ARCHIVE: PEOPLE 23 – BUS SHELTER


Looking into a bus shelter.

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 80mm; 1600 ISO; Lightroom, starting at the Camera Vivid profile; south Bristol; 24 Oct 2019.



ARCHIVE: STILL LIFE 35 – AUTUMN (1)


Low angle autumn sunlight grazes the surface of the pavement on a steep hill. 

The leaf is from one of the tall Plane trees that line this major route south out of the city.

Click onto the image to open another version in a separate window – recommended.

Technique: TG-5 at 74mm (equiv); 400 ISO; Lightroom, using the Camera Natural film simulation; Wells Road, Bristol; 17 Nov 2017.

ARCHIVE STILL LIFE

This is a new category on this blog – Archive Still Life studies.  The Still Life definition will certainly be followed loosely – e.g. some studies may only have been made “still” by the split second opening of the camera’s shutter – and my objective will be to use as many different types / genres of subject matter as possible.  Some images will be Minimalist and, in general, I try to make simpler images, rather than cramming them with visual content.

Some new Still Life studies will (hopefully!) continue to appear.



ARCHIVE: PEOPLE 15 – HUMAN TRAGEDY


Every picture tells a story, but here the two words, suitably in pink, tell the whole story.  Clicking onto the image opens a larger version in a separate window, and helps with reading the words …  

So really, now, its just a case of whether I accept the offer of the hard-hitting assignment in social commentary photojournalism or become a lensman with Visit Bristol!

Technique:  strong stomach, almost averted gaze, and TG-5 at 25mm (equivalent); 800 ISO; Lightroom, starting at the Camera Vivid profile; south Bristol; 14 Sept 2019.



ARCHIVE: LOOKING AT CARS 76 – CAR PARKED BESIDE THE PAVEMENT


Parked car reflecting houses as the sun rises.

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 46mm (equiv); 800 ISO; spot metering; Lightroom, starting at the Camera Vivid profile; south Bristol; 8 June 2021.



ARCHIVE: LOOKING AT CARS 74 – FROSTY MORNING, MELTING


After a cold night, still icy in the shadows.

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 70mm (equiv); 160 ISO; Lightroom, using the Camera Vivid film simulation; Hart’s Bakery, Temple Meads, Bristol; 8 Nov 2017.

ARCHIVE: STILL LIFE 27 – KING WILLIAM ALE HOUSE


The wonderful exterior colour of the King William Ale House, a favourite watering hole of mine in Bristol city centre.  An old pub, with good beer and comfortable seating – just the place for quiet afternoons of decadent imbibing and good conversation by those of us in the retired classes.

Click onto the image to open another version in a separate window.

Technique: TG-5 at 25mm (equiv); 400 ISO; Lightroom, starting at the Camera Vivid profile; rotated anticlockwise; Capture NX2; King William Avenue, Bristol city centre; 1 Oct 2019.

ARCHIVE STILL LIFE

This is a new category on this blog – Archive Still Life studies.  The Still Life definition will certainly be followed loosely – e.g. some studies may only have been made “still” by the split second opening of the camera’s shutter – and my objective will be to use as many different types / genres of subject matter as possible.  Some images will be Minimalist and, in general, I try to make simpler images, rather than cramming them with visual content.

Some new Still Life studies will (hopefully!) continue to appear.



STILL LIFE 263 – WALL OF CONCRETE BLOCKS, DEFACED BY RED LINE


 

Strolling down tatty back alleys behind a row of small shops in the blazing summer’s sun, and reveling in the burgeoning and totally uncaring unkemptness of it all.  The shops’ fronts might look alright, but back here behind the facades there is only sordid and refuse strewn reality – what you see is very much what you get, and what you get is pure, artless, drab functionality, bereft of all thoughts of beauty or attractive design.

And I found a wall of made of concrete blocks – breeze blocks as we Brits call them – on which some bright young thing had scrawled a long red line.  Up behind the wall was a fence of crudely painted and rusting metal panels.  And in the foreground, parked up close and personal against the wall, a car, patterned by the bright reflections of its stark backdrop.

And – rather an epiphany I suppose – I realised that, should I linger too long in these scruffy and unkempt surroundings, anyone passing by might think me a very real part of them.  So I hastened swiftly on, anxious to give a better – if false – impression elsewhere.

Click onto the image to open a larger version in a separate window – recommended.

Technique:  TG-5 at 49mm (equiv); 200 ISO; spot metering; Lightroom, starting at the Modern 01 profile; south Bristol; 1 June 2021.



STILL LIFE 262 – BARBERING LOUNGE


This car’s driver?  He’s inside, having his hair cut.

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 100mm (equiv); 320 ISO; spot metering; Lightroom, starting at the Modern 01 profile; flipped; south Bristol; 1 June 2021.

STILL LIFE 261 – THE VIEW INTO A FISH AND CHIP SHOP DURING THE PANDEMIC


Looking in through the windows of a fish and chip shop during the pandemic, just as the sun was rising.

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 100mm (equiv); 320 ISO; spot metering; Lightroom, starting at the Modern 01 profile; south Bristol; 1 June 2021.



ARCHIVE: STILL LIFE 10 – FOGGY MORNING 4 (MONO)


Going to the park very early in the morning: trees, fog, stillness, depth.

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 100mm (equiv); 1600 ISO; Lightroom, using the Camera Monotone film simulation; south Bristol; 17 Apr 2019.

ARCHIVE STILL LIFE

This is a new category on this blog – Archive Still Life studies.  The Still Life definition will certainly be followed loosely – e.g. some studies may only have been made “still” by the split second opening of the camera’s shutter – and my objective will be to use as many different types / genres of subject matter as possible.  Some images will be Minimalist and, in general, I try to make simpler images, rather than cramming them with visual content.

Some new Still Life studies will (hopefully!) continue to appear.



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