SOMERSET LEVELS PICTURE GALLERY 6 – POSTS 51-60

SOMERSET LEVELS PICTURE GALLERIES

I’m currently posting images from my large archive of photos from the Somerset Levels, an area not far from where I grew up that holds particular meaning and attraction for me.  These photos are being posted singly, with full text.

To make viewing of these images easier for those with little time to spare, I’m also posting groups of these images with minimal titles.  This is the 6th gallery – you can find the earlier galleries here: 1 2 3 4 5

Clicking onto each image will open a larger version in a separate window: doing this often enhances the image.

51: Water Lilies in the North Drain, Tealham Moor; 2009.

52: Sunrise, Totney Drove; 2018.

53: Early morning, Ash Moor; 2019.

54: Looking south, Tadham Moor; 2019.

55: The poplars at Godney; 2018.

56: In the undergrowth, Swanshard Lane; 2019.

57: Teasel along Tripps Drove; 2012.

58: The road south across Tealham Moor; 2014.

59: Trees in mist, Tadham Moor; 2011.

60: Sugar cubes in Baillies’ Cafe, Burnham-On-Sea; 2012.



ARCHIVE STILL LIFE PICTURE GALLERY 2 : POSTS 11-20

ARCHIVE STILL LIFE PICTURE GALLERIES

I’m currently posting images from my large archive of (loosely defined!) still life photos.  These photos are being posted singly, with full text.

To make viewing of these images easier for those with little time to spare, I’m also posting groups of these images with minimal titles.  This is the second gallery – you can find the earlier galleries here: 1 .

Clicking onto each image will open a larger version in a separate window: doing this often enhances the image.

Looking down onto the shadow of a footbridge; 2014.

Dustbin and blue cord, in a churchyard; 2014.

The upper deck of a bus, on a sunny day; 2017.

My wife’s glass of wine, in a Bristol pub, on a sweaty afternoon; 2016.

Looking into a building at night; 2016.

Teasels, in the valley of the River Chew; 2013.

Seascape, Lizard Point, Cornwall; 2016.

Public seating; 2016.

Small tree, on the Mendip Hills; 2018.

Advertisement, a little the worse for wear; 2017.

ARCHIVE: LEVELS 57 – TEASEL ALONG TRIPPS DROVE (MONO + COLOUR)


Teasel along Tripps Drove; Godney Moor, on the Somerset Levels; 26 Jul 2012.

I don’t take many pictures of flowers, but early one peaceful and gorgeous morning along Tripps Drove I saw these Teasels beside a water-filled ditch – just before, my attention distracted, a horsefly had his fill from me.

And here, for once, I’ve given SEP2 its head and followed where it led – the Yellowed 2 preset looked good and here it is border and all, along with some minor adjustments, and also extensive restoration of colour.

Click onto the image to open a larger version in a separate window – recommended.

Technique: D700 with 70-300 Nikkor lens at 270mm; 400 ISO; converted to mono and re-coloured using Silver Efex Pro 2.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.



ARCHIVE: STILL LIFE 16 – TEASELS (MONO + COLOUR)


Teasels, Stanton Drew, in the Chew Valley, south of Bristol; 1 Aug 2013.

I’ve restored the pale blues of the few petals remaining at the apex of the left hand flower, but I think a larger image is needed to fully appreciate this.

Click onto the image to open a larger version in a separate window – recommended.

Technique: D700 with 70-300 Nikkor lens at 260mm; 200 ISO; Silver Efex Pro 2’s Pinhole preset, and selective restoration of colour.

ARCHIVE STILL LIFE

This is a new category on this blog – Archive Still Life studies.  The Still Life definition will certainly be followed loosely – e.g. some studies may only have been made “still” by the split second opening of the camera’s shutter – and my objective will be to use as many different types / genres of subject matter as possible.  Some images will be Minimalist and, in general, I try to make simpler images, rather than cramming them with visual content.

Some new Still Life studies will (hopefully!) continue to appear.



ARCHIVE 469 – TEASELS (MONO + COLOUR)

 

 


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Teasels, Stanton Drew, in the Chew Valley, south of Bristol; 1 Aug 2013.

I’ve restored the pale blues of the few petals remaining at the apex of the left hand flower, but I think a larger image is needed to fully appreciate this.

Click onto the image to open a larger version in a separate window – recommended.

Technique: D700 with 70-300 Nikkor lens at 260mm; 200 ISO; Silver Efex Pro 2’s Pinhole preset, and selective restoration of colour.

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ARCHIVE 400 – TEASELS 2 (MONO)

 

 


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Teasels at Stanton Drew, in the Chew Valley, south of Bristol; 1 Aug 2013.

For me, the diffuse darker area “anchors” the shot, helping to push the subject out towards us; and it also displays the thorns on the plant’s stem – and strands of spider’s web – to greater advantage.

You can find an earlier and differently presented Stanton Drew Teasel picture here.   There is also one from the Somerset Levels here.  Both will open in separate windows.

Technique: D700 with 70-300 Nikkor lens at 300mm; 200 ISO; Silver Efex Pro 2, starting at the Landscape preset.

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STANTON DREW 39 – VILLAGE LIFE 6 (MONO)

 

 


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Teasels – and an attendant bee – beside the cemetery wall.

For me, the diffuse darker area “anchors” the shot, helping to push the subject out towards us; and it also displays the thorns on the plant’s stem – and strands of spider’s web – to greater advantage.

An introduction to this Village Life series can be found here: 1Further images are here2 3 4 5 .    Each will open in a new window.

Technique: D700 with 70-300 Nikkor lens at 300mm; 200 ISO; Silver Efex Pro 2, starting at the Landscape preset, Stanton Drew, in the Chew Valley; 1 Aug 2013.

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ARCHIVE 205 – TEAZEL ALONG TRIPPS DROVE (MONO + COLOUR)

 

 

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Teazel along Tripps Drove; Godney Moor, on the Somerset Levels; 26 Jul 2012.

I don’t take many pictures of flowers, but early one peaceful and gorgeous morning along Tripps Drove I saw these Teazels beside a water-filled ditch – just before, my attention distracted, a horsefly had his fill from me.

And here, for once, I’ve given SEP2 its head and followed where it led – the Yellowed 2 preset looked good and here it is border and all, along with some minor adjustments, and also extensive restoration of colour.

D700 with 70-300 Nikkor at 270mm; 400 ISO; converted to mono and re-coloured using Silver Efex Pro 2.

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STANTON DREW 31 – IN THE CHURCHYARD 2

 

 

In the churchyard
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In the churchyard at Stanton Drew, on a summer’s day; 1 Aug 2013.

My ongoing love affair with this beautiful and undisturbed rural churchyard.

Click onto the image to see a larger version in a separate window.

D700 with 70-300 Nikkor at 300mm; 200 ISO; Color Efex Pro 4.
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STILL LIFE 14 – TEASELS 2 (MONO)

USE YOUR PC’s F11 KEY TO VIEW THIS PAGE FULLSCREEN

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Teasels at Stanton Drew, in the Chew Valley, south of Bristol; 1 Aug 2013.

For me, the diffuse darker area “anchors” the shot, helping to push the subject out towards us; and it also displays the thorns on the plant’s stem – and strands of spider’s web – to greater advantage.

You can find an earlier and differently presented Stanton Drew Teasel picture here.   There is also one from the Somerset Levels here.

D700 with 70-300 Nikkor at 300mm; 200 ISO; Silver Efex Pro 2, starting at the Landscape preset.
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