SOMERSET LEVELS 354 – AT ROSE FARM, LOOKING EAST 3 (MONO)

 

 


.

This image is best viewed enlarged: click onto it to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

The view out across a misty landscape, early in the day.

Silver Efex Pro 2, which I always wholeheartedly recommend for black and white processing, gives the resulting image its take on the look of a Tin Type photograph.

There are earlier shots in this series here: 1 2 .

Technique: Z 6 with 70-300 Nikkor lens at 116mm; 400 ISO; Lightroom, using the Camera Vivid v2 picture control; Silver Efex Pro 2, starting at the Tin Type preset; at Rose Farm, on the Somerset Levels south of Tarnock; 3 May 2019.
.
.
.

OUTER SUBURBS 113 – LOOKING UP, EARLY IN THE DAY

 

 


.

Walking in Church Lane, on a still, quiet morning.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to further enlarge it.

Technique: TG-5 at 65mm (equiv); 200 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 17 Apr 2019.
.
.
.

SOMERSET LEVELS 343 – SWANS ABOVE TEALHAM MOOR (MONO)

 

 


.

This image contains a lot of detail and is best viewed enlarged: click onto it to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

Looking eastwards across Tealham Moor at 7am, with the sun risen and mist rising into the cool air.  There are no sounds, save for those of the light breeze and, as is so often the case here, gently running water.

And then the singing of Mute Swans’ wings, and three of them, flying quite low, heading north across the moor.

(And another bird to see: a Rook, one of the crows, perched on the dark fencing at lower right; its looking towards the camera, and can only be seen as a dark bird with a pale face – the latter in fact being the pale grey bill and the bare, pale grey skin on the face – the bird uses its longish (for a crow) bill for probing into turf and earth, looking for worms, insects, etc, and its bare facial skin is presumably less soiled (every pun intended!) by the dirt than facial feathers would be.)

Technique: Z 6 with 70-300 Nikkor lens used in DX (= APS-C) format to give 450mm; 640 ISO; Lightroom, using the Camera Vivid V2 picture control; Silver Efex Pro 2, starting at the High Contrast Green Filter preset and adding a medium coffee tone; looking east across Tealham Moor from just south of Westham, on the Somerset Levels; 3 May 2019.
.
.
.

SOMERSET LEVELS 342 – AT ROSE FARM, LOOKING EAST 2 (MONO)

 

 

.

Mist and spring lambs, early in the day, across the road from Rose Farm.

There is another image from Rose Farm here: 1 .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: Z 6 with 70-300 Nikkor lens at 300mm; 400 ISO; Lightroom, using the Camera Neutral V2 picture control; Silver Efex Pro 2, starting at the Antique Portrait preset, and adding a split tone; at Rose Farm, on the Somerset Levels south of Tarnock; 3 May 2019.
.
.
.

SOMERSET LEVELS 341 – AT ROSE FARM, LOOKING EAST (MONO)

 

 


.
The days lengthen as spring moves towards summer – the longest day of the year is not that far away – and so to leaving home even earlier than usual for the drives down to the Levels.  I’ve always promised myself I’ll do these even earlier starts – and so to it!  The benefits?  Well, more early morning light, being out more in the (for me) best part of the day – and, more prosaically, (even) less traffic on the roads.  And then afterwards – my version of après ski – returning home totally shattered, and having absolutely no option other than to subside gratefully with several, absolutely delicious, Belgian golden beers – Duvel and Duvel Citra are the names on the bottles, my friends, and long may they blossom and gladden the heart!

And rather than always visiting the Tealham and Tadham Moors as I have done in the past, I’m exploring more on the Levels now, and using a variety of ways into these calm, damp flatlands.  Today’s route went straight down the main A38 road from Bristol, over a low gap in the Mendip Hills, and thence to a turn off to the south, in the little hamlet of Tarnock.

And almost as soon as I’d turned off the main road, low, backlit banks of mist started appearing to my left – I put my foot down, and the car shot towards them.  And so to abandoning the car in the gateway of a field beside Rose Farm and, leaping out with the camera, looking to the east.  There were sheep and lambs in the field beside the road, and the silhouettes of fences and farm implements further away – and behind them a landscape dissolving off into layers of ever increasing invisibility.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

Technique: Z 6 with 70-300 Nikkor lens at 300mm; 400 ISO; Lightroom, using the Camera Vivid V2 picture control; Silver Efex Pro 2, starting at the Antique Portrait preset; at Rose Farm, on the Somerset Levels south of Tarnock; 3 May 2019.
.
.
.

SOMERSET LEVELS 336 – MORNING DEW 2

 

 


.

Looking east from Bourtonbridge Drove on Queen’s Sedge Moor: sunshine on dew-soaked grass, and a dark bank of fog in the backdrop.

Earlier morning dew images are here: 1 .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: Z 6 with 70-300 Nikkor lens used in DX (= APS-C) format to give 450mm; 400 ISO; Lightroom, using the Standard V2 picture control; Queen’s Sedge Moor, on the Somerset Levels; 26 Apr 2019.
.
.
.

OUTER SUBURBS 109 – FOGGY MORNING 4 (MONO)

 

 


.

Trees, fog, stillness, depth.

There are earlier foggy morning pictures here: 1 2 3 .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: TG-5 at 100mm (equiv); 1600 ISO; Lightroom, using the Camera Monotone film simulation; south Bristol; 17 Apr 2019.
.
.
.

SOMERSET LEVELS 333 – MISTS RISING, QUEEN’S SEDGE MOOR (MONO)

 

 


.

This image is best viewed enlarged: click onto it to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

With these spring mornings getting light earlier and earlier, I left home at an even more gruelling(!) hour and, hammering steadily but speedily down almost empty main roads, was soon up on the top of the Mendip Hills – very much the uplands of my childhood – and looking down on the Somerset Levels laid out flat as a pancake far below.  The sun was already up and, although sunshine bathed most of the flatlands, there were still pools of mist lingering here and there.  I thought how wonderful it would be to get into one of those mist pools but, far away and far below as they were, I wasn’t able to identify any of their locations exactly, so I just put my foot down and hurtled onwards >>> lol! onwards and downwards!!! >>> towards the diminutive city of Wells, one of the many gateways to this flat and wet countryside.

So, through Wells and immediately out onto the Levels, heading for the truly long, Long Drove, a single track, tarmac lane that cuts right out across the middle of Queen’s Sedge Moor.

I reached the junction, turned left off the main A39 road onto Long Drove and, really, was just smacked – visually – right across the face!  I just couldn’t believe it, I just gaped.  For there was the long, dead straight drove, arrowing out ahead of me, but mist was rising from the water-filled ditch (the rhyne) on its left, and this narrow ribbon of slowly rising vapour was bring caught by the rays of the still low sun.

And thence to dangerous comedy >>> pulling over wildly over onto the narrow lane’s precarious grass verge and feeling the car slide and tilt ominously.  Then, camera in hand, tumbling out of the car and running out in front of it, to get a view looking straight up the ditch – and almost sliding into the ditch’s chill embrace in the process – there are times when I think I’m getting too old for all this!!! 🙂

And then, having just managed to stay safe, I came to a feature of the new camera which is really starting to get to me – the work literally of a second to convert the 300mm reach (= x6 magnification) of my telezoom to 450mm (= x9 mag), and I was suddenly looking up the rhyne at x9 magnification and, quite simply, gasping.

And so to taking pictures, followed by another few, high speed moments on the car to reach another promising viewpoint, and more pictures – and the mist was gone, dissolved in an instant by the sun’s slight warmth.  And the time between my first seeing this mist and its almost instantaneous disappearance???  Well, at most 10 minutes.  Quite simply, an incredible visual adventure.

Technique: Z 6 with 70-300 Nikkor lens used in DX (= APS-C) format to give 450mm; 250 ISO; Lightroom, using the Camera Neutral V2 picture control; Silver Efex Pro 2, starting at the High Contrast Orange Filter, and adding a light coffee tone; looking eastwards along Long Drove, on Queen’s Sedge Moor, south of Wells; 26 Apr 2019.

.
.
.

OUTER SUBURBS 103 – FOGGY MORNING 3

 

 


.

Main road; early morning; fog.

Technique: selective desaturation of colour: the green lights are the main thing here and the morning was in any case very grey, but I’ve desaturated the yellows and blues of the crossing control boxes mounted on the traffic lights’ poles, and also the traffic cones standing on the traffic islands, to remove distractions and give the green lights greater prominence.  Another method would have been to convert the image to mono in Silver Efex Pro 2 and then restore the lights’ colours.

There are earlier foggy morning pictures here: 1 2 .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 100mm (equiv); 640 ISO; Lightroom, selectively desaturating colour; south Bristol; 30 Mar 2019.
.
.
.

OUTER SUBURBS 102 – FOGGY MORNING 2 (MONO)

 

 


.
Main road; early morning; fog.

There is another foggy morning picture here: 1 .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that to enlarge it further.

Technique: TG-5 at 70mm (equiv); 640 ISO; Lightroom, using the Camera Vivid film simulation; Silver Efex Pro 2, starting at the Antique Portrait preset; south Bristol; 30 Mar 2019.
.
.
.

%d bloggers like this: