ARCHIVE 500 – FISHERMEN (MONO)

 

 


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Fishermen far off across a lake on a misty morning; 17 Oct 2013.

The local water company stocks Chew Valley Lake, near Bristol, with trout, and makes good profits from anglers.  There is also a sailing club, and some barely adequate birdwatching hides – returning from Kenya’s wide open spaces, I was astonished to be restricted to these little huts with their narrow viewing slits – something of a culture change!  I retain the feeling that birding ought to be out in the fresh and open air.

If you love grain >>> click onto the image to open a larger version in a separate window.

Technique: D800 with 80-400 Nikkor lens at 400mm; 800 ISO; Silver Efex Pro 2’s High Contrast Smooth preset.

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SOMERSET LEVELS 467 – FOGGY MORNING (MONO)

 

 


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Pollarded willow appearing out of the mist, early in the morning, beside Swanahard Lane.  Pollarding of trees is a common practice on the Levels; I discussed it recently here .  Its shown well in this tree, which has a really thick trunk, with large numbers of much thinner branches emanating from it: pollarding has been carried out sometime back, possibly more than once, but then discontinued, so that the cut stumps of the branches have grown to great lengths.  The problem here is that the thick, original trunk is leaning slightly so that, as the weight of the thinner branched above it increases, there is the danger that the whole tree will topple over.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window – recommended.

Technique: Z 6 with 70-300 Nikkor lens at 300mm; 3200 ISO; Lightroom, starting at the Camera Graphite profile; Swanshard Lane, on the Somerset Levels southwest of Wells; 23 Aug 2019.
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ARCHIVE KENYA 20 – RAINBOW, LAKE NAKURU

 

 


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Rainbow in Lake Nakuru National Park, against a dark, stormy sky; and with Yellow-barked Acacia trees on the right (also known as “Fever Trees”, as formerly thought to be the source of malaria); June 1980.

Note the difference in brightness of the sky on either side of the rainbow, and also how the sequence of colours in the rainbow’s dim reflection is opposite to that in the rainbow itself.

Click onto the image to open a larger version in a separate window – recommended.

Technique: Olympus OM-1 with 28mm Zuiko; lens Agfa CT18 slide film rated at 64 ISO.

THE ARCHIVE KENYA SERIES

I’m re-posting photographs that I took in Kenya over 30 years ago.  You can find more context here .  Click onto the “Archive Kenya” tag (below) to see more of these film images from Kenya.

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SOMERSET LEVELS 466 – EARLY MORNING LANDSCAPE 2

 

 


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Misty morning, just after sunrise.

The first of these images is here .

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window – definitely recommended.

Technique: Z 6 with 70-300 Nikkor lens used in DX (= APS-C) format to give 450mm; 1600 ISO; Lightroom, starting at the Camera Portrait v2 profile; Capture NX2; looking out towards Hay Moor from Swanshard Lane, on the Somerset Levels southwest of Wells; 2 Aug 2019.
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SOMERSET LEVELS 465 – EARLY MORNING LANDSCAPE

 

 


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Misty morning, sun just rising.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window – recommended.

Technique: Z 6 with 70-300 Nikkor lens at 250mm; 640 ISO; Lightroom, starting at the Camera Portrait v2 profile; looking out towards Hay Moor from Swanshard Lane, on the Somerset Levels southwest of Wells; 2 Aug 2019.
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ARCHIVE 496 – MAGPIE, BARBED WIRE FENCE AND TREE (MONO)

 

 


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Magpie flying over farmland beside East Water Lane, on the Mendip Hills, Somerset; 7 Aug 2014.

I had in mind a Minimalist composition consisting only of the tree and the barbed wire and its fence posts, when a noisy group of Magpies appeared and by luck I caught this one.  The pale areas of its plumage merge with the backdrop, eating into its outline.  But it is flying towards the left, with the black cone of its head, neck and breast on the left, and its long, thin, black tail stretching out behind.  Its wings are frozen by the high shutter speed, held up above its body.

One way of looking at this: of the three elements in the composition, the tree and the fence are static, with the third element flying into their space / surroundings.  Then again, the fence may be marching out towards the right, with its posts roped together for safety, and gradually disappearing down into a dip in the ground, or vice versa.  Everything is what it seems, until we start thinking about it.

Click onto the image to open a larger version in a separate window.

Technique: D800 with 70-300 Nikkor lens at 300mm; 200 ISO; Silver Efex Pro 2, starting at the Antique Portrait preset.

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SOMERSET LEVELS 463 – EARLY MORNING MIST, HAY MOOR

 

 


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Just before sunrise on a calm morning, looking out towards mists on Hay Moor.  The scene is silent save for a few bird calls, the gentle sounds of running water, and the soft shuffling and grumbling of some nearby cattle.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window – recommended.

Technique: Z 6 with 70-300 Nikkor lens used in DX (= APS-C) format to give 450mm; 400 ISO; Lightroom, starting at the Camera Portrait v2 profile; looking out towards Hay Moor from Swanshard Lane, on the Somerset Levels southwest of Wells; 2 Aug 2019.
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ARCHIVE KENYA 17 – DAWN, LAKE NAKURU

 

 


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Dawn mists rise above Lake Nakuru, central Kenya; January 1978.  The large, white birds with huge bills in the foreground are White Pelicans.  In the lake behind them are the trunks of trees that, flooded by the lake, have been killed by the high concentration of sodium bicarbonate in its waters.  Cormorants (the same species as in the UK) perch on these dead trunks, and a nest of sticks is also visible.

This lake is over a mile above sea level and so, particularly after a clear night, the whole place can be pretty chilly by first light – standing around taking pictures, waiting for the sunrise, we were well wrapped up!  At altitudes a little above this – and right on the equator – frosts can occur.  Vivitar 400mm telephoto on Olympus SLR, mounted on a tripod.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window – recommended.

THE ARCHIVE KENYA SERIES

I’m re-posting photographs that I took in Kenya over 30 years ago.  You can find more context here .  Click onto the “Archive Kenya” tag (below) to see more of these film images from Kenya.

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SOMERSET LEVELS 461 – JANUARY, TEALHAM MOOR, JUST BEFORE SUNRISE

 

 


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Tealham Moor, in winter, looking to the east.  This is winter: harsh and bleak.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window – definitely recommended.

Technique: X-T2 with 55-200 Fujinon lens at 83mm (equiv); 8,000 ISO; Lightroom, starting at the Camera Astia/Soft profile; Tealham Moor, on the Somerset Levels southwest of Wells; 27 Jan 2017.
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SOMERSET LEVELS 460 – POLLARDED WILLOW 2 (MONO)

 

 


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Pollarded Willow on the Somerset Levels.  More about the practice of pollarding, and about these Levels in general, can be found in my first Somerset Levels post .

The first of these images is here .

Click onto the image to open a larger version in a separate window – recommended.

Technique: Z 6 with 70-300 Nikkor lens at 300mm; 400 ISO; Lightroom, using the Camera Monochrome (Red Filter) v2 profile; Queen’s Sedge Moor, on the Somerset Levels south of Wells; 26 Apr 2019.
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