ARCHIVE: LOOKING AT CARS 57 – FROSTY MORNING 4

 

 


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The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  These Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 .  Each post will open in a separate window. 

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 100mm (equiv); 800 ISO; Lightroom, starting at the Modern 03 profile; south Bristol; 7 Jan 2021.
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OUTER SUBURBS 310 – LOOKING INTO A HAIRDRESSER’S

 

 


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Visual confusion: the view into the window of a hairdresser’s salon, currently closed in the covid lockdown.

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 100mm (equiv); 400 ISO; spot metering; Lightroom, starting at the Camera Vivid profile; south Bristol; 6 Mar 2021.
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ARCHIVE: LOOKING AT CARS 46 – SURFING THE GYRATORY

 

 


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Early morning driving on the Temple Circus Gyratory, which is a large roundabout at one of the southern approaches to Bristol, near Temple Meads railway station.  Roundabout?  Traffic circle in The States I think.  And the roundabout’s official name?  Well, it could really only have been dreamt up by local officials, couldn’t it, by a Local Authority, in the interests no doubt of good urban planning and neutral nomenclature?

And the photo?  Well, its garish, technicolour plus.  The highlights are all blown to featureless white but to me that’s fine because this isn’t reality, this is how I like to see it.

So what gets to me here?  Well, the lines and curves of the blazing white vehicle, which frame the face – cool shades, no-nonsense beard, mouth slightly open – with the thrill of surfing the Gyratory maybe?  And the car’s curving lines also frame the reflections in the car’s windows, which become more colourful over towards the right.  And then, in the backdrop, all those technicolour stripes.  And no, before you ask, I haven’t ramped up the colour Saturation in Lightroom, although I did increase the Vibrance to +65.   Then CEP4 was used to provide a thin black border, to prevent the lower edges of the image merging with my blog’s white background.

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  These Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 .  Each post will open in a separate window. 

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 300mm; 400 ISO; spot metering; Lightroom, using the Pro Neg Hi film simulation; Color Efex Pro 4; central Bristol; 7 April 2017.

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ARCHIVE 602 – DIRTY WINDOW WITH WHITE CURTAIN (MONO + COLOUR)

 

 


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Dirty window and white curtain; Penzance, Cornwall, 27 Apr 2012.

Colour has been restored to the window frame and the image cropped to have darkness on both sides.  The window frame’s shadow is convoluted by the poorly hung curtain, and this shadow has been darkened to emphasise this.  The grime on the window adds to the effect.

The blue frame reminds me somewhat of a crucifix, but this was certainly not in my mind when I photographed it.

Click onto the image to see a larger version in a separate window – recommended.

Technique: D700 with 70-300 Nikkor lens at 300mm; 400 ISO; converted to mono and with selective colour restoration via Silver Efex Pro 2.

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ARCHIVE: LOOKING AT CARS 43 – MORNING DEW, BACKLIT BY STREETLIGHT

 

 


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Not that early as my mornings go, but dense low overcast overhead, far from being penetrated by the weak and still struggling sunrise.  And a car parked in the gloom, dark and covered in tiny pearls of dew, with its misted window catching the glow of a streetlight.  There’s really very little here, just a quiet moment after the end of a night in winter.

There was nothing to lean against to steady myself, and so to spot metering for the brightest part of the window >>> and the very capable TG-5 – just about! – holding things together at 100mm (equiv) telephoto and an exposure of 1/10 second at f4.9.

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  These Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 .  Each post will open in a separate window.

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 100mm (equiv); 3200 ISO; spot metering; Lightroom, starting at the Modern 06 profile; south Bristol; 15 Jan 2021.
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ARCHIVE: LOOKING AT CARS 42 – WET CAR

 

 


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The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  These Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 .  Each post will open in a separate window.

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 100mm (equiv); 800 ISO; spot metering; Lightroom, starting at the Modern 01 profile; south Bristol; 5 Sept 2020.
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ARCHIVE: LOOKING AT CARS 41

 

 


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The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  These Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 .  Each post will open in a separate window.

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 100mm (equiv); 800 ISO; spot metering; Lightroom, starting at the Modern 01 profile; south Bristol; 13 Sept 2020.
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ARCHIVE: LOOKING AT CARS 39 – WHITE GLOVE

 

 


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Chaos, close in, with a wide angle lens: raindrops on the bonnet, blown highlights, saturated colours and a cavalier disregard for the horizontal.

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  These Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 .  Each post will open in a separate window.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 10-24 Fujinon lens at 36mm (equiv); 200 ISO; Lightroom, using the Velvia/Vivid film simulation; Color Efex Pro 4; Capture NX2; outside Hart’s Bakery, Temple Meads, Bristol; 28 Apr 2017.

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ARCHIVE 596 – QUEEN CHARLOTTE STREET (MONO)

 

 


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Morning sunlight across a rough façade.  I’m down an alleyway in the city centre and the décor is, shall we say, functional.  Lots of rough texture, no need for the expense of glamorous, smooth surfaces here.  And off the main road a little, out of view a bit, so plain bars to deter those who, seized by an excess of entrepreneurial zeal, might not want to enter through the front door.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 145mm (equiv); 800 ISO; Lightroom; Silver Efex Pro 2, starting at the Architectural preset; Queen Charlotte Street, central Bristol; 8 July 2017.

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ARCHIVE: LOOKING AT CARS 36

 

 


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The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  These Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 .  Each post will open in a separate window.

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 100mm (equiv); 800 ISO; Lightroom, starting at the B&W 12 profile; south Bristol; 13 Oct 2020.
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