PEOPLE 323 – GOING TO WORK 55

 

 


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Early morning bus, Temple Gate.

A very steamy, blurry, grainy image, approaching the abstract – but this is the bus!

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to open a (very grainy!) still larger version.

Technique: X-T2 with 55-200 Fujifilm lens at 305mm (equiv); 6400 ISO; Lightroom, using the Velvia/Vivid film simulation; Temple Gate, Bristol; 15 Dec 2017.
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PEOPLE 320 – GOING TO WORK 53

 

 


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The upper deck of a bus at the railway station.  Misty, almost abstract, inbound.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52Each will open in a separate window.

Clicking onto this image will open a larger version in a separate window, and clicking onto that will further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 6400 ISO; Lightroom, using the Velvia/Vivid film simulation; Temple Gate, central Bristol; 2 Feb 2018.

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STILL LIFE 195 – PHOTOS FROM A DRENCHED CAR: 2

 

 


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Photos taken through the streaming windows of my car during a torrential rainstorm – context and further images can be found here.

The upper image is very easy to decipher – assuming that you feel the need when faced with anything at all abstract, to know what you’re looking at – which most people do.  Its a car parked on the other side of the road with its headlights reflecting off the wet tarmac.

The lower image is a little more obscure.  Its a row of houses with – in the lower right hand corner – a woman walking under an umbrella.  Can you see her???

Click onto each image to open a larger version in a separate window.  You can click onto this larger image to enlarge it still further, but these images are very grainy.

Technique: TG-5 at 100mm (equiv); 3200 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 15 Jan 2018.
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PEOPLE 314 – GOING TO WORK 48

 

 


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Upstairs on an early bus: someone with buds in and phone out, someone who is essentially somewhere else.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 6400 ISO; Lightroom, using the Velvia/Vivid film simulation; Union Street, central Bristol; 15 Dec 2017.
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STILL LIFE 189 – PHOTOS FROM A DRENCHED CAR: 1

 

We had a worse than usual weather forecast recently – oodles of rain and wind, maybe with hail, thunder and snow thrown in too – oh joy!  And, leaving the house, I knew that I was going to have to wait around in the car for sometime at some point.  So I popped the TG-5 TOUGH camera into my pocket, just I case.  This little camera is distinctly useful – very handy indeed to carry around, extremely sturdy, waterproof and difficult to damage, and it shoots RAW and has image stabilisation.  The only real minuses for me are the lack of a viewfinder and the fact that the screen is fixed ie non-articulated – but you can’t have everything!  Reviews put it in a class of its own, out in front of other TOUGH cameras.

Anyway,  sure enough, as I sat waiting in my car later in the day, the winds shrieked and the heavens opened.  A deluge clattered across the car’s roof and writhed in torrents down the windows.  And suddenly, looking at those windows, I was encased in a clattering, swirling, flowing and very misty world.  Surreal patterns and images were flowing, forming and re-forming all around me.  I pulled out the TG-5 and started looking into its screen.

Click onto each image to open a larger version in a separate window, and click onto that image to enlarge it further.

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The rainstorm, viewed through my car’s windscreen, just after using the wipers: a white car is parked in front of a row of Victorian houses built of honey-coloured Bath Stone.
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The same scene, taken before using the windscreen wipers.  The car is breaking up , becoming ever more abstract, as rainwater pours across the glass.

Technique: TG-5 at 100mm (equiv); 3,200 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 15 Jan 2018.
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PEOPLE 309 – GOING TO WORK 43

 

 


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Early bus, near Temple Meads railway station.

When cropping this image, I’d thought about portraying only the woman on the left, but then there is the woman on the right, the thick, black window frame between them, and those luminous turquoise greens at upper right.  The white highlight towards upper right is an open newspaper.

Taken from some distance away, at 12,800 ISO and through steamy bus widows, this image has poor definition and much grain (although Lightroom has reduced the latter somewhat).  However, it gives an impression I like – I’d far rather have it like this than pin-sharp, grain-free and crystal clear >>> this is the morning bus – crowded, overwarm, steamy – a necessary means to an end that has few pretensions about offering an overly enjoyable travel experience in the process.

This image is cropped from less than half of the original, and I’m impressed by the results that this APS-C format camera has produced working in such poor conditions –  12,800 ISO,  and a long telephoto used wide open at 1/80th second.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 12,800 ISO; Lightroom, using the Provia/Standard film simulation; Temple Meads, central Bristol; 15 Dec 2017.
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STILL LIFE 180 – ACCOMMODATION

 

 


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Apartments beside the river.

Turning this image onto its side makes it more abstract, as do the reflections.  The combination of blue and orange gets to me.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO; Lightroom, using the Velvia/Vivid film simulation; rotated 90 degrees clockwise; opposite Welsh Back, central Bristol; 15 Dec 2017.
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STILL LIFE 173 – BROAD STREET 2

 

 


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Loitering in Broad Street, lolling back against a shop front, gazing blearily up at the façade across the street.

Another image from the same moments, as the rising sun blasted along Broad Street, is here.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO; Lightroom, using the Velvia/Vivid film simulation; Broad Street, central Bristol; 1 Dec 2017.
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STILL LIFE 154 – BROAD PLAIN

 

 


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Shafts of morning sunlight softly caress a façade – or rake harshly across it, laying bare its every jagged line and texture – its just a matter of how we look at things in the moment.

But the window keeps its privacy in cool shadow; also for the moment.

Analysis: this is a picture of a window (oh, you’re thinking, he’s sharp …), but to me (but maybe not to you …) its more an assemblage of shapes, textures, light and shadow.  Apart from the window’s frame it has Minimal colour but, as so often happens, presenting in it black and white would certainly lose something – the very faint yellow below the window, for example, adds something I think.  I’ve talked about a method of photography where the photographer looks for good light and then thinks what to do with it, how to use it, and I know I’m not alone in this.  Here is an example.  The morning sunlight was slanting across the façade, and I walked along, looking up at the interplays of the light with the building, thinking what might be possible.  And, as always, a telephoto was useful in picking out details from the overall scene.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm; 200 ISO; Lightroom; Broad Plain, central Bristol; 26 May 2017.
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PEOPLE 289 – GOING TO WORK 32 (MONO)

 

 


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The bus to work: Bristol Bridge, 2 Dec 2016, 8.10am.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31. Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: D700 with 70-300 Nikkor lens at 300mm; 25,600 ISO; Lightroom; Silver Efex Pro 2, starting at the Strong Infrared High Contrast preset; central Bristol.
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