ARCHIVE 337 – MAASAI (MONO)

 

 


.

Young Maasai men, below the Nguruman Escarpment (the western wall of the rift valley), near Lake Magadi in southern Kenya; March 1979.

We had set up camp for a long weekend and these young men came to see us every day. Both are armed with the long spears used, amongst other things, to ward off or kill lions.

Click onto this image to open a larger version in a separate window.

Technique: OM-1 with 50mm Zuiko lens; Agfa CT18 colour slide, rated at 64 ISO; converted to mono with Silver Efex Pro.

UPDATE: as always, I regret not taking more photographs of Kenyan people during my years in that interesting and hospitable country; I treasure those pictures that I do have.  And I am not referring only to traditionally dressed people like these, but really to all people.  However, in those days I was a different photographic animal – primarily a birder (tho taking very few photos of birds), professionally a geologist – and photographing lots of landscapes amongst other things.
.
.
.

ARCHIVE 336 – BOATS AT LAMU (MONO)

 

 


.

Boats on the beach at Lamu, on the coast of Kenya; July 1978.

This photo has been digitally manipulated (in Silver Efex Pro) to produce a dark, brooding look. The dimly seen white motor boat out on the sea balances the picture – obscure it with your thumb to see what I mean. I also like the repeating patterns of the two boats nearest the camera, which have similar shapes and which are inclined at the same angle.

Click onto the image to open a larger version in a separate window.

Technique: Olympus OM-1 with 28mm Zuiko lens; Agfa CT18 colour slide rated at 64 ISO; Silver Efex Pro.
.
.
.

ARCHIVE 334 – RIFT VALLEY LANDSCAPE, KENYA (MONO)

 

 


.

View eastwards across the rift valley in Kenya, showing Lake Elmenteita, a soda lake in the rift floor, with the eastern escarpment of the rift dimly seen in the far distance; probably late 1970s.

Each of the small cones on the far side of the lake, and the slightly higher ground immediately left of the lake, is a separate volcano.  The whole of the rift floor is volcanic, with liquid rock (magma) pushing up from deep inside the Earth through the fracture in the Earth’s crust that is the rift valley.  Magma erupting onto the Earth’s surface is known as lava.

Click onto the image to open a larger version in a separate window.

Technique: OM-1 with 28mm Zuiko lens; Agfa CT18 colour slide rated at 64 ISO; converted to mono in Alien Skin’s Exposure 2.

.
.
.

SOMERSET LEVELS 300 – LOOKING WEST, TEALHAM MOOR

 

 


.

Something of a milestone, I suppose, my 300th post from these lush, wet (often very wet!!!) flatlands.  What can I say?  I love the place.  I love the very basic, what-you-see-is-what-you-get simplicity of the place.  There is no advertising hype here, no marketing, no tourism, just a flat landscape, the local farmers, the occasional person walking their dog, the occasional person simply walking, the occasional birdwatcher or photographer, and that’s it.

Many years ago, I recall going into the single shop in Westhay (which has long since closed down) and saying to the shopkeeper “There aren’t many people about this morning”, to which I received the somewhat mournful response “There are never many people about round here”.  Bring it on!  The place is not of course immune from the noise of motor vehicles, but sometimes there are just the sounds of the wind, the birds, the cows, and the soft lapping of water.

And here on Tealham Moor, and on the nearby Tadham Moor too, great big open skies which powerfully remind me of the vast open skies above Africa – actually, more specifically, the skies above Kenya. For me, there are far too many people in England, but that’s not the problem it might be because in the main, and especially so away from tourist areas, most people stay relatively close to their cars.

So, what is pictured here?  Well, flat land, land at or just below sea level, that was underwater in the geologically extremely recent past – I’m talking of only a few hundred years ago – and which will be underwater again in due course, when the coastal defences along the nearby Bristol Channel can no longer totally hold back the sea.  In Roman times, seagoing boats regularly crossed this area, inland to Glastonbury.

As we look at this view, there is slightly higher ground up on the right.  Not long ago, that was an island.  And the dead straight waterway disappearing off towards the horizon on the left is the North Drain – a totally man-made channel vital to the drainage of the area.

The large white birds are Mute Swans, a species whose wings make a beautiful, rhythmic singing sound in flight – birds which I recently portrayed at far closer quarters here and here.

And finally, not far beyond the horizon, along the muddy shores of the Bristol Channel, well, that’s where I come from.  If I have one, that’s my homeland.

Click onto the image to open a larger version in a separate window, and click onto that image to open it still further – recommended.

Technique: X-T1 with 10-24 Fujinon lens at 15mm (equiv); 400 ISO; Lightroom, using the Astia/Soft film simulation; Tealham Moor, south of Wedmore; 24 June 2016.

.
.
.

ARCHIVE 330 – BOYS AT A WEDDING (MONO)

 

 


.

Young boys – curious, uncertain –  at a wedding near Thika, Kenya, in the late 1970s.

I think I was the only non-African at this ceremony, and so an object of great curiosity to all the youngsters there.

There is another image from this wedding here.

Click onto the image to open a larger version in a separate window.

Technique: OM-2 with 75-150 Zuiko lens; Kodak Ektachrome 200 colour slide (I think!); Silver Efex Pro 2, starting at the Landscape preset.

.
.
.

ARCHIVE 325 – ELEPHANT (MONO)

 

 


.

Elephant at The Ark, a game viewing lodge in the Aberdare Mountains, Kenya; June 1980.

I particularly like the effect produced when a large animal completely fills the frame; there is something of the abstract about it, and also something massive and impressive.

Here the textures of this elephant’s hide have purposely been exaggerated by Nik Software’s SEP to help emphasise the vast strength of its huge, looming, rough presence.

Click onto the image to open a larger version in a separate window.

Technique: OM-2 with 75mm-150mm Zuiko lens at 150mm; Agfa CT18 colour slide rated at 64 ISO; converted to mono in Silver Efex Pro.

.
.
.

ARCHIVE 323 – A CONTINENT SPLITS APART

 

 

.

In today’s cheap and superficial hype – too often the triumph of style over substance –  many things are marketed as having various specified advantages “and so much more”.  Well, here is a photograph that really does have “so much more”.  It was taken from the eastern wall of the rift valley, near Kijabe in Kenya, looking down westwards towards the rift’s floor, sometime in the late 1970s.  The rift wall here is not a single escarpment, but a series of small escarpments that gradually descend to the rift’s floor like a flight of huge steps.

This photo was taken from the top of the escarpment, looking down upon the top of the first of these steps which, because it still has sufficient altitude to attract rain and mist, is green and fertile.  This green but restricted area of land is covered in a close patchwork of cultivated plots, and dwellings roofed with thatch or corrugated iron. Beyond this step, the floor of the rift can be seen, browner and drier, many hundreds of feet below. Rising from these pale, dry lowlands is the dark and jagged bulk of Mt Longonot, a dormant volcano which last erupted around 1860. In the far distance, behind Longonot, the abrupt line of hills is the rift valley’s western wall.

So far so good, but there really is so much more here, for the fact is that the eastern edge of the African continent has been breaking apart for a long time.  The island of Madagascar broke away from the rest of Africa many millions of years ago and, during this lengthy isolation from the mainland, many unique (i.e. endemic) forms of life have evolved there, e.g. the Lemurs.

But that is not all. The Eastern Rift Valley (the one in Kenya) and and the Western Rift constitute further incipient splits in the eastern side of the African continent and, as I took this picture, I was standing on the western edge of another part of the continent that may split away to become an island like Madagascar in (the millions of) years to come.  The rift’s western wall, that misty escarpment in the background of the shot, might then become Africa’s east coast.

The floor of the rift is new crust that has moved upwards from the Earth’s extremely hot interior to ‘seal up the cracks’ in the disintegrating continent.  And hence the reason for the many volcanoes (including Mt Longonot) in this area – these were formed where the molten rock (magma) moving up from the Earth’s interior burst out (erupted) onto the Earth’s surface, as lava.  There are also numerous natural steam vents on the rift valley floor – these are the result of rainwater and groundwater coming into contact with the extremely hot rocks present not far below the surface of the ground.

Click onto the image to open a larger version in a separate window.

UPDATE: I became an enthusiastic collector of rocks, minerals and fossils from somewhere around the age of five and went on to become a professional geologist – lecturing and research.  I’m very grateful for that background because it has given me a very solid idea of who, where and what I am in what might be termed “The Grand Scheme Of Things”.  To put it another way, if I’ve reached the “grand old age of 67”, then the Earth’s lifespan of 4,500,000,000 years make my lifetime seem like less than the blink of an eyelid – which is exactly what it is.  A knowledge of geology  also makes for new insights into landscapes.

.
.
.

ARCHIVE 322 – FLAMINGOS AT DAWN

 

 


.
Dawn at Lake Nakuru, central Kenya; July 1978.

At around 6,000 feet above sea level, even this close to the equator, it was a cold dawn, and especially so for those of us who, living in Kenya, were becoming acclimatised to the place.  I had taken many pictures and was feeling the cold and sleepy, when suddenly this flamingo flock glided down over birds already in the water – and I just fired at them –  a very lucky, single snapshot with a 400mm telephoto.  I very much like the combination of the pale blues of the early morning light with the whites and pinks of the flamingos’ plumage.

The birds in the water are mainly Greater Flamingos, which are a little larger than the Lesser Flamingo, with less stridently pink plumage and paler bills.  A few Lesser Flamingos, very pink, are at the left hand end of the flock in the water.  The dark bills of the birds coming down to join those in the water identify them all as Lesser Flamingos.

Two dark Cormorants (the same species as in the UK) are flying right to left, low over the water, behind all the flamingos.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again – recommended.

Technique: haha! can’t remember! >>> except that the great hulk of a 400mm telephoto, which I still have, was made by Vivitar.
.
.
.

 

ARCHIVE 321 – LAGOON AT MAGADI (MONO)

 

 


.

Alkaline lagoon at Lake Magadi, on the floor of the rift valley in southern Kenya; Nov 1977.

The water is made alkaline by high concentrations of sodium bicarbonate which have been leached out of the rift valley’s volcanic rocks.   This water is so alkaline that it feels soapy to the touch, i.e. it starts to dissolve skin on contact, and its high soda content gives it an awfully rank, chemical odour.  Add to that the fact that this is a very hot, low lying area of the rift, and Magadi becomes something of an acquired taste.  But, to anyone interested in the Natural World – wildlife, geology, landscape –  it is also a fascinating place.

Click onto the image to open a larger version in a separate window.

Technique: OM-1 with 28mm Zuiko lens;  Agfa CT18 colour slide rated at 64 ISO;  converted to mono with Silver Efex Pro.

.
.
.

ARCHIVE 320 – LIONESSES AT MIDDAY – AND AN ANNIVERSARY

 

 


.

Lionesses in the baking heat of the equatorial midday at Amboseli Game Reserve in southwest Kenya; Jul 1978.

Click onto the image to view an enlarged version in a separate window.

Technique: OM-1 with 75-150 Zuiko lens at 150mm; Agfa CT18 colour slide, rated at 64 ISO.

UPDATE: forgetting what day this is, I looked through my archives and found this – and then remembered that I first arrived in Kenya 40 years ago, which seems forever.  This shot brings three things quickly to mind.

First that it was taken from a vehicle, obviously – although the usual reaction of a lion to a human is to retreat, you don’t mess around with these babies even when, as here, they’ve probably had a good meal and are sleeping it off in the midday heat.

Second, that in terms of sheer beauty and style, the spotted cats – Cheetah and Leopard – always did it most for me.  But, for all of these big cats, staring long into their amber eyes, drowning in those eyes (from the safety of a vehicle of course), was a profound spiritual experience for me.  Well, I grew up alongside a cat, maybe that had something to do with it; and I do of course still find cats extremely beautiful, even mystical perhaps, now.

And lastly, the camera, the Olympus OM-1, that was also a thing of great and somewhat Minimal beauty, combined exquisitely with function.  And, after all these years, sitting here beside me, it still is.

.
.
.

%d bloggers like this: