OUTER SUBURBS 104 – PARADISE REVISITED

 

 


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Awhile back, I posted a picture of this tree on a misty autumn morning – and instantly thought the resulting very simple scene a portrayal of Paradise.  Several of you agreed.

Happily, this tree is often along the routes of the long walks that I take through Bristol’s outer suburbs, and often I see it daily.

And so to a misty morning in spring, and it being resplendent in its flowers.  Paradise revisited?  Well its got my vote.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: TG-5 at 65mm (equiv); 320 ISO; Lightroom, using the Camera Natural film simulation; south Bristol; 30 Mar 2019.
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OUTER SUBURBS 103 – FOGGY MORNING 3

 

 


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Main road; early morning; fog.

Technique: selective desaturation of colour: the green lights are the main thing here and the morning was in any case very grey, but I’ve desaturated the yellows and blues of the crossing control boxes mounted on the traffic lights’ poles, and also the traffic cones standing on the traffic islands, to remove distractions and give the green lights greater prominence.  Another method would have been to convert the image to mono in Silver Efex Pro 2 and then restore the lights’ colours.

There are earlier foggy morning pictures here: 1 2 .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 100mm (equiv); 640 ISO; Lightroom, selectively desaturating colour; south Bristol; 30 Mar 2019.
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OUTER SUBURBS 102 – FOGGY MORNING 2 (MONO)

 

 


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Main road; early morning; fog.

There is another foggy morning picture here: 1 .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that to enlarge it further.

Technique: TG-5 at 70mm (equiv); 640 ISO; Lightroom, using the Camera Vivid film simulation; Silver Efex Pro 2, starting at the Antique Portrait preset; south Bristol; 30 Mar 2019.
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OUTER SUBURBS 101 – FOGGY MORNING

 

 


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Walking in early morning fog.  Walking off the edge of the world.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 100mm (equiv); 500 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 30 Mar 2019.
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OUTER SUBURBS AT 100

 

I’ve just put out the 100th post in the Outer Suburbs series, which consists of pictures taken with an Olympus TOUGH TG-5 camera during long walks around Bristol’s southern suburbs.  I hadn’t imagined that this series would come so far, but carrying a small and quite flexible camera wherever you go does make for quite a substantial visual archive.  Naturally, some of the images are better than others: below are some of my favourites.

To see any of these images enlarged, click on the desired image and another version will open in a separate window – click onto that image to enlarge it further.

Links to the 100 posts of the Outer Suburbs series to date can be found a little way below here.

 

This is the scene that started the Outer Suburbs series.  I walked past it most mornings, was always visually drawn into it, and then decided that carrying a camera on my long walks might be a good idea.  And so to a Path Through Modern Housing.

I am unsure of the effects that the Outer Suburbs project – for better or for worse – has had on my photography.  Has the restriction to 25mm-100mm (equivalent) focal lengths limited my photography or made me more creative?   This question is especially relevant in view of the fact that I (very) often “see” and compose images at 300mm telephoto length, i.e. at x6 magnification.  Whatever the answer is here, I do intend doing more photography with larger sensor cameras and longer focal length lenses from here on in – full frame format with the new Nikon Z 6, and APS-C format with the excellent Fujifilm X-T2.

But two things are clear.  First, that the project, like my photography generally I think, is fairly diverse – it does not concentrate narrowly on any one genre.  And second, that the TG-5, which has a tiny 6.17mmx4.55mm sensor, is a wonderfully competent and adept little camera to carry around anywhere – not capable of all things, certainly – e.g. focal lengths outside the 25-100 range, and narrow depths of field in most situations – but then again certainly capable of taking on a wide range of photographic genres and situations.  It shoots in RAW format, which I use exclusively for all of my photography.

And my photography is very important to me, I suppose I regard it as a part of my identity, of who I am.  I revel in the creative opportunities that digital photography has brought, and I’m also very much into the writing that accompanies the images in this blog – I find all of this an absolutely wonderful means of creative self-expression. 

So, that said, where am I with photography overall?  Well, there are times when I feel that photography is a great world opening out in front of me (and hence getting the Z 6 to record that world) – but, not getting any younger, there are times too when I feel that, despite this, I no longer have the energy that I once had.  Well, as always, time will tell.  Watch this space! 🙂

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100Each will open in a separate window.

Autumn

Metrobus

Bus shelter, wet morning

Autumn

Double glazing

Modern housing

Modern life

Walking just around dawn
Modern housing

Stormy sunrise

Early morning gutter with lamp post, frost, moss and banana skin

Autumn

Venus, and what impresses me these days

Path through modern housing

Autumn

Modern housing


A good plateful

A good night out

(Yes, you’re right, this final image was an afterthought, added at the end here only as a footnote)
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OUTER SUBURBS 100 – YELLOW TAXI CABS

 

 


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A little flavour of the USA in south Bristol, and some colours fairly comfortable with one another.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 25mm (equiv); 800 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 29 Jan 2019.
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OUTER SUBURBS 99 – GREENGROCER

 

 


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A shop specialising in fruit and veg, almost an anachronism really – but certainly a very refreshing one – in a world now dominated by the bland, impersonal, mass market uniformity of the supermarkets.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to further enlarge it.

Technique: TG-5 at 25mm (equiv); 1600 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 29 Jan 2019.
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OUTER SUBURBS 98 – BICYCLE TYRE (MONO)

 

 


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Pavement with early morning sun and bicycle tyre.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 35mm (equiv); 640 ISO; Lightroom, using the Adobe Monochrome film simulation; south Bristol; 26 Sept 2018.
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OUTER SUBURBS 97 – MAIN ROAD 2 (MONO)

 

 


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One of the city’s main arteries, passing through the Outer Suburbs, and channelling workers into the city in the mornings before emptying them back southwards into the countryside again in the afternoons.  

There is an earlier picture of this main road here: 1 .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: TG-5 at 25mm (equiv); 640 ISO; Lightroom, using the Camera Vivid film simulation; Silver Efex Pro 2, starting at Janices Infrared preset; south Bristol; 18 Aug 2018.
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OUTER SUBURBS 96 – PARKED CAR 2 (MONO)

 

 


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Walking the outer suburbs, this time somewhere a little closer to the city, this time somewhere a little more affluent.

Lots of cars like this, but the tree caught my eye – something almost Oriental here, something natural and graceful overlooking the sleek, manufactured metal – something natural completely at ease alongside the machine’s designer styling.

There is an earlier parked car image here: 1 .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 46mm (equiv); 1250 ISO; Lightroom, using the Camera Monotone film simulation; south Bristol; 28 Feb 2019.
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