SOMERSET LEVELS 299 – MISTY MORNING, ALLERTON MOOR 3

 

 


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Looking into misty light, early in the day.

You can find other images from this dark and mysterious morning here and here.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom, using the Provia/Standard film simulation; Allerton Moor;  22 Aug 2017.
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SOMERSET LEVELS 296 – MISTY MORNING, ALLERTON MOOR 2 (MONO)

 

 


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Mute Swans in the water-filled ditch – the rhyne (rhymes with seen) – that runs along beside the mostly single track road across Allerton Moor.

A misty morning.  The rhyne, which does duty as the field’s fence in this wet part of the world, runs on off into the distance before starting to bear off to the left, where a faintly seen fence beside the road keeps the unwary traveller from the deep and glutinous clutches of the dark water and ooze. 

Up right of the swans, cattle at the rhyne’s edge: there may be a place there where they can get down safely to the water’s edge to drink. And behind the cattle, in the murk, farm buildings.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom, using the Provia/Standard film preset; Silver Efex Pro 2, starting at Janice’s Infrared preset; Allerton Moor, west of Chapel Allerton; 22 Aug 2017.

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SOMERSET LEVELS 294 – MISTY MORNING, ALLERTON MOOR

 

 


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Cows in the mist: early morning on Allerton Moor, west of Chapel Allerton; 22 Aug 2017.

Another early visit to these flatlands, with rolling banks of mist looming and vanishing with disconcerting rapidity.  Someone had just seen otters in a roadside ditch.  I couldn’t see them but then, driving on towards the village of Mark, cows were grazing in a rough field on my left and there was light seeping uncertainly through the mist.

Little colour: this reflects the original scene, and the Pro Neg Hi film simulation helps too.  The animal on the left is identifiable, but the two further off could be rocks or some derelict piece of farm machinery.  I really enjoy such lighting conditions.

I’m heading in towards minor surgery this coming week, and have much to do before I’m temporarily physically curtailed.  Hence I’ve not been able to give others’ blogs as much attention as I’d like – apologies for this.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom, using the Pro Neg Hi film simulation.
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SOMERSET LEVELS 292 – EARLY IN THE DAY, JUST BEFORE MIDWINTER

 

 


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The first flushes of sunrise on 16th Dec 2016 –  just before the shortest day of the year.  I was heading towards the village of Mark, and looking eastwards across Binham Moor.

Composition: a noisy, grainy, blurry image – no more than an impression of what it was like being there.  And what was it like being there?  Well, it was ******* cold and, despite 1/250th and image stabilisation, I was lying across the outside of the car, hoping to high heaven that, shivering as I was, I could still hold the camera steady.  Did I have a tripod with me?  Yes.  Could I be bothered to use it?  Nope – but then that’s always the case!  This image is very much a series of horizontal layers, one on top of the other, the darkness of the ground moving up, in a series of discreet steps, into the first welcome tints of the day.

Click onto the image to open a larger version in a separate window, and click onto this enlarged image to enlarge it yet again.

Technique: D800 with 70-300 Nikkor lens at 300mm; 25,600 ISO; 1/250th, wide open at f5.6; Lightroom.
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SOMERSET LEVELS 284 – MORNING MIST, TADHAM MOOR

 

 

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A misty and cold morning, along a rough track leading southwards across Tadham Moor; 16 Dec 2016.

A very simple place but one with great meaning to me, which has helped me through very dark days.  

Click onto the image to open a larger version in a separate window.

D800 with 70-300 Nikkor lens at 300mm; 3200 ISO.
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SOMERSET LEVELS 282 – MORNING, TEALHAM MOOR

 

 

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Morning on the far reaches of Tealham Moor, southwest of Wedmore; 16 Dec 2016.

A winter’s morning in fact, just days before the year’s shortest one.  And the light flat, cold and grey at the moment of a sunrise all too ably obscured by dense cloud banks low to the southeast.

Cows registered minor interest at my arrival, before meandering uncertainly away into the low mist.

Click onto the image to open a larger version in a separate window.

D800 with 70-300 Nikkor lens at 300mm; 5,000 ISO.
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ARCHIVE 251 – MIST LIFTING, HERONS GREEN

 

 

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Early morning mist lifting at Herons Green Bay, Chew Valley Lake, south of Bristol; 6 Apr 2015.

Driving through the Chew Valley, heading for the Mendip Hills, I came out onto an open stretch of road beside Chew Valley Lake and was suddenly enveloped in thick mist.  But over to my left the sun was starting to rise, the mist was lifting and changing colours in the most visually seductive ways – and I swerved into a layby, jumped out and started taking pictures.

I was there for about an hour, and this is the first of a short series of images from that misty morning.  I love images with little detail, and the telezoom that I’m married to was just right for picking out scenes in that warm softness.

Chew Valley Lake is a large reservoir, the 5th largest artificial area of water in the UK.  It was opened in 1956, to supply Bristol with drinking water.  It has many memories for me because it was here, in 1967, that two school friends first opened my eyes to birds and birdwatching, and so set me on a path and interest that continued through to 2002.  I no longer go birdwatching, but I retain a deep love and feeling for birds, and see them as an essential facet of all land-, water- and skyscapes.

Click onto the image to see a larger version in a separate window – certainly recommended.

D700 with 70-300 Nikkor at 78mm; 200 ISO; Color Efex Pro 4.

UPDATE: ask me the sorts of pictures I enjoy taking and scenes like this would be high on the list.  I get a real buzz from pointing telephoto lenses at scenes like this.

Why do I like this?  Well, first, its a Minimalist scene, there’s really not a lot of hard detail here, not a lot to get a real, visual grasp on, and to me it is the richer for that – the essence of the phrase “less is more”, perhaps.  Its just a duck, swimming in front of some trees which are all but shrouded in some glowing mist.  Then its a natural scene (although the body of water is actually an artificial reservoir) and Nature is always big with me – although, having said that, I do seem to be swinging more towards built environments, city photography, since getting a smaller and handier new camera, the Fujifilm X-T1.  I’ve done a lot of city photography in the past, often in pursuit of abstract studies.

But, anyway, here it is.  A calm scene, something taking us away from “the busy modern lifestyle”.  Was that my mobile phone?  I don’t know, I’ve got it switched off, and the greeting on its answerphone is “Go away!”.

And, lastly, would this image work without the duck?  Well, put your finger over the bird and its wake, and see.  For me it still works, becoming an even more Minimalist study, something on the lines of – although still far from – a Monet maybe?  For you, this may not work, this may be a subtraction too far.  What do you think?
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SOMERSET LEVELS 269 – RAINY MORNING 4 (MONO)

 

 

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Westhay Moor, northwest of Lower Godney; 29 April 2016.

Click onto the image to see a larger version in a separate window – recommended.

Previous images in this series can be found here, here and here.

D800 with 70-300 Nikkor at 300mm; 1600 ISO; Silver Efex Pro 2, starting at the High Structure Harsh preset and adding a cyantotype tone; Color Efex Pro 4.
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SOMERSET LEVELS 263 – DEATH OF A FRIEND 2 (MONO)

 

 

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Early morning, and a fallen willow lies beside the misty River Sheppey in Upper Godney; 1 Apr 2016.

Another take on this scene, and more context, can be found here.

Click onto this image to see a larger version in a separate window – recommended.

D800 with 70-300 Nikkor at 300mm; 6400 ISO; Silver Efex Pro 2, starting at the Triste 2 preset.
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ARCHIVE 226 – NAKURU DAWN

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Dawn mists rise above Lake Nakuru, central Kenya; January 1978.

The large, white birds with huge bills in the foreground are White Pelicans.  In the lake behind them are the trunks of trees that, flooded by the lake, have been killed by the high concentration of sodium bicarbonate in its waters. Cormorants (the same bird as in the UK) perch on these dead trunks, and a nest of sticks is also visible.

This lake is over a mile above sea level and so, particularly after a clear night, the whole place can be pretty chilly by first light – standing around taking pictures, waiting for the sunrise, we were well wrapped up!  At altitudes a little above this – and right on the equator – frosts can occur.

Clicking onto this image opens a (slightly) larger version in a separate window.

Vivitar 400mm telephoto on Olympus SLR, mounted on a tripod; colour transparency.

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