BIRDS 103 – HERRING GULL IN CITY CENTRE HABITAT

 

 


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Herring Gull Larus argentatus at a city centre food source.  An adult, in breeding plumage.

Gulls?  Rats with wings is one name I’ve heard for them but, as always, I love them, having grown up alongside them all those years ago – this is a photo for you, Lynn, my ex-birder friend – enjoy!

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 6400 ISO; Lightroom, using the Velvia/Vivid film simulation; Welsh Back, central Bristol; 2 Feb 2018.
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PEOPLE 318 – GOING TO WORK 51

 

 


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What is this picture looking at?  Well, one aspect of the packed in and claustrophobic nature of Modern Humanity.  Here is the daily movement of human beings from the warm, insulated and comfortable womb of the home to the stark and absolute, exposed reality of the workplace.

Here is each day’s otherwise shadowy and tranquil awakening being polluted by congestion, engine noise, vehicle horns, exhaust fumes, emergency sirens and the glare of head and tail lights.

Does the phrase a necessary evil describe it, I wonder?

Details: the sun has yet to rise, and a main road going southeast out of the city – the road to Bath and to Wells too – is already filled with traffic.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 .  Each will open in a separate window.

Clicking onto this image will open a larger version in a separate window, and clicking onto that will further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 6400 ISO; Lightroom, using the Astia/Soft film simulation; Temple Gate, Bristol; 2 Feb 2018.

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STILL LIFE 196 – LOOKING AT CHAIRS 12 (MONO + COLOUR)

 

 


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Table and chair, with daffodils, in the William Bray, a restaurant and bar in the village of Shere, Surrey; 24 Mar 2012.

This restaurant is on different levels, and I was able to get up onto one floor and look down on the one below.  The wonderful lines and forms made the by the chairs, tables and floorboards – and the colourful flowers –  caught my eye, and I took several photos, none of which were “THE ONE!”, to work on later.  With all these lines and textures, I knew that there was something there – and that it was screaming out for mono conversion, with the plant’s colours restored.

It took quite a time to find this crop, but it has what I searched for – the lines and textures, the great contrast between the wooden and metallic structures, and the great contrast between the daffodil’s leaves and flowers and everything else.

The first post in this series on chairs, which contains context and an image, can be found hereSubsequent posts are here: 2 3 4 5 6 7 8  9  10  11 .  Each will open in a new window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: D700 with 24-120 Nikkor lens at 24mm; 6400 ISO; converted to mono and manipulated (including selective restoration of colour) in Silver Efex Pro 2, and then manipulated further in Nikon’s Capture NX2.

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STILL LIFE 195 – PHOTOS FROM A DRENCHED CAR: 2

 

 


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Photos taken through the streaming windows of my car during a torrential rainstorm – context and further images can be found here.

The upper image is very easy to decipher – assuming that you feel the need when faced with anything at all abstract, to know what you’re looking at – which most people do.  Its a car parked on the other side of the road with its headlights reflecting off the wet tarmac.

The lower image is a little more obscure.  Its a row of houses with – in the lower right hand corner – a woman walking under an umbrella.  Can you see her???

Click onto each image to open a larger version in a separate window.  You can click onto this larger image to enlarge it still further, but these images are very grainy.

Technique: TG-5 at 100mm (equiv); 3200 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 15 Jan 2018.
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PEOPLE 317 – GOING TO WORK 50 >>> PHEW! NEVER THOUGHT THIS SERIES WOULD REACH 50!!!

 

 

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Phew!!! >>> well!!! >>>  the first of these Going To Work images was posted way back on 23 July 2016, and I never thought this series would still be ongoing!  The pictures have received some favourable words along the way, and for those I’m very grateful – simple fact is, such opinions provide encouragement, they help me to keep on keeping on with photography generally >>> so >>> thank you!

Where is this series going now?  Well, as usual, I’ve no idea.  I’ll just see what comes up.  But two points to make.

First, this series has been significantly facilitated by the portability of the Fujifilm X-T1 and X-T2 cameras – I take only one of these cameras and one lens with me on my long walks around the city, and they are eminently compact and portable.  I’ve also used the heavier Nikon DSLRs once or twice – and there’s getting away from the fact that for pinpoint focus in situations with very poor light and/or movement, these bigger DSLRs (D700 and D800) have the edge. But, camera portability is certainly a factor, and especially so for a no-longer-so-young(!) person like me.

And then second, maybe my having retired (nearly 5 years ago now) has allowed me to get outside of the “work ethic”, necessary as it is in any society, and to stand back from it a bit.  Maybe being on the outside looking in – after all those decades spent on the inside looking out –  has produced a more detached perspective.  And so to early mornings photographing the city rush hour, and the thought that five days on and two off each week – and a life outside of work to lead too –  can be quite a punishing schedule.

And so to this picture.  Just before sunrise, I was on a traffic island in the middle of the busy dual carriageway below Temple Meads railway station, leaning back against a street light to steady the camera and watching the steamy windows of the towering double-decker buses as they arrived with their cargoes of inbound workers.  Several buses would arrive at once, and so to firing off quick series of single shots (rather than motorised bursts) before waiting for the next gaggle of buses to pull ponderously in.  I looked along the windows on the upper deck of a bus, this woman’s red coat caught my eye, I took one shot, she looked at me and I fired again. 

Technique: the light was dismal – 6400 ISO, 1/45th second with the 305mm lens wide open at f4.8 – but the image stabilisation (+ leaning on the street light!) held it steady.  One thing about these mirrorless cameras is that, since they do not have a mirror, there is no vibration as the mirror moves during an exposure (mirror slap) and so they can take sharper pictures at lower shutter speeds than DSLRs.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 .  Each will open in a separate window.

Clicking onto this image will open a larger version in a separate window, and clicking onto that will further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 6400 ISO; Lightroom, using the Velvia/Vivid film simulation; Temple Gate, in Bristol City centre; 2 Feb 2018.

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ARCHIVE 339 – DRIVING IN TOWN

 

 


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Early morning Bristol, seen from the upper deck of a double-decker bus; 0650 15 Dec 2011.

This dates back to the time – not so very long ago – before my retirement.  In those days, come rain or shine, five days of every week saw me taking the 6.30am bus to work from the bottom of our road.  Many of our buses are huge double-deckers and, still being something of a little boy, my favourite seat is upstairs, at the front, where there is a wonderful view out ahead.

The little Canon fitted easily into the rucksack containing my lunchtime apple and sandwiches, and my brolly and security pass, etc., and up there in the front seat, looking down into this camera’s bright screen gave a good view of the road ahead, even early on dark December mornings.

Click onto the image to open a larger version in a separate window.

Technique: Canon PowerShot G11; 3200 ISO.

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PEOPLE 315 – GOING TO WORK 49

 

 


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The walk to work, in November: warm breath, cold air, the dazzling but icy gold of sunrise.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 800 ISO; Lightroom; Bristol Bridge, central Bristol; 11 Nov 2016.
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PEOPLE 314 – GOING TO WORK 48

 

 


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Upstairs on an early bus: someone with buds in and phone out, someone who is essentially somewhere else.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 6400 ISO; Lightroom, using the Velvia/Vivid film simulation; Union Street, central Bristol; 15 Dec 2017.
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STILL LIFE 192 – AUTUMN 3

 

 


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Autumn leaves and lichen inside an old and very weathered pot for flowers; on a grave, on a frosty morning, in the cemetery at Stanton Drew.

Earlier Autumn posts are here: 1 2 .

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 238mm (equiv); 3200 ISO; Lightroom, using the Velvia/Vivid film simulation; Stanton Drew, in the Chew Valley, south of Bristol; 6 Nov 2017.
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ARCHIVE 338 – THE VIEW SOUTH FROM RATTLEDOWN FARM

 

 


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The view south from Rattledown Farm, looking out over the Chew Valley, south of Bristol; Chew Valley Lake is in the background – looking for all the world like blue sky; 12 July 2013.

Another slice of the English countryside, on a beautiful morning.  I think that the line of taller trees take my eye up through the picture to the lake’s blue, which then pulls my gaze right.  And I like the wedge of vivid pale green cutting across the image, just about along the upper horizontal third.

Chew Valley Lake is an artificial reservoir, flooded in the early 1950s – Google tells me it is the 5th largest artificial lake in the UK.  It has something of a special place in my life in that it was around its shores, in 1967, that I took my first, hesitant steps to becoming a birdwatcher – “with a little help from my friends”!

I was useless at birdwatching in those days.  I was (and am) short sighted, wore glasses, and had only a small telescope bought for me by my parents many years earlier.  So, a bird would appear, I’d see it and whip off my glasses so as to be able to use my telescope – and then totally lose sight of it, casting blindly about with the scope.  For Christmas that year, my impecunious mother bought me a pair of 10×50 binoculars that could be used with my glasses on and – no pun intended – I never looked back.

Click onto the image to open a larger version in a separate window.

Technique: D800 used in APS-C format, with a 70-300 Nikkor lens giving a focal length of 450mm; 400 ISO;  final manipulation in Colour Efex Pro 4.

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