ARCHIVE 577 – NEAR WEST LITTLETON (MONO)

 

 


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Early in the day: above the byway, east of West Littleton; South Gloucestershire; 12 Apr 2017.

More context on this second visit to the extreme south of the Cotswold Hills, and more images, can be found here.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 206mm (equiv); 400 ISO; Lightroom; Silver Efex Pro 2, starting at the Neutral preset.

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ARCHIVE: LOOKING AT CARS 20

 

 


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The Looking at Cars series: looking back through the nine years of the FATman Photos archives (and some new images too), I’m posting pictures of cars in various contexts and styles.  Earlier Looking at Cars posts are here: 1 (with context); 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 25mm (equiv); 3200 ISO; Lightroom, starting at the B&W Blue Filter profile; south Bristol; 12 Sept 2020.

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ARCHIVE 576 – THEATRE! (MONO + COLOUR)

 

 


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The walls of the Landmark Theatre in Ilfracombe, Devon; 2 Oct 2007.

This theatre in Ilfracombe is highly controversial architecturally.  Its Victorian predecessor caught fire and was demolished – only to be replaced by something bearing a strong resemblance to nothing other than power station cooling towers!  However, if you’re into modern design, photography, etc this is a real stunner.  As a photographer, I enjoy Ilfracombe’s cramped tattiness – so many interesting things to photograph, so wonderful for textural and abstract studies! – but even amidst all of these photo opportunities, this theatre stands quite apart, absolutely unique.

The backdrop here are the walls of the “cooling towers”, and in SEP2 I’ve piled on the contrast and structure, and left them as monochrome.  But I’ve re-introduced some of the green of the palm’s leaves, and vamped that up quite a bit too, so that the greens look sci-fi or artificial.  And then some dark vignetting and edge burning in SEP, to concentrate the viewer on the photo’s interior with its massive walls and patch of living greenery.

And that leaves the whole thing looking – artificial, alien, sci-fi, unworldly, other worldly, you name it!

May 2013: I’ve made a lot of use of SEP2‘s ability to selectively restore colour in black and white images – I think this was the first posted image that I tried this on.  The title means two things of course >>> this is a photo of a theatre, but the photo itself is also theatre.

Click onto the image to open a larger version in a separate window – recommended.

Technique: F6 with 70-300 Nikkor lens; Fuji Provia 400X colour slide film, rated at 1600 ISO; converted to mono, and re-coloured, in Silver Efex Pro 2.

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ARCHIVE 568 – NEAR WEST LITTLETON

 

 


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Something Minimal, there’s really not much here, both in terms of content and colour, but straight black and white would lose a little I think.  And the bird – and getting focus on the bird – were fortuitous!

Click onto this image to open it in a separate window.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom, using the Classic Chrome film simulation; near West Littleton, South Gloucestershire; 12 Apr 2017.

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OUTER SUBURBS 279 – MORNING SUNLIGHT ON GRASS

 

 


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Standing on a lawn, beside a fence, as the sun rose.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.  

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 46mm (equiv); 400 ISO; spot metering; Lightroom, starting at the Modern 01 profile; south Bristol; 27 Aug 2020.
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OUTER SUBURBS 278 – CABLE TV

 

 


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Cable TV inspection cover set in a pavement >>> a scene that I walk over most days >>> but on this day lit by the low angle light of the rising sun.

Towards lower left, starting from nearest the cover, are the pavement’s pale kerbstones, the road’s slightly less pale gutter, and the more roughly textured road surface.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.  

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 61mm (equiv); 800 ISO; spot metering; Lightroom, starting at the Modern 03 profile; south Bristol; 8 Aug 2020.
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OUTER SUBURBS 275 – EARLY MORNING 11

 

 


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Cloud and contrail, at sunrise.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 49mm (equiv); 800 ISO; spot metering; Lightroom, starting at the Modern 01 profile; south Bristol; 4 Aug 2020.
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ARCHIVE 555 – CROW ON A FALLEN TREE (MONO)

 

 


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Carrion Crow perched on a fallen tree; Tadham Moor, south of Wedmore, on the Somerset Levels; 31 Mar 2014.

Early in the day, I pulled bleary eyed into the Magic Carpark, stumbled out of the car – and saw this crow.  Praying that it wouldn’t move, and all fingers and thumbs, I readied the camera, turned and – it was still there!  In fact it stayed there for sometime.

The tree is a casualty of the recent severe flooding.  It was probably not standing vertically before, but then its roots had been able to find sufficient purchase in the soil.  But, saturate that soil with floodwater for many weeks and turn it into something like blancmange or wet rice pudding, and the roots were simply not up to the task of keeping the great bulk of trunk and branches above them upright.

I went for a pure silhouette, with the sky completely burnt out, for simplicity – a Minimalist approach.  To me, the few branches entering the frame at upper right serve to balance the composition.  The adding of a blue tone takes the scene further away from reality.

Click onto the image to open a larger version in a separate window – recommended.

Technique: D800 with 70-300 Nikkor lens at 300mm; 800 ISO; Silver Efex Pro 2, starting at the Classic Portrait preset, and adding a Cyanotype tone.

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OUTER SUBURBS 265 – EARLY MORNING 6

 

 


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Walking past an uncertain row of shops at sunrise, and pausing to look up.  There wasn’t much up there but, as can often happen – both in Life and in images too – that didn’t seem to matter.  The bottom line was, that it felt good being there, looking up.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 100mm (equiv); 800 ISO; spot metering; Lightroom, starting at the Modern 01 profile; south Bristol; 4 Aug 2020.
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ARCHIVE 541 – WINDBLOWN

 

 


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Windblown poppy; Newquay, Cornwall; 11 Sept 2013.

I like Newquay.  It is cheap, tatty and unpretentious, and there are so many establishments offering Full English Breakfasts that I could probably stay there for a whole month and eat in a different one each day.  That said, I have the strong suspicion that most of these repasts would be of the pallid and rather tasteless variety but, still, anywhere with this number of breakfasts on offer can’t be all bad.

And, with its famous Fistral Beach facing out into the Atlantic’s rollers,  this little town is a mecca for UK surfers – as well as being the pub, nightclub and “booze / drug yourself silly” capital of the west for youngsters intent upon a good time that they may not remember too much about.

We had a couple of dry days on our short break, but the westerly wind blew throughout and the great white waves smashed into the cliffs and headlands – not that we are in any way surfers, mind!  For a start I can’t swim, and neither of us are at all into such energetic activities. 

There was a ragged flowerbed in front of some kind of religious building sandwiched in between the Houses Of Hedonism along the main drag, and the gusting westerly was sending the flowers in all directions. The waving poppies stood out from the rest, and a quarter of a second at F29 gave this pale and Impressionistic result.

Click onto the image to open a larger version in a separate window.

Technique: D800 with 70-300 Nikkor lens at 300mm; 400 ISO.

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