PEOPLE 263 – MODERN LIFE (MONO)

 

 

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Modern Life, in a time-poor, Western society that is dependent upon – and indeed, craves – ever more complex technology, while being overrun with images, information, statistics, stress, competitiveness and data, lots and lots of data.

And do I make this post as a Totally Innocent Soul, one untainted by and unassociated with all this burgeoning modernity?  Well, hardly, as here I am adding yet another image to the ever swirling, ever churning, global mix, while having spent much of my life creating and analysing vast amounts of statistics, data and information. 

OK, my “career” (I use that word cautiously) kept the wolf from the door but, increasingly, I think maybe that’s something said in defence of many things that are not, ultimately, in the best interests of either ourselves, our wildlife or our planet.  Maybe we are all helping create a wolf that, one day, will be totally out of control and unstoppable.

Click onto the image to open a larger version in a separate window, and click onto the larger image to further enlarge it – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 800 ISO; Lightroom, including the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the High Contrast Red Filter preset; St Augustine’s Parade, central Bristol; 21 Apr 2017.
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ANNIVERSARY – FATMAN PHOTOS IS SIX

 

 

Maasai

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Another year has passed.  Quite where it has passed I’m not sure.  Retirement and (ever!) increasing age are seeming to make Life roar by at an ever increasing pace – but that’s fine by me!  If that’s how it is, that’s how it is, and I’m certainly not going to waste my time consciously trying to buck the trend!

And so to another year of FATman Photos, six years in all, which I find quite astonishing.  But, I do it and, very much, I enjoy doing it.  On the creative side, I enjoy the photography – and have no doubt that producing this blog acts as a substantial boost to my endeavours.  And I enjoy all of the writing that goes into the posts too.

And, equally so, I very much enjoy the contact with you all – it is so good communicating with like minds all over the planet!  I’m grateful when you Like my images, that’s always encouraging – but most of all its good to receive Comments from you, I very much value hearing your thoughts and views – and please be assured that ALL viewpoints, negative as well as positive, will be entertained.  THANK YOU ALL, VERY MUCH, FOR YOUR INPUT!

(here are portraits, pictures of faces, in black and white; they can be opened in separate windows by clicking into them; and the title links under them will take you to the actual posts)

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Great Grey Owl portrait

Great Grey Owl

These past 12 months have been notable for two photographic initiatives.  First, last May, I followed my heart rather than my wallet and bought a mirrorless camera, the Fujifilm X-T1, and a zoom lens.  I have been, as you may know, an out and out full-frame Nikon user, and so this purchase was quite a step.  And on the back of that, I then needed software to process the X-T1’s Raw files, and so to subscribing to Adobe Lightroom.  Finally, I’ve added another Fuji zoom, and recently their X-T2 camera.  And, in summary, I have to say that all of these (not inexpensive!) moves have worked out very well indeed.  I find the X-T cameras wonderful photographic tools for most situations, and I do think that they have given my photography something of a lift.

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This man is photographing you!

Selfie

And the second initiative has been the taking of early morning buses into Bristol, to photograph morning in the city and, in particular, the morning rush hour.  And this initiative has been significantly helped by the X-Ts’ smaller size and greater portability than the Nikons and, I do think, by people feeling more at ease – less threatened – by being confronted by smaller cameras.  I haven’t really tried to categorise it before, but I suppose this is candid street photography, and certainly a departure for me.  The next thing to think about here, is whether I can summon up the courage to start approaching people in the street, to ask if I can take their picture – most accounts of this hold it to be productive, and far less intimidating than it might initially seem.

HAHAHA!!! >>> and a truly wonderful offshoot of these early morning forays in the city has been the (really quite numerous) visits into various eateries – “to keep my strength up”!  Listen, if you believe that last bit, can I sell you a bridge???  And here I must of course mention Harts Bakery near Temple Meads railway station – the food is extremely tasty, the staff are very pleasant and working their heads off – and I’m simply a total, total fan of the place!

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A young friend

So, to conclude, what has this blog done since 26 April 2011?  Well,  over 2,100 posts, and there have been over 21,200 comments >>> I (virtually always) make it a rule to reply to Comments, even if only to say a simple “Thank you”, so around half of these are my grateful responses.

Thank you again for taking the time to look at my blog.

Adrian

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  Woman from Somalia
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OUTLANDS 15 – RECENTLY PRUNED TREE (MONO)

 

 


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Pruned/pollarded tree; West Littleton, South Gloucestershire; 12 Apr 2017.

This tree looks absolutely shorn, battered and blasted, but I’ve caught it a little early in the year – give it another month or two, and it will be sprouting and sending out shoots like there was no tomorrow.

Another of these shorn trees in West Littleton can be seen here.

Context about this second Outlands trip can be found here, and there are other images here: 12, 13, 14.

Click onto this image to open a larger version in a separate window, and click onto the enlarged version to further enlarge it – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 215mm (equiv); 1250 ISO; LightroomSilver Efex Pro 2, starting at the Architectural preset.
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STILL LIFE 102 – SWAN 3 (MONO)

 

 


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Mute Swan in low key – the first of these bird still lifes, with context, is here: 1, and there are other images here: 2; 3.

Click onto this image to open a larger version in a separate window, and click onto that larger image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom; Silver Efex Pro 2, starting at the Full Dynamic Smooth preset; Herriots Bridge, Chew Valley Lake, Somerset; 3 Apr 2017.
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OUTLANDS 12 – NEAR WEST LITTLETON (MONO)

 

 


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Early in the day: above the byway, east of West Littleton; South Gloucestershire; 12 Apr 2017.

More context on this second visit to the extreme south of the Cotswold Hills, and more images, can be found here.

Click onto the image to open a larger version in a separate window, and click onto the larger image to further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 206mm (equiv); 400 ISO; Lightroom; Silver Efex Pro 2, starting at the Neutral preset.
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ARCHIVE 287 – IN THE HARBOUR AT ABERAERON (MONO)

 

 


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Black-headed Gull and mooring buoys in the harbour at Aberaeron, Ceredigion, west Wales; 24 Sept 2014.

Click onto the image to open a larger version in a separate window, and click onto that enlarged image to enlarge it further.

Technique: D700 with 70-300 Nikkor lens at 300mm; 400 ISO; Silver Efex Pro 2, starting at the Film Noir 3 preset.
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ARCHIVE 285 – EARLY MORNING AT TEALHAM (MONO)

 

 


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Early morning on the Tealham-Tadham Moors, on the Somerset Levels south of Wedmore; 28 Aug 2013.

Rhyne (rhymes with seen) is the Somerset term for water-filled ditches that help drain the land and often, as here, act as field boundaries.  This rhyne’s surface is covered in floating waterweed and, in the foreground, are the tall, pointed leaves of wild iris, which love these waterside locations.

The two prominent trees are in the fact the ends of two rows of such trees that line the undulating, single track, tarmac road just visible lower right of them.  The two, pale sheets of corrugated iron set up against the rhyne’s bank on the right of the picture are held there by stout wooden stakes, in an attempt to prevent the road collapsing down into the mud and water. 

The point here being that there is no solid rock supporting this landscape.  Below this countryside are over 60 feet of sodden clays and peat – “rocks” easily demolished by your shovel if not by your bare hands – such that everything is soft, yielding and unstable.  Stand beside this road as a tractor goes by and you are suddenly rising and falling as if on some rural trampoline, which can be quite shocking for those unused to it.

Click onto the image to open a larger version in a separate window.

Technique: D700 with Sigma 12-24 zoom lens at 12mm; 400 ISO; conversion to mono and split toning with Silver Efex Pro 2, starting at the Pinhole preset.

UPDATE: still a very favourite photo of mine, one that – in my eyes at least – will certainly stand the test of time.  No, it by no means depicts reality, but it is about a small, out of the way area of countryside that has a permanent place deep within me and, visually, it forcefully turns me on.  Technicalities?  Well, this image owes much to Silver Efex Pro 2 processing software, it would probably not have ended up looking like this without SEP2.  Reading about the photographic world, it emerges that SEP2 is very, very widely used by those with a love for black and white imagery.  And the other thing to mention here is my (now ancient) Sigma 12-24 zoom, which has facilitated this angle of view which is far wider than the human eye can achieve.  I call this lens ancient and, in digital terms it is – I first started using it with film cameras, shooting colour transparencies that I presented in slideshows – which maybe dates me a bit!  But since those far off days, Sigma has put this lens through two major updates, which have apparently improved image quality considerably.  The only downside to that is the cost of the latest update, £1600, which is significantly more than the cost of my recently acquired Fujifilm supercamera, the X-T2!  So I think I’ll just be sticking with my ancient 12-24 and, if it doesn’t give me “perfect” image quality, well, that’s just how it is – I’m not really into that degree of perfection, I don’t peer manically at pixels on screen, I’m more interested in the content of images, be it graphic or, sometimes, narrative.

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STILL LIFE 95 – BICYCLE AND PAVEMENT (MONO)

 

 


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Victoria Street, central Bristol: pushbike, pavement (aka sidewalk!); textures, shapes and many shadows.

It was towards the end of a long morning’s photography, and I was walking back towards Harts BakeryLOL! I was being irresistibly dragged there by my love of good food, might be more accurate!!!  Isn’t a total lack of willpower sometimes just wonderful?!  Or perhaps I should omit sometimes?

And, walking back along Victoria Street, it was just before I photographed these men waiting for a bus.

Click onto the image to open a larger version in a separate window, and click onto the enlarged image to enlarge it again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom; Silver Efex Pro 2, starting at the Pinhole preset and adding a tone; 24 Feb 2017.
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STILL LIFE 94 – A VIEW OF THE SEA (MONO + COLOUR)

 

 


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Yes, you can see the sea, but the sign shouts No Entry and the walls and hedges are also there to keep you out – this is a landscape of exclusion.  But maybe that tiny, far distant gate beckons, just maybe it does.

Using SEP2 to restore colour to a black and white image.  Only the road sign is close to true colour, all else is (purposely) undersaturated.  I read somewhere, recently, that our eyes instinctively react – often negatively –  to oversaturation of colour in images, the parallel was drawn with eating overspiced food.  But we are apparently far more tolerant of undersaturated colours, in fact we often find them attractive.

Click onto the image to open a larger version in a separate window, and click onto that larger version once again.

Technique: X-T1 with 55-200 Fujinon lens at 160mm (equiv); 800 ISO; Lightroom; Silver Efex Pro 2, starting at the Full Dynamic Harsh preset and selectively restoring colour; Lizard Point, Cornwall; 19 Oct 2017.
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STILL LIFE 93 – SECURITY LIGHT (MONO)

 

 


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Bars to keep you out, bars to keep you in.  Either way, the light has you.

Composition: But not bars at all in fact, only darker stripes on a wall that have been given a high contrast look in SEP2, and the addition (also in SEP2) of a thick black border to contain and enhance the overall effect.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom; Silver Efex Pro 2, starting at the Silhouette preset; Porthleven, Cornwall; 18 Oct 2016.
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