ARCHIVE 358 – MINIMAL COLOUR: TIN SHED, ROTATED

 

 

 

Corrugated iron shed (its roof on the right) at the former Willows Garden Centre, near Westhay, on the Somerset Levels; 15 Jul 2005.

Minimal colour, not far from monochrome.

Technique: F6 with 80-400 Nikkor lens at 400mm; Fuji Provia 400 colour slide rated at 400 ISO; image rotated 90 degrees clockwise.

.
.
.

ARCHIVE 357 – MORNING DEW (MONO + COLOUR)

 

 


.

Field gate on Tealham Moor, south of Wedmore, on the Somerset Levels; 10 Apr 2014.

Early morning along Jack’s Drove, and a world soaked in dew.  The silver cobwebs, with the rising light behind them, are everywhere.  Here three struts in a gate provide the picture’s solid structures, and then the web is strung across the frame, and there are large drops of dew hanging from the gate at upper left.

This is a black and white image with much of its original colour restored, semi-faithfully.  One of the reasons that such colour restorations appeal to me is that, since black and white is already far from reality, I don’t feel that I must necessarily restore the original colours accurately – put another way, since I’m already way out in the realms of unreality, a little more unrealness (is that a word???) won’t matter!

The bar at the top and the diagonal one are casting slim shadows, which is why the silvery web strands fade as they come near them.

Click onto the image to open a larger version in a separate window.

Technique: D700 with 70-300 Nikkor lens at 300mm; 200 ISO; Silver Efex Pro 2, starting at the Full Contrast and Structure preset, and selectively restoring colour.

.
.
.

ARCHIVE 353 – CATTLE BESIDE THE NORTH DRAIN (MONO)

 

 


.

A misty morning along the North Drain, looking east from the Jack’s Drove bridge; the Somerset Levels; 28 Aug 2013.

Click onto the image to open a larger version in a separate window – recommended.

Technique: D700 with 70-300 Nikkor lens at 270mm; 400 ISO; Silver Efex Pro’s High Key 2 preset.

.
.
.

ARCHIVE 352 – PAINTED LADY

 

 


.

Painted Lady butterfly beside the South Drain, on Shapwick Heath, south of Westhay, on the Somerset Levels; 26 Oct 2009.

Technique: D700 with 70-300 Nikkor lens at 300mm; 800 ISO.

An absolutely beautiful and highly informative book which I recommend to anyone interested in butterflies and/or wildlife art is The Butterflies of Britain & Ireland, by Jeremy Thomas (a butterfly specialist) and Richard Lewington ( a very skilled artist); 1991; ISBN 0-86318-591-6 – highly recommended.  From this book I learn that this species is probably not permanently resident in any part of Europe, because it does not hibernate and  its caterpillars perish at any temperature below 5 degrees C.  Instead, the Painted Ladies that we often see in parks and gardens and in the countryside have probably bred around desert edges in Africa and Arabia, and then moved north up into Europe in huge numbers – something which I find impressive.

.
.
.

ARCHIVE 348 – FLY (MONO + COLOUR)

 

 


.

Fly on a horse’s forehead, south of Catcott Burtle, on the Somerset Levels; 3 June 2014.

My penchants for getting up close and personal, and for keeping things simple.  To me, the fly is the subject here.  I look first at the fly but then realise that something else, something far larger and potentially more menacing, is there too.

This horse was in a field with the other one pictured recently.

Click onto the image to open a larger version in a separate window.

Technique: D700 with 70-300 Nikkor lens at 300mm; 800 ISO; Silver Efex Pro 2, starting at the Dramatic preset and selectively re-introducing colour.

.
.
.

ARCHIVE 347 – POLLARDS AT TEALHAM (MONO)

 

 


.

Pollarded willows on Tealham Moor, on the Somerset Levels; 30 Oct 2014.

A typical Levels landscape – dead flat countryside,  with water (sometimes a lot of water!) and pollarded trees.  Pollarding is explained here.

The more I look at this, the more these trees resemble knobbly headed beings with huge coiffures, that are coming slowly forwards to look at me – the second and third from the left, in particular, seem to be craning to get a better view.

Click onto the image to open a larger version in a separate window.

Technique: D700 with 12-24 Sigma lens at 24mm; 800 ISO; Silver Efex Pro 2; Color Efex Pro 4.

.
.
.

ARCHIVE 343 – BLUE SUNRISE (MONO)

 

 


.

Sunrise behind a young Alder on Jack’s Drove, Tadham Moor, on the Somerset Levels; 28 Aug 2013.

Alders are wet country trees, they like “to have their feet in the water”.  This one, still a bush really, is up along Jack’s Drove, growing between the road and the water-filled ditch alongside it.

The sun was rising and I got within the young tree’s shadow.  The ultra-wideangle made sure the tree’s branches reached wide in the frame, reaching out to embrace the camera  – and, I hoped, me too –  and I made sure the rising sun was visible through the tree, as a brilliant, star-shaped brightness.

Click onto the image to open a larger version in a separate window.

Technique: D700 with 12-24 Sigma lens at 12mm; 400 ISO; Silver Efex Pro 2’s Tin Type preset, with heavy Cyanotype tone.

.
.
.

ARCHIVE 340 – THE VIEW TO THE NORTH ON TEALHAM MOOR (MONO)

 

 


.

The small tarmac lane of Jack’s Drove heads off northwards across the flats of Tealham Moor on the Somerset Levels, towards Wedmore; 10 Apr 2014.

A water-filled ditch forms the boundary of the pastures to the right of the road, and trees (alders on the right) have been planted along the road’s low embankments, both to strengthen them and to show where the road is when it is flooded.  During last winter’s awful floods, which were far more severe to the south of here, the surface of this road stayed just above the surrounding waters, as can be seen in this photo.

Click onto the image to open a larger version in a separate window.

Technique: D700 with 16-35 Nikkor lens at 16mm; 200 ISO; Silver Efex Pro 2, starting at the High Contrast Orange preset and adding a slight selenium tone.

.
.
.

ARCHIVE 335 – SHOOTING INTO THE GLARE 2

 

 


.

Shooting into the mist and light on Tadham Moor, on the Somerset Levels; 10 Apr 2014.

There is another recently posted image from this sequence, and more context, here .

Click onto the image to open a larger version in a separate window

Technique: D700 with 70-300 Nikkor lens at 220mm; 200 ISO; Color Efex Pro 4.
.
.
.

ARCHIVE 333 – SHOOTING INTO THE GLARE

 

 

.

Low angle sunlight shining through mist on Tadham Moor, south of Wedmore, on the Somerset Levels; 10 Apr 2014.

Driving westwards across Tadham Moor with the sun rising behind me, I started encountering low banks of mist which were decidedly mobile, appearing and disappearing with disconcerting rapidity.  I was heading for the Magic Carpark but suddenly became aware that the mist ahead was fast disappearing, and so I swerved into a field entrance, leapt out of the car and looked back behind me, into the glare – and started firing.

As usual, there was a short length of fencing beside the gate to the field, which extended down from the gate to the water-filled ditch that otherwise forms the field’s boundary.  So I placed this in the foreground as a silhouette for depth, focused on it with a large aperture – and let the misty landscape behind it look after itself.  This backdrop consists of the rough, rather greyish pasture of the field, behind which are a few thin bushes and shrubs along the field’s edge – these are standing above another wet ditch which is the field’s far boundary.

Beyond this boundary, the next field holds greener grass and, in the distance, the faint silhouettes of larger trees can just be seen.

Click onto the image to open a larger version in a separate window.

Technique: D700 with 70-300 Nikkor lens at 300mm; 200 ISO; Color Efex Pro 4.

.
.
.

%d bloggers like this: