 2020.

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OUTER SUBURBS 274 – TREE AMONGST DEAD GRASSES (MONO)

 

 


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Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 46mm (equiv); 800 ISO; spot metering; Lightroom. starting at the B&W Green Filter profile; south Bristol; 11 Aug 2020.

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