OUTER SUBURBS 103 – FOGGY MORNING 3

 

 


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Main road; early morning; fog.

Technique: selective desaturation of colour: the green lights are the main thing here and the morning was in any case very grey, but I’ve desaturated the yellows and blues of the crossing control boxes mounted on the traffic lights’ poles, and also the traffic cones standing on the traffic islands, to remove distractions and give the green lights greater prominence.  Another method would have been to convert the image to mono in Silver Efex Pro 2 and then restore the lights’ colours.

There are earlier foggy morning pictures here: 1 2 .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 100mm (equiv); 640 ISO; Lightroom, selectively desaturating colour; south Bristol; 30 Mar 2019.
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OUTER SUBURBS 101 – FOGGY MORNING

 

 


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Walking in early morning fog.  Walking off the edge of the world.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 100mm (equiv); 500 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 30 Mar 2019.
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OUTER SUBURBS 86 – SLIDE

 

 


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Slide in a children’s playground.  The green backdrop is fabric, thick and cushioned in case of tumbles.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: TG-5 at 25mm (equiv); 125 ISO; Lightroom; south Bristol; 11 Feb 2019.
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ARCHIVE 401 – END OF A CIGARETTE (MONO + COLOUR)

 

 


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Cigarette stubbed out on the top of a smokers’ bin in Baldwin Street, central Bristol; 16 Aug 2013.

Click onto the image to open a larger version in a separate window.

Technique: Canon G11 PowerShot at 140mm (35mm equivalent); 400 ISO; conversion to mono and selective restoration of colour in Silver Efex Pro 2, starting at the Film Noir 1 preset.

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OUTER SUBURBS 73 – LATE AFTERNOON LIGHT

 

 


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The shadows of trees, and a roadside drain, late on a winter’s afternoon.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 .  Each will open in a separate window.

Click onto the image to open another version in a separate window and click onto that image to enlarge it further.

Technique: TG-5 at 25mm (equiv); 400 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 14 Feb 2019.
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ARCHIVE 398 – DRAIN, WITH KERB, DASHED WHITE LINE AND SKID MARKS (MONO)

 

 


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Drain, with kerb, dashed white line and skid marks; Thatcham, Berkshire; 1 June 2016.

Street scene in downtown Thatcham: shapes, textures and (mainly) curving lines.

Color Efex Pro 4 has been used to give the end result the look of black and white infrared film.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: D700 with 24-120 Nikkor lens at 24mm; 400 ISO; Color Efex Pro 4.

POSTSCRIPT: to me, someone who admittedly doesn’t get out much, the curving lines are streaming out across the image from sources along its left margin.  The kerb has just missed the drain, and arrows on through the picture’s lower right corner.  The skid marks are spraying out upwards, towards the image’s upper margin.  But the white line is more accurately set, and we have caught the moment in which it first impacts on the drain’s periphery.  And if all this imagined dynamism – seen through a child’s eyes maybe –  is real, then this isn’t a still life at all, it should not have been originally posted in this blog’s Still Life category, and I have, as the phrase so happily puts it, shot myself in the foot …

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OUTER SUBURBS 53 – VENUS, AND WHAT IMPRESSES ME THESE DAYS: UPDATE

 

 


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I recently posted a shot of the planet Venus taken during one of my early morning walks around Bristol’s outer suburbs – and then got immoderately excited about the approach of NASA’s New Horizons space probe to the most remote object so far explored by Man, Ultima Thule – that post, with other links, are here .

And here is another of the TG-5’s images from my early morning walks: a clear (and cold!) sky at dawn, with (what I think is) the planet Venus and a beautiful crescent Moon.

Well, as I expect you may know by now, the New Horizons flypast of the 23 miles wide Ultima Thule (which was only discovered in 2014) went to plan – and now there is the long wait to see the images it captured. There is more info here .

I’m posting about this event again because it has really brought home to me just how vast space is – there are some startling statistics, a few of which I’d like to mention.  As regular readers of this blog will know, I’m an enthusiast for the Natural World in general – and these Ultima Thule events are still in the natural world, they just happen to be in the vast bulk of that world that is not on our planet.  And as some regular readers may also know, one of my backgrounds is in geology, and so I’m quite at home with vast timespans, for example the age of the Earth, which is around 4,500,000,000 years.  However, given that, I’ve found some of the facts and stats that I’ve recently discovered quite startling, and so am giving a very few of them for you, here.

DESTRUCTION BY A GRAIN OF RICE

During the flyby, the New Horizons probe was travelling at 20,000mph.  Flying at that speed, a collision with a solid particle the size of a grain of rice would have been sufficient to destroy the spacecraft’s internal systems and so terminate the mission.  But, well, space is just that I suppose; in the main it is empty.

THE VASTNESS OF SPACE

Ultima Thule is around 4,000,000,000 miles distant from the Earth, and that may seem like a truly vast distance.  But, in astronomical terms, it is not.  Astronomical distances are measured in light-years, one of which is the distance that light travels in one year.  Although Ultima Thule seems so distant, if I’ve got my maths right, its only about 0.00068 light-years away from us – its radio transmissions, travelling at the speed of light, take 6 hours to reach us – which is why its notification of the successful flyby was so delayed.

But then compare that with the distance from the Earth of the nearest stars.  Our Sun, around 93,000,000 miles away, is of course our nearest star – and far, far closer to us than Ultima Thule.  But if we look outside our solar system, then the nearest stars are over 4 light-years distant – ie far, far further away than Ultima Thule –  which I think puts things very much into perspective.  If a probe were ever to reach those stars, and if technology stays as it is now, any message from the probe would take 4 years to get here – ET would phone home, but would have to wait a long time for a response!

THE TECHNOLOGY

I’m not really a technology buff, except possibly in terms of cameras.  But I am truly astounded at the technology that has enabled such a diminutive world to be accurately encountered at such a vast distance.  And the more so, when the signal from the spacecraft that it had successfully carried out the flyby was expected by 3.28pm our time – and then was expected by “about 3.30 pm” – and it happened on schedule!  In summary, many human achievements in the modern world do not impress me much, but this has quite possibly been one of the most astounding events that I’ve witnessed in my 68 years.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 .  Each will open in a separate window.

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OUTER SUBURBS 49 – THE DAY BEGINS

 

 


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A decaying contrail, high up above the city’s southern outskirts: the skies above south Bristol are rarely empty.  Nearby is the city’s busy airport, which handles much holiday traffic, and there are also lots of higher flying aircraft, many of them eastbound for London.

Can greenhouse gases and global warming really be brought under control?  And what will be the actual, real impact of the recent climate conference in Poland?  I have no answers, but I do know that governments and others in the Modern Age like to be seen to be doing something, but that being seen to do something does not always actually equate to doing something that is effective.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 40mm (equiv); 320 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 1 Oct 2018.
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OUTER SUBURBS 38 – MODERN HOUSING 5

 

 


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Looking up at modern housing, and not worrying about preserving verticals; also the decision not to try to clean up the various stains on the paintwork.  I initially processed this in black and white, but now think that the blues and the (slightly grimy) cream add something.

And a problem with the TG-5 camera solved >>>in my OUTER SUBURBS 33 post, I griped about not be able to find any way to quickly change the TG-5’s metering mode from the ESP (= a sort of matrix metering) that I usually use, to the Spot setting that only meters the centre of the image – which can be useful in tricky lighting situations.  This has been solved by using one of the camera’s two Custom Modes, which enable the photographer to save frequently used sets of camera settings and switch to them instantly.

So the camera is usually in Aperture Priority mode (A), with ESP metering.  And then I’ve set up Custom Mode 1 (C1) to have identical settings, but with Spot metering instead of ESP.  Mode A is next to C1 on the mode dial, and thus I can switch back and fore between Spot metering and ESP metering almost instantly, which is very handy.

There are earlier Modern Housing posts here: 1 2 3 4 : each will open in a separate window.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 74mm (equiv); 800 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 12 Sept 2018.
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OUTER SUBURBS 37 – LOOKING UP IN THE MODERN WORLD

 

 


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Looking up: streetlight with contrails and cloud.  The side of the light is just catching the glare of the sunrise.  The square structure below the light is a shield to prevent it shining into houses.

Looking up: something that, as photographers, we should all keep in mind >>> indeed, keeping looking every which way is the thing.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: TG-5 at 25mm (equiv); 640 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 2 Oct 2018.
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