SOMERSET LEVELS 461 – JANUARY, TEALHAM MOOR, JUST BEFORE SUNRISE

 

 


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Tealham Moor, in winter, looking to the east.  This is winter: harsh and bleak.

Click onto the “early morning” tag (below) to see more images from the early hours of the day.

Click onto the image to open a larger version in a separate window – definitely recommended.

Technique: X-T2 with 55-200 Fujinon lens at 83mm (equiv); 8,000 ISO; Lightroom, starting at the Camera Astia/Soft profile; Tealham Moor, on the Somerset Levels southwest of Wells; 27 Jan 2017.
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OUTER SUBURBS 172 – TREE IN WINTER, DAWN BREAKING

 

 


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Tree in winter, and the day beginning.

The first flash photograph I’ve taken for ages.

Click onto the image twice to open a larger version in a separate window – definitely recommended.  Oh, I can be so breathtakingly forceful at times!!! …. 😉 ….

Technique: TG-5 at 25mm (equiv); 6400 ISO; flash; Lightroom, starting at the Camera Vivid profile; Capture NX2; south Bristol; 2 Jan 2020.
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SOMERSET LEVELS 437 – THE VIEW SOUTH, TADHAM MOOR (MONO)

 

 


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Looking south on a wet morning in early winter, with a wide angle lens on the camera, and a split tone added in post-capture processing.

Compositionally, the lines of the track, the banks of the water-filled ditch to the left of the track, the horizon and the cloud formations all draw my eyes down past the large tree.  A tree that is certainly valued, perhaps even loved –  I never come to this very special place without touching it and talking to it, as it clings stoutly to the steep bank of yet another water-filled ditch, always in danger of toppling over, as three other long-known willows behind the camera have already toppled.

Over the years, and in terrible times now quite long past, this very open and simple spot has helped me to keep going, to keep on keeping on, and I am very much attached and indebted to it.  To the extent that, when the time comes, my ashes will be sprinkled down there, down along this track, beyond the tree and the large puddle beside it.  Knowing that that is going to happen always affects my visits here, but never I hasten to add in any sad or bad way, but rather serving to imbue me with a sense of certainty, and of belonging too, which gets into my photos sometimes and which I value.

And with global sea levels rising as they are, and the land hereabouts already being below the height of the Bristol Channel’s tall tides – tides with ranges of up to nearly 50 feet – it may not be too long before these flatlands are inundated once more.  So, yes, a temporary place, then – but to a geologist like me every place is temporary after all.

However – the bottom line – a very simple place, vastly attractive to my “less is more” eyes and mindset – and very special to me in my thoughts too.

Click onto the image twice to open an enlarged version: recommended.

Technique: X-T2 with 10-24 Fujinon lens at 15mm (equiv); 800 ISO; Lightroom, starting at the B&W 12 profile; Silver Efex Pro 2, starting at the Neutral preset and adding a split tone; Tadham Moor, on the Somerset Levels south of Wedmore; 6 Dec 2019.
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OUTER SUBURBS 94 – WINTER TREES 3

 

 


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The harsh silhouettes of the cold months.

More trees in winter, from the same location, can be found here and here .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 25mm (equiv); 250 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 20 Mar 2019.
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OUTER SUBURBS 76 – WINTER TREES 2 (MONO)

 

 


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More trees in winter, from the same site as those pictured in the first of these posts, which can be found here .

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The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 .  Each will open in a separate window.

Click onto each image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 25mm (equiv); 400 ISO; Lightroom, using the Camera Monotone film simulation; south Bristol; 5 Feb 2019.
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OUTER SUBURBS 74 – WINTER TREES

 

 


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Winter trees: stark, hard, bare; beneath a cold, almost colourless sky.

Trees in a green space amongst the houses, beside a playground.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 .  Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to further enlarge it.

Technique: TG-5 at 25mm (equiv); 400 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 5 Feb 2019.
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OUTER SUBURBS 73 – LATE AFTERNOON LIGHT

 

 


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The shadows of trees, and a roadside drain, late on a winter’s afternoon.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 .  Each will open in a separate window.

Click onto the image to open another version in a separate window and click onto that image to enlarge it further.

Technique: TG-5 at 25mm (equiv); 400 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 14 Feb 2019.
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STANTON DREW 61 – WINTER SCENE (MONO)

 

 


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This image is best viewed enlarged – click onto it to open a larger version in a separate window, and click onto that image to further enlarge it.

Gull flock amongst the prehistoric standing stones at Stanton Drew.  Such flocks are a common sight on pastureland during the winter: this one consists mostly of Black-headed Gulls (lacking the dark heads of their breeding plumage), but there are a few Common and Lesser Black-backed Gulls in there too.

Tall, dark stones, sombre sentinels (sombre sentinels??? >>> what on earth am I on???) overlook the scene, and bare winter trees form the backdrop.

Already posted images from this early morning shoot are here: 1 (with context) 2 3 4 5 6 7 .  Each will open in a separate window.

Technique: X-T2 with 55-200 Fujinon lens at 300mm (equiv); 800 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting  at the Underexpose EV-1 preset and adding a light Selenium tone; Stanton Drew, in the Chew Valley south of Bristol; 14 Dec 2018.
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STANTON DREW 59 – WINTER SUNRISE 2

 

 


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Blackbird in winter branches, at sunrise.

Earlier images from this early morning shoot are here: 1 (with context) 2 3 4 5 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 300mm (equiv); 1600 ISO; Lightroom, using the Provia/Standard film simulation; Stanton Drew, in the Chew Valley south of Bristol; 14 Dec 2018.
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OUTER SUBURBS 59 – WINTER MORNING 2

 

 


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Peaceful morning.  A slight breeze, and big, fluffy clouds drifting, slowly, as the sun rises.

There is an earlier winter morning image here: 1 .  It will open in a separate window.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: TG-5 at 49mm (equiv); 320 ISO; Lightroom, using the Camera Natural film simulation; south Bristol; 17 Dec 2018.
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