ARCHIVE: LOOKING AT CARS 37 – MISTY MORNING

 

 


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Misty early morning in the street, the people sleeping and the cars silent, dark and still >>> LOL! which is a very poor attempt at Dylan Thomas!!!  What about something from The Master himself then, from Under Milk Wood, very certainly one of my most favourite books in this whole world, and an endless source of both awe and inspiration:

Time passes.  Listen.  Time passes.

Come closer now.

Only you can hear the houses sleeping in the streets in the slow deep and silent black, bandaged night.

Only you can hear and see, behind the eyes of the sleepers, the movements and countries and mazes and colours and dismays and rainbows and tunes and wishes and flight and fall and despairs and big seas of their dreams.

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  These Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 .  Each post will open in a separate window.

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 80mm (equiv); 6400 ISO; Lightroom, starting at the Modern 03 profile; south Bristol; 30 Nov 2020.
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OUTER SUBURBS 304 – WALKING THE STREETS AT NIGHT’S END (MONO)

 

 


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Walking the misty, deserted streets at night’s end, listening to the silence, watching the foxes making for their daytime lairs, passing the stolid ranks of cold cars – and very much having the feeling of enjoying the very simple and uncomplicated moment, of being glad to be up and about … of seeing and savouring the world at the antisocial hours that only a few early joggers and dog walkers know.

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 100mm (equiv); 3200 ISO; spot metering; Lightroom, starting at the Camera Portrait profile; Silver Efex Pro 2, starting at the Cool Tones 2 preset and adding a tone; south Bristol; 22 Nov 2020.
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OUTER SUBURBS AT 300

 

 

Walking the roads at night’s end
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I started the Outer Suburbs posts on 25 Aug 2018, carrying the little Olympus Tough TG-5 camera in my pocket on the long, early morning walks (LOL! >>> maybe I should say route marches!) that I take around Bristol’s outer limits, in vain pursuit of a slimmer waistline.  In that first post over two years ago, I said that I had no idea of how the series might progress – and with hindsight I certainly had no idea of how a disease emanating from a “wet” market on the other side of the world was going to affect my life and the lives of vast numbers of other people across the world, and end so many peoples’ lives too.

But solitary, early morning walks have proved a good way of getting the exercise that brings real mental and physical benefits in this strange, new reality – while keeping away from the crowded and indoor spaces where the virus continues to thrive.  This series of posts has photographed many things, and I’m rather taken aback to have reached number 300.  Via the vaccines, there is the possibility of some light at the end of the tunnel now, although I harbour absolutely no illusions about a speedy return to normality.  It is simply a case of keeping well informed about what is going on with the virus, taking all the precautions, and seeing what materialises.

Below are some earlier pictures from the series.  Clicking onto any of the images here will open a larger version in a separate window – recommended.

Take care – and stay safe – everyone!

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Early morning 6

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Car beside fence, early light

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A good plateful

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Early morning mist, main road

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Autumn

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Bus shelter, early morning light

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Early morning 41

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Modern life 8

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Path through modern housing 4

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Soda water with ice and a slice of lemon 3

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Symbols of division and the shadow of a car

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Photographing a tree’s shadow on the wall of a house, at sunrise

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ARCHIVE: LOOKING AT CARS 33 – MAIN ROAD, DAWN (MONO)

 

 


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Driving at dawn, in autumn: bare trees, mist, darkness and – rather unsettlingly – a fat, disheveled old man, with far more hair than is immediately apparent, photographing your passing car …

The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 .  Each post will open in a separate window.

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 25mm (equiv); 3200 ISO; spot metering; Lightroom, starting at the B&W 03 profile; south Bristol; 22 Nov 2020.

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OUTER SUBURBS 298 – AUTUMN 8

 

 


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Early morning mist, the sky just lightening and, just above the tree in the center of the shot, the merest hint of a contrail caught by the first rays of the rising sun – best seen by magnifying the shot (by clicking onto it – see below).

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window – certainly recommended.

Technique: TG-5 at 100mm (equiv); 250 ISO; spot metering; Lightroom, starting at the Modern 03 profile; south Bristol; 6 Dec 2020.
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ARCHIVE 587 – FOGGY MORNING (MONO)

 

 


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Foggy morning along a main road in south Bristol; 13 Mar 2014.

The huge Plane tree in the foreground has had its branches pruned many times, including recently, giving it its bare, knobbly appearance.  At top left, a pigeon perches, probably a Wood Pigeon, gazing down at the crawling traffic below.  There is another pigeon, further right.  The tree behind retains its growth of thin branches from last year – it has yet to be shorn.

Click onto the image to open a larger version in a separate window – recommended.

Technique: Canon G11 PowerShot at 63mm (35mm equiv); 200 ISO; Silver Efex Pro 2, starting at the Film Noir 1 preset.

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OUTER SUBURBS 295 – AUTUMN 7 (MONO + COLOUR)

 

 


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Something else in autumn, early on a foggy morning.

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 57mm (equiv); 1600 ISO; Lightroom, starting at the Modern 04 profile; south Bristol; 6 Nov 2020.
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OUTER SUBURBS 294 – AUTUMN 6 (MONO)

 

 


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A very deceptive image, a very selective piece of framing: just below this apparent misty autumn idyll there are houses, commuters and rush hour traffic.  Few things are what they seem on FATman Photos … 😉   …

There are other images from this early morning here, here and here .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 100mm (equiv); 1600 ISO; Lightroom, starting at the B&W 12 profile; south Bristol; 6 Nov 2020.
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OUTER SUBURBS 292 – AUTUMN 5

 

 


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There are other images from this early morning here and here .  Each will open in a separate window.

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window – this image has a lot of fine detail, so certainly recommended.

Technique: TG-5 at 100mm (equiv); 1600 ISO; Lightroom, starting at the Modern 04 profile; south Bristol; 6 Nov 2020.
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ARCHIVE 584 – THE SUN BREAKS THROUGH

 

 


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A cold morning, and the rising sun starts to burn through the mists over Whitchurch village, on the southern outskirts of Bristol.

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 100mm (equiv); 320 ISO; Lightroom, using the Camera Vivid film simulation; Whitchurch, south Bristol; 2 Nov 2017.

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