STILL LIFE 103 – FLIGHTS OF STEPS

 

 


.
Looking down flights of steps with yellow edges.

Originally taken in portrait format, the image has been rotated 90 degrees anticlockwise.  The last two steps of a flight with their yellow, high-visibility safety edges are seen on the right, and there is a small landing, floored with handsome granite slabs, in the centre of the picture.  A second flight of steps descends between dark walls on the left but, because of the angle of the shot, all of the yellow edges of these steps meld together to form one yellow mass.  Another landing is dimly seen between the walls’ shadow at extreme left.

Click onto the image to open a larger version in a separate window, and click onto the larger version to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 85mm (equiv); 400 ISO; image rotation;  Lightroom, applying the Astia/Soft film simulation; York Place, Clifton, Bristol; 21 Apr 2017.
.
.
.

STILL LIFE 102 – SWAN 3 (MONO)

 

 


.

Mute Swan in low key – the first of these bird still lifes, with context, is here: 1, and there are other images here: 2; 3.

Click onto this image to open a larger version in a separate window, and click onto that larger image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom; Silver Efex Pro 2, starting at the Full Dynamic Smooth preset; Herriots Bridge, Chew Valley Lake, Somerset; 3 Apr 2017.
.
.
.

STILL LIFE 101 – SWAN 2

 

 


.

Close in with a Mute Swan – the first of these bird still lifes, with context, is here: 1, and there is another image here: 2.

Click onto this image to open a larger version in a separate window, and click onto that larger image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 215mm (equiv); 200 ISO; Lightroom, using the Classic Chrome film simulation; Herriots Bridge, Chew Valley Lake, Somerset; 3 Apr 2017.
.
.
.

OUTLANDS 14 – PHEASANT

 

 


.
As I walked up the byway (see context here), male Pheasants, strutting and noisy, were everywhere – its that time of year.  By contrast, the smaller and far more camouflaged females were rarely seen.  And getting back to the car which I’d parked beside the small common around which West Littleton clusters, I was clearly trespassing on ground this particular male thought his – so he set about strutting around me, noisily protesting and getting ever closer.

What a bird – and looking at him you may wonder that England has produced something so exotic.  To which the simple answer is that it hasn’t – these are birds of the Orient, ranging from the Black Sea east to China, and are thought to have been introduced here in the 11th or 12th centuries – for meat, decoration or both, I suppose.  But country sports and meat are their fate now, and pheasant is considered a delicacy – as I was reminded over breakfast by this picture on the restaurant wall –

.

.

There are other images here: 12, 13.

Click onto the images to open larger versions in separate windows, and then click onto these larger versions to enlarge them yet again.

Technique (main photo): X-T2 with 55-200 Fujinon lens at 305mm; 320 ISO; Lightroom, using the Provia/Standard film simulation; West Littleton, South Gloucestershire; 12 Apr 2017.
.
.
.

OUTLANDS 13 – NEAR WEST LITTLETON 2

 

 


.

Something Minimal, there’s really not much here, both in terms of content and colour, but straight black and white would lose a little I think.  And the bird – and getting focus on the bird – were fortuitous!

Context about this second Outlands trip can be found here, and there is another image here: 12.

Click onto this image to open it in a separate window, and click onto it again to further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom, using the Classic Chrome film simulation; near West Littleton, South Gloucestershire; 12 Apr 2017.
.
.
.

OUTLANDS 11 – ANOTHER VISIT TO THE OUTLANDS

 

 

The low valley opening out on my left

(click onto each image to open larger versions in separate windows – and click again to further enlarge each image – recommended)

Last December, I tore myself away from my usual haunts and visited somewhere new, not far northeast of Bristol – and started a new category on this blog – Outlands – for places I’d never visited before.  The rationale and context of that day out can be found here, and some of the resulting images are here: 2, 3, 4, 5, 6, 7, 89 and 10.

On 12 April, I visited this area once more.  It was an early start, because of Bristol’s traffic and, more so, because the area I was headed for lies beside one of the main arteries between the city and the hurtling, London-bound,  M4 motorway.  It was really a case of leaving early and getting there in reasonable traffic conditions – and then diving down tiny country lanes before the main rush hour got itself into mechanised mayhem.  Anyway I did it, disappeared down a rabbit hole as it were, and left my car beside the common around which cluster the houses of West Littleton, a little Cotswold village.  Then, aiming for somewhere I hadn’t yet explored, there was a long walk up a byway, a kind of unmade, public track that is certainly ok for smaller vehicles.  Along this track, a shallow valley opened up on my left, I took some photographs, and met two people – a farmer and a jogger. And after the walk out, there was the long walk back again, into the teeth of a gusting northwesterly and then, feeling like some self-indulgent reward after all this slog – I was tempted by a wonderful hot English breakfast delivered by a flustered waitress of the old school, after which, a little later, the day ran on into being tempted by some wonderful Belgian beer – all of which did my waistline not the slightest bit of good at all!  But, who cares?  It was all most enjoyable.

.

(certainly an image to click onto and enlarge) 

Down in the valley, there was a farmer on a quad bike, who was out early, looking for lambs that had been born in the night.  He was towing a trailer with two of these lambs and their mothers, who were being taken back to the farm for further care.  He drove up the slope towards me, and we chatted.  Its usually good talking with farmers, usually interesting – and this one had worked down on the Somerset Levels, where he’d found it hard to understand what the locals were saying – haha, wonderful, I can just imagine that!

.

.

And then, although the quad bike was modern, the even more modern of this world appeared –  the jogger, pounding along the byway between the Cotswold dry stone walls that are such a feature of this landscape.  And oil seed rape, blazing yellow in the background.

.

.

And so to the grub, which was not at all bad after a long, chilly walk.  The sausages (which can often be the blander than bland Achilles Heel of breakfasts) were good as was the bacon, and there was a good wedge of tasty Cheddar cheese too.  The tomato sauce was a bit dayglo but then I like colour, but the plate was a little on the cool side – hot food needs a hot plate!  A pot of Assam tea, sans teabags!, was good.

So, two final thoughts.  First, West Littleton is set in this little area of unprettified, working countryside, which is about two miles square, four square miles.  It is bounded on all sides by fast, direct roads, so that, it seems, only locals use the narrower and more wandering country lanes within the square.  Thus there is little traffic on these little roads, which with me is a decided plus, as is the fact that the little lanes have plenty of places where a small car can be pulled off to the side.  So that I may visit and photograph this “little bit of England” some more.

But I shy away from photographing the picturesque and, in many of their parts, the Cotswold Hills are decidedly picturesque – what to do?  Go with the flow???  Just picture “beautiful” (and simple) England?  Probably.  And I have a feeling there might be a lot of black and white images.

Technique: this was my first trial with both the X-T1 and X-T2 cameras, each with its own lens – the telezoom on the X-T2 and the wide angle zoom on the X-T1, so that there was no need to change lenses.  Walking around with two cameras around my neck didn’t really feel right, and (as usual) the telezoom captured the vast majority of the images – its simply how I “see” things.  But the X-T1 and its zoom is light, and carrying it in my rucksack worked well – wide angle shots don’t usually move around too quickly, so there was time to get it out and into action!  And processing?  Well, as is usual now, Lightroom – and Silver Efex Pro 2 for the black and white of course.

.

.

.

STILL LIFE 100 – KING WILLIAM AVENUE

 

 


.
Traffic sign and early sunlight.

There is another picture of this wall here.

Click onto this image to open a larger version in a separate window, and click upon this enlarged image to enlarge it further.

X-T2 with 55-200 Fujinon lens at 250mm (equiv); 200 ISO; Lightroom, including the Astia/Soft film simulation; King William Avenue, central Bristol; 7 Apr 2017.
.
.
.

PEOPLE 262 – WOMAN WITH BLUE NAILS

 

 


.

As so often happens, a grab shot – time for only one, very quick shot –  as passing traffic momentarily slowed down.  Luckily I had the camera set to spot metering linked to the active autofocus point, something I’m using quite a lot at the moment.  And the telephoto zoom was fully extended.  I just raised the camera to my eye, it found focus on her hand almost instantaneously, and I fired.

What do I think about this image?  Well, a passing soul, a passing someone, a stranger to me as I am to her, someone going somewhere.  But now, I suppose, part of a design, resting her fingers upon – or is she helping support?! – a curving metallic blueness set in a photographically enhanced darkness.  And if I could produce more such images, of beings in artificial, abstract realities, I would.

Click onto the image to open a larger version in a separate window, and click onto this enlarged image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 800 ISO; Lightroom, including the Classic Chrome film simulation; Park Street, central Bristol; 7 Apr 2017.
.
.
.

STILL LIFE 99 – PARKED CAR REFLECTING ARCHITECTURE AND BLUE SKY

 

 

.

Reflections in the bodywork of a parked car.  The blue sky can be seen left of centre, with distorted reflections of buildings around it.  The other reflections are from the car itself.

Technique: a first for this blog, in that although Lightroom has been used afterwards for final processing, this image was initially generated by the X-T2’s Raw Conversion facility.  In-camera, this facility allows Raw files to be edited in various ways – Push/Pull Processing, Film Simulation, Dynamic Range, Grain Effect, White Balance, Cropping, etc, etc – and then to be saved as jpegs while leaving the original Raw files intact.  In this case, the Raw file was given the look of Fuji’s Velvia film simulation, which (as users of Velvia film may remember), boosts colours and contrast.  Sitting down with the camera after a photo session, I find this a useful and creative way of looking through what the session has captured, as well as experimenting with the images to see what looks and crops may be eyecatching – and then saving those that appear useful.

I have a sneaking feeling that some photographic purists might consider this cheating, because I’m letting the camera do some of the processing work for me whereas I ought to be handling the whole of the processing myself in eg Lightroom.  Well, two thoughts about that.  First, I have always said – and it has always been a very core part of my photographic thinking – that all that matters in photography is the final image, irrespective of the way(s) in which it has been generated.  And second, if I generate something like this image, am I really going to expend lots of time and energy seeking to replicate it with Lightroom, when I already have something useable to hand?

Click onto the image to open a larger version in a separate window.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; jpeg with the Velvia film simulation generated from a Raw file in-camera; Lightroom; King Street, central Bristol; 7 Apr 2017.

.

.

.

ARCHIVE 289 – LUO FAMILY

 

 


.
Luo family on a farm near Akala, in the far west of Kenya; April 1979.

The backdrop is the painted wall of a wattle and daub hut, the smooth surface layer of which is starting to flake off on the far right.  Minor points, maybe that I’ve only really appreciated now, after all these years, are the Vicks poster and the kitten.

Click onto the image to open a larger version in a separate window.

OM-1 with 50mm Zuiko; Agfa CT18 colour slide, rated at 64 ISO.

UPDATE: The people in Kenya were in the main very friendly and hospitable.  I very much enjoyed my years in that country.  Again – once again – I wish that I had photographed more of the people that I met there.

.
.
.

%d bloggers like this: