STILL LIFE 103 – FLIGHTS OF STEPS

 

 


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Looking down flights of steps with yellow edges.

Originally taken in portrait format, the image has been rotated 90 degrees anticlockwise.  The last two steps of a flight with their yellow, high-visibility safety edges are seen on the right, and there is a small landing, floored with handsome granite slabs, in the centre of the picture.  A second flight of steps descends between dark walls on the left but, because of the angle of the shot, all of the yellow edges of these steps meld together to form one yellow mass.  Another landing is dimly seen between the walls’ shadow at extreme left.

Click onto the image to open a larger version in a separate window, and click onto the larger version to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 85mm (equiv); 400 ISO; image rotation;  Lightroom, applying the Astia/Soft film simulation; York Place, Clifton, Bristol; 21 Apr 2017.
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OUTLANDS 13 – NEAR WEST LITTLETON 2

 

 


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Something Minimal, there’s really not much here, both in terms of content and colour, but straight black and white would lose a little I think.  And the bird – and getting focus on the bird – were fortuitous!

Context about this second Outlands trip can be found here, and there is another image here: 12.

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Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom, using the Classic Chrome film simulation; near West Littleton, South Gloucestershire; 12 Apr 2017.
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OUTLANDS 12 – NEAR WEST LITTLETON (MONO)

 

 


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Early in the day: above the byway, east of West Littleton; South Gloucestershire; 12 Apr 2017.

More context on this second visit to the extreme south of the Cotswold Hills, and more images, can be found here.

Click onto the image to open a larger version in a separate window, and click onto the larger image to further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 206mm (equiv); 400 ISO; Lightroom; Silver Efex Pro 2, starting at the Neutral preset.
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STILL LIFE 100 – KING WILLIAM AVENUE

 

 


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Traffic sign and early sunlight.

There is another picture of this wall here.

Click onto this image to open a larger version in a separate window, and click upon this enlarged image to enlarge it further.

X-T2 with 55-200 Fujinon lens at 250mm (equiv); 200 ISO; Lightroom, including the Astia/Soft film simulation; King William Avenue, central Bristol; 7 Apr 2017.
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PEOPLE 262 – WOMAN WITH BLUE NAILS

 

 


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As so often happens, a grab shot – time for only one, very quick shot –  as passing traffic momentarily slowed down.  Luckily I had the camera set to spot metering linked to the active autofocus point, something I’m using quite a lot at the moment.  And the telephoto zoom was fully extended.  I just raised the camera to my eye, it found focus on her hand almost instantaneously, and I fired.

What do I think about this image?  Well, a passing soul, a passing someone, a stranger to me as I am to her, someone going somewhere.  But now, I suppose, part of a design, resting her fingers upon – or is she helping support?! – a curving metallic blueness set in a photographically enhanced darkness.  And if I could produce more such images, of beings in artificial, abstract realities, I would.

Click onto the image to open a larger version in a separate window, and click onto this enlarged image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 800 ISO; Lightroom, including the Classic Chrome film simulation; Park Street, central Bristol; 7 Apr 2017.
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STILL LIFE 98 – TWO CARS

 

 


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Cars parked next to each other; view through the windows of one car to the car behind.

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Technique: X-T2 with 55-200 Fujinon lens at 205mm (equiv); 400 ISO; Lightroom, including adding Fuji’s Velvia colour profile; thin black border added in Color Efex Pro 4; outside Harts Bakery, Bristol; 7 Apr 2017.
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STILL LIFE 97 – SWAN

 

 

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Close in with a male Mute Swan.  The large black knob above the base of the bill shows this to be an adult male, a cob.

Most of the bird was bathed in bright sunlight, and spot metering overexposed the highlights below its head.  Some very vague traces of its body are still visible, at upper right and lower left.  These would be easy to remove, but they’re left in to provide (a very little!) context. 

The first of these bird still life images, with context, is here: 1

Click onto the image to open a larger version in a separate window, and click onto that larger image to enlarge it again.

Technique: X-T2 with 55-200 Fujinon lens at 215mm (equiv); 1600 ISO; Lightroom, using Fuji’s Classic Chrome colour profile;  Herriots Bridge, Chew Valley Lake, Somerset; 3 Apr 2017.
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ARCHIVE 287 – IN THE HARBOUR AT ABERAERON (MONO)

 

 


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Black-headed Gull and mooring buoys in the harbour at Aberaeron, Ceredigion, west Wales; 24 Sept 2014.

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Technique: D700 with 70-300 Nikkor lens at 300mm; 400 ISO; Silver Efex Pro 2, starting at the Film Noir 3 preset.
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STILL LIFE 95 – BICYCLE AND PAVEMENT (MONO)

 

 


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Victoria Street, central Bristol: pushbike, pavement (aka sidewalk!); textures, shapes and many shadows.

It was towards the end of a long morning’s photography, and I was walking back towards Harts BakeryLOL! I was being irresistibly dragged there by my love of good food, might be more accurate!!!  Isn’t a total lack of willpower sometimes just wonderful?!  Or perhaps I should omit sometimes?

And, walking back along Victoria Street, it was just before I photographed these men waiting for a bus.

Click onto the image to open a larger version in a separate window, and click onto the enlarged image to enlarge it again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom; Silver Efex Pro 2, starting at the Pinhole preset and adding a tone; 24 Feb 2017.
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STILL LIFE 92 – SEASCAPE

 

 


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Study in blue – looking out to sea from Lizard Point, Cornwall; 19 Oct 2016.

Composition: a Minimalist image, take away the fluffy cloudlets and there’s really not much here, although it might still (just) work sans nuages.  But I like these little clouds – their shapes, fluffiness and colour – and the way they are at once separate from the dense, dark overcast – their relationship to this overcast is rather like that of little children skipping along beside their humourless, stolid, heavily pacing parents.  There is also that thin, linear break in the parental overcast just above these cloudlets – is it the trace of a smile? – perhaps their parents are not so humourless after all!

Click onto the image to open a larger version in a separate window, and click onto the larger version to enlarge it again.

Technique: X-T1 with 55-200 Fujifilm lens at 305mm (equiv); 400 ISO; Lightroom.
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