PEOPLE 318 – GOING TO WORK 51

 

 


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What is this picture looking at?  Well, one aspect of the packed in and claustrophobic nature of Modern Humanity.  Here is the daily movement of human beings from the warm, insulated and comfortable womb of the home to the stark and absolute, exposed reality of the workplace.

Here is each day’s otherwise shadowy and tranquil awakening being polluted by congestion, engine noise, vehicle horns, exhaust fumes, emergency sirens and the glare of head and tail lights.

Does the phrase a necessary evil describe it, I wonder?

Details: the sun has yet to rise, and a main road going southeast out of the city – the road to Bath and to Wells too – is already filled with traffic.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 .  Each will open in a separate window.

Clicking onto this image will open a larger version in a separate window, and clicking onto that will further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 6400 ISO; Lightroom, using the Astia/Soft film simulation; Temple Gate, Bristol; 2 Feb 2018.

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STILL LIFE 196 – LOOKING AT CHAIRS 12 (MONO + COLOUR)

 

 


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Table and chair, with daffodils, in the William Bray, a restaurant and bar in the village of Shere, Surrey; 24 Mar 2012.

This restaurant is on different levels, and I was able to get up onto one floor and look down on the one below.  The wonderful lines and forms made the by the chairs, tables and floorboards – and the colourful flowers –  caught my eye, and I took several photos, none of which were “THE ONE!”, to work on later.  With all these lines and textures, I knew that there was something there – and that it was screaming out for mono conversion, with the plant’s colours restored.

It took quite a time to find this crop, but it has what I searched for – the lines and textures, the great contrast between the wooden and metallic structures, and the great contrast between the daffodil’s leaves and flowers and everything else.

The first post in this series on chairs, which contains context and an image, can be found hereSubsequent posts are here: 2 3 4 5 6 7 8  9  10  11 .  Each will open in a new window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: D700 with 24-120 Nikkor lens at 24mm; 6400 ISO; converted to mono and manipulated (including selective restoration of colour) in Silver Efex Pro 2, and then manipulated further in Nikon’s Capture NX2.

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TALKING IMAGES 37 – I’M SLOWING DOWN, FOR AWHILE

 

 

Mannequin, seared by sunlight in a Cornish shop window

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The simple fact is, I very much enjoy blogging as a means of self-expression.  There’s the creation of the images, all of the attendant writing too (I love writing!) – and last but certainly not least the communication with like minds around the world – I enjoy talking with you all very much!  Also, there is not the slightest doubt that these years of blogging have been inspirational for me, certainly (to my eyes at least) improving my photography.
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A dear, warm creature, a being whom it is simply a pleasure to be with

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However, I have two large projects in hand, and I need to spend less time blogging for a month or two, to complete them.  One of these projects is the creation of my (more or less) annual Blurb photobook which, amongst other things, contains my favourite photos from the preceding 12 months along with their captions and text.  I have around 20 of these books now, some the annual volumes and some other, specific projects, and I find them a very convenient way of producing hard copies of my favourite work; they are very good to look back through.
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Someone special, from long ago and far away

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So, whereas I’ve been producing around six posts a week, this will decrease for awhile – assuming that is that I can restrain my creative enthusiasm!  And for today, here are some favourite images – faces from the archives – two people, someone quite artificial, and two beautiful animals.  Clicking onto these images will enlarge them, click onto them again to further enlarge them.
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Great Grey Owl – we looked at each other

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Selfie, with trademark cap and hulking Nikon DSLR

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STILL LIFE 195 – PHOTOS FROM A DRENCHED CAR: 2

 

 


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Photos taken through the streaming windows of my car during a torrential rainstorm – context and further images can be found here.

The upper image is very easy to decipher – assuming that you feel the need when faced with anything at all abstract, to know what you’re looking at – which most people do.  Its a car parked on the other side of the road with its headlights reflecting off the wet tarmac.

The lower image is a little more obscure.  Its a row of houses with – in the lower right hand corner – a woman walking under an umbrella.  Can you see her???

Click onto each image to open a larger version in a separate window.  You can click onto this larger image to enlarge it still further, but these images are very grainy.

Technique: TG-5 at 100mm (equiv); 3200 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 15 Jan 2018.
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PEOPLE 317 – GOING TO WORK 50 >>> PHEW! NEVER THOUGHT THIS SERIES WOULD REACH 50!!!

 

 

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Phew!!! >>> well!!! >>>  the first of these Going To Work images was posted way back on 23 July 2016, and I never thought this series would still be ongoing!  The pictures have received some favourable words along the way, and for those I’m very grateful – simple fact is, such opinions provide encouragement, they help me to keep on keeping on with photography generally >>> so >>> thank you!

Where is this series going now?  Well, as usual, I’ve no idea.  I’ll just see what comes up.  But two points to make.

First, this series has been significantly facilitated by the portability of the Fujifilm X-T1 and X-T2 cameras – I take only one of these cameras and one lens with me on my long walks around the city, and they are eminently compact and portable.  I’ve also used the heavier Nikon DSLRs once or twice – and there’s getting away from the fact that for pinpoint focus in situations with very poor light and/or movement, these bigger DSLRs (D700 and D800) have the edge. But, camera portability is certainly a factor, and especially so for a no-longer-so-young(!) person like me.

And then second, maybe my having retired (nearly 5 years ago now) has allowed me to get outside of the “work ethic”, necessary as it is in any society, and to stand back from it a bit.  Maybe being on the outside looking in – after all those decades spent on the inside looking out –  has produced a more detached perspective.  And so to early mornings photographing the city rush hour, and the thought that five days on and two off each week – and a life outside of work to lead too –  can be quite a punishing schedule.

And so to this picture.  Just before sunrise, I was on a traffic island in the middle of the busy dual carriageway below Temple Meads railway station, leaning back against a street light to steady the camera and watching the steamy windows of the towering double-decker buses as they arrived with their cargoes of inbound workers.  Several buses would arrive at once, and so to firing off quick series of single shots (rather than motorised bursts) before waiting for the next gaggle of buses to pull ponderously in.  I looked along the windows on the upper deck of a bus, this woman’s red coat caught my eye, I took one shot, she looked at me and I fired again. 

Technique: the light was dismal – 6400 ISO, 1/45th second with the 305mm lens wide open at f4.8 – but the image stabilisation (+ leaning on the street light!) held it steady.  One thing about these mirrorless cameras is that, since they do not have a mirror, there is no vibration as the mirror moves during an exposure (mirror slap) and so they can take sharper pictures at lower shutter speeds than DSLRs.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 .  Each will open in a separate window.

Clicking onto this image will open a larger version in a separate window, and clicking onto that will further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 6400 ISO; Lightroom, using the Velvia/Vivid film simulation; Temple Gate, in Bristol City centre; 2 Feb 2018.

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ARCHIVE 339 – DRIVING IN TOWN

 

 


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Early morning Bristol, seen from the upper deck of a double-decker bus; 0650 15 Dec 2011.

This dates back to the time – not so very long ago – before my retirement.  In those days, come rain or shine, five days of every week saw me taking the 6.30am bus to work from the bottom of our road.  Many of our buses are huge double-deckers and, still being something of a little boy, my favourite seat is upstairs, at the front, where there is a wonderful view out ahead.

The little Canon fitted easily into the rucksack containing my lunchtime apple and sandwiches, and my brolly and security pass, etc., and up there in the front seat, looking down into this camera’s bright screen gave a good view of the road ahead, even early on dark December mornings.

Click onto the image to open a larger version in a separate window.

Technique: Canon PowerShot G11; 3200 ISO.

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PEOPLE 316 – YOUNG GIRL (MONO)

 

 


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One of our friends’ daughters; growing up very fast now. 

Click onto the image to open a larger version in a separate window, and click upon that image to further enlarge it – recommended.

Technique: D700 with 105mm Nikkor lens; 3200 ISO; centre-weighted metering; Lightroom; Silver Efex Pro 2, starting at the Warm Tone Paper preset and adding a moderate coffee tone.
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PEOPLE 315 – GOING TO WORK 49

 

 


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The walk to work, in November: warm breath, cold air, the dazzling but icy gold of sunrise.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 800 ISO; Lightroom; Bristol Bridge, central Bristol; 11 Nov 2016.
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STILL LIFE 194 – A GOOD FRIEND 3 (MONO)

 

 


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Another look at this very friendly creature, who is living out her life with our friends.

There are earlier images of her here and here .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: D700 with 105mm Nikkor lens; 1600 ISO; Lightroom; Silver Efex Pro 2, starting at the Antique Portrait preset; Bristol; 26 Aug 2017.
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STILL LIFE 193 – TABLE IN A CAFE (MONO)

 

 


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A little while back, we went up to the café at the Priddy Good Farm Shop, on the top of the Mendip Hills, for a first rate Full English Breakfast.  I’d taken along the Fujifilm X-T1 camera and 10-24 wide angle lens specifically to photograph the food – and the resulting picture is here.

This café is a little extension with large windows on two sides that has been built onto the farm and, while waiting for the food to arrive, I walked around with the camera looking at anything and everything.  Next to us was a long wooden table with chairs along both sides and, set beside both sets of windows, it was well lit.  Long and slim, it receded from me.  I put the zoom onto its widest setting (15mm full-frame equivalent), looked down at the table, and raised the camera.  The farmer came in and said “You’re photographing the table.”, which put everything neatly into context, and I started gently squeezing the trigger.

I don’t often think about such things, but I suppose it was always going to be a black and white shot, with the receding lines of the table and the wonderful grain, knots and plate/glass marks on its polished top – and also the little group of condiments and sauces in their various containers, just in front of the bright reflection at the table’s end.

But the thing about pointing such a wide angle lens downwards is the distortion it brings, which makes all of the chairs appear to be “relaxing” outwards, which in turn channels more attention down onto the table top.  It could almost be a coffin, flanked by laid back, contemplative mourners and set with some small (and saucy??? – ohhhh! 😉 ) tributes to the deceased.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T1 with 10-24 Fujinon lens at 15mm (equiv); 400 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the Push Process N+3 preset, and adding a light coffee tone; Priddy, on the top of the Mendip Hills, Somerset; 19 Jan 2018.
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