SOMERSET LEVELS 299 – MISTY MORNING, ALLERTON MOOR 3

 

 


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Looking into misty light, early in the day.

You can find other images from this dark and mysterious morning here and here.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom, using the Provia/Standard film simulation; Allerton Moor;  22 Aug 2017.
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ARCHIVE 319 – MEADOW WITH WILDFLOWERS (MONO)

 

 


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Meadow with wildflowers beside North Chine Drove, southeast of Wedmore, on the Somerset Levels; 27 Jul 2011.

The uncut grass with its abundance of tall yellow wildflowers first caught my eye and, and I was looking at how it might best be photographed when the sun broke through the clouds, producing this beautiful (and very lucky) shaft of light across the scene.

The photo is in three layers.  In the foreground there are more of the yellow flowers, but in the shade and unfocused.  Above this, the shaft of sunlight cuts across the shot, illuminating both the tall grasses and another grove of the wildflowers.  Finally, the third and upper layer contains the trees and bushes behind the field which (luckily again) are partly caught by the sun’s rays, so that this background is not wholly dark.

Click onto the image to open a larger version in a separate window.

Technique: D700 with 70-300 Nikkor at 300mm; 400 ISO; converted to monochrome, and slightly tinted very pale yellow, with Silver Efex Pro.

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ARCHIVE 318 – CATHEDRAL (MONO)

 

 


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The West Front of Wells Cathedral, Somerset; 17 Sept 2009.

I’m at home in Somerset – I’m Somerset born and bred – and one of the good things about now living in Bristol is that its within quite easy reach of Wells, Glastonbury and Bath, all places that I’m very fond of.

I like Wells in particular for its antiquity and its small and very accessible size, for its absolutely glorious cathedral – and of course for its vicinity to the Somerset Levels – for me it is the gateway to the Levels.  I often visit Wells, and am never less than thrilled by the cathedral’s West Front, as seen from the large green out in front of it.   This towering, cliff-like face of the cathedral was originally painted in bright colours, to further impress the populace with their god’s majesty and beauty – a TV reconstruction of it as it originally was, hundreds of years ago, was simply stupefying.

One day I was standing down at the foot of this stupendous cliff of masonry, holding the F6 with the 12-24 attached and set at 12mm – and I clearly remember putting the camera to my eye and looking up – and being sent reeling by the epic vision above me!  This is the picture you see here.  There are absolutely no thoughts about correcting the converging verticals  – they make the shot, giving the effect of this powerful, stupendous, towering  mass of masonry reaching up into the heavens.

Click onto the image to open a larger version in a separate window.

Technique: F6 with Sigma 12-24 lens at 12mm (122 degrees field of view); Ilford Delta 3200 black and white film rated at 6400 ISO.

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SOMERSET LEVELS 298 – WINTER MORNING, TADHAM MOOR (MONO)

 

 


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The view eastwards towards Tadham Moor, just before sunrise on a morning in winter.

Two pale lines arrow off into the distance.  On the right, a single track, tarmac road, covered in frost: Totney Drove.  And in the centre of the shot, the silvery gleam of a water-filled ditch, a rhyne (rhymes with seen), between the drove and the dark, rough pasture off to the left.

The background is the essence of the Levels: flat, misty, partly flooded country, waiting mutely and sometimes mysteriously in the dawn.

And finally, right below the camera, right in the foreground of the shot, are some upright sheets of corrugated iron.  Both the road and the rhyne turn sharply off to the left here, and the corrugated iron has been installed to strengthen the low bank on which the road sits, to try to stop it collapsing into the rhyne under the weight of passing vehicles.

Click onto the image to open a larger version in a separate window, and click onto that version to enlarge it yet again – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 84mm (equiv); 12,800 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the Dramatic preset; 27 Jan 2017.
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ARCHIVE 317 – SELF-PORTRAIT WITH BLUE LORRY (MONO + COLOUR)

 

 


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Self-portrait with blue lorry, near Peacock Farm, Westhay Moor, on the Somerset Levels; 24 Jul 2012.

I’m sitting very upright in the driving seat of my car, using a wideangle zoom to record both the scene in the rear view mirror, and the road ahead as seen through the windscreen.  Back home, I’ve converted the shot to mono using Capture NX2, but retained original colour – and added some brightness too – for the scene in the mirror.

The rows of small dots above the mirror are a device to help prevent dazzle when looking up at the mirror.

Click onto the image to open a (slightly) larger version in a separate window.

Technique: D700 with 16-35 Nikkor lens at 24mm; 800 ISO; manipulated with Capture NX2.

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SOMERSET LEVELS 297 – RIVER BANK 2

 

 


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Bank of the River Sheppey, beside Hurn Drove, northwest of Polsham.

A picture taken from the opposite bank of this little river, and rotated 90 degrees anticlockwise.  The plants on the left are on the river bank, while those on the right are in the river and aligned with the water’s gentle flow.

The first of these river bank pictures is here.

Click onto the image to open another version in a separate window, and click upon that image to enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 215mm (equiv); 3200 ISO; Lightroom, using the Provia/Standard film simulation; rotated; 18 Aug 2017.
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SOMERSET LEVELS 296 – MISTY MORNING, ALLERTON MOOR 2 (MONO)

 

 


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Mute Swans in the water-filled ditch – the rhyne (rhymes with seen) – that runs along beside the mostly single track road across Allerton Moor.

A misty morning.  The rhyne, which does duty as the field’s fence in this wet part of the world, runs on off into the distance before starting to bear off to the left, where a faintly seen fence beside the road keeps the unwary traveller from the deep and glutinous clutches of the dark water and ooze. 

Up right of the swans, cattle at the rhyne’s edge: there may be a place there where they can get down safely to the water’s edge to drink. And behind the cattle, in the murk, farm buildings.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom, using the Provia/Standard film preset; Silver Efex Pro 2, starting at Janice’s Infrared preset; Allerton Moor, west of Chapel Allerton; 22 Aug 2017.

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SOMERSET LEVELS 295 – HILLTOP (MONO)

 

 


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Hilltop; a Levels skyline; Minimalism.

The Somerset Levels are just that – level, flat, flat and flat again.  But just north of the area that I usually infest, they are cut by a long line of low hills – the high ground around Blackford, Wedmore and Wookey – that well within historical times formed islands in the vast morass of lakes, swamps and thickets that were the Levels in their original form, before they were drained for agriculture.

I’d driven down early from Bristol, and was sipping hot, sweet coffee in the little layby beside the willows in Swanshard Lane, and there was low cloud drifting by, almost brushing the hilltops.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 800 ISO; processing, and conversion to mono, in Lightroom; Swanshard Lane, north of Polsham; 18 Aug 2017.
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SOMERSET LEVELS 294 – MISTY MORNING, ALLERTON MOOR

 

 


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Cows in the mist: early morning on Allerton Moor, west of Chapel Allerton; 22 Aug 2017.

Another early visit to these flatlands, with rolling banks of mist looming and vanishing with disconcerting rapidity.  Someone had just seen otters in a roadside ditch.  I couldn’t see them but then, driving on towards the village of Mark, cows were grazing in a rough field on my left and there was light seeping uncertainly through the mist.

Little colour: this reflects the original scene, and the Pro Neg Hi film simulation helps too.  The animal on the left is identifiable, but the two further off could be rocks or some derelict piece of farm machinery.  I really enjoy such lighting conditions.

I’m heading in towards minor surgery this coming week, and have much to do before I’m temporarily physically curtailed.  Hence I’ve not been able to give others’ blogs as much attention as I’d like – apologies for this.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom, using the Pro Neg Hi film simulation.
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SOMERSET LEVELS 293 – RIVER BANK

 

 


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Bank of the River Sheppey, beside Ashmoor Drove.

I was standing above the river on a little bridge that farmers use to access their fields.  I looked down, and the big, spikey leaves sticking out from the Sheppey’s bank caught my eye.

As is often the case, this could so easily have ended up in black and white, but the faint colours add something.  And there are lots of shadows, lots not on view, but the picture was always going to centre around the (slight!) colours and textures of the water’s surface, and the silhouettes of those plants against the water’s brightness.

Click onto the image to open a larger version in a separate window, and click onto the enlarged image to enlarge it yet again – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 238mm (equiv); 200 ISO; Lightroom, using the Velvia/Vivid film preset; Ash Moor, Somerset Levels; 18 Aug 2017.
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