OUTER SUBURBS 136 – PLANT GROWING AMONGST GARAGES

 

 


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In hardly the most visually pleasing of surroundings, a low angle beam of autumn sunlight still manages to conjure a moment of magic as it sneaks in between the scarred walls of old garages and illuminates the single natural and visually appealing thing there.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 100mm (equiv); 400 ISO; spotmetering;  Lightroom, starting at the Camera Portrait profile; south Bristol; 17 Sept 2019.
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OUTER SUBURBS 135 – WALKING DOWN TO THE CITY

 

 

1: loved the plants!  What do they add – patina / character / a touch of Life???

Walking down to the city centre on a sunny morning.  Walking northwards, and so keeping to the right hand side of the roaring main road to watch the glare of the low angle sunlight striking the buildings opposite and also, where the view to the east is uninterrupted, to watch the glare interacting with the ground around my feet.

And so to a series of random photos: little scenes seen during a walk down to the city … to buy a loaf of (very special and simple) bread as it happens …

Click onto each image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: TG-5; Lightroom; south Bristol; 14 Sept 2019.
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2: part-shaded by buildings and trees on the opposite side of the road


3: the roof of a sports pavilion, with floodlights and a street light


4: loved the gulls!


5: bridge with red railings, and a white line to keep walkers safe from cyclists …


6: roadside shadows
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OUTER SUBURBS 129 – PARKED CAR 6

 

 


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Walking towards the early morning sun, head down against the glare.  Walking past cars parked along a roaring main road, and glorying in the fierce light glinting and sparking off surfaces that, at once sleek, engineered and immaculate, are nevertheless now alive, organic and streaming in the heavy dew.

There are earlier images in this Parked Car series here: 1 2 3 4 5 .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 100mm (equiv); 200 ISO; Lightroom, starting at the Camera Natural profile; south Bristol; 29 August 2019.
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OUTER SUBURBS 127 – ROADSIDE WOOD

 

 


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Piece of wood beside a road, washed by early morning sunlight (apologies to those anticipating sylvan delights beside one of Her Maj’s broad and stately thoroughfares … ).

Minimalism, and an image dominated by the upper right to lower left, precisely parallel diagonals of the built environment, with which the trends of the unbuilt environment – the wood and the shadows – do not conform.

Click onto the image to open another version in a separate window, and click onto that image to further enlarge it.

Technique: TG-5 at 25mm (equiv); 250 ISO; Lightroom, starting at the Camera Vivid profile; south Bristol; 25 July 2019.
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OUTER SUBURBS 126 – OUT WALKING, AND LOOKING DOWN

 

 


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Out walking: early morning sunlight on flowers beside the path.

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Technique: TG-5 at 49mm (equiv); 800 ISO; Lightroom, starting at the Camera Vivid profile; south Bristol; 29 July 2019.
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BRISTOL 148 – LITTLE KING STREET

 

 


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Morning sunlight casting shadows across a façade.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

Technique: Z 6 with 70-300 Nikkor lens at 300mm; 1600 ISO; Lightroom, starting at the Camera Vivid v2 profile; Little King Street, in Bristol city centre; 10 May 2019.
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SOMERSET LEVELS 351 – QUEEN’S SEDGE MOOR, MORNING LIGHT (MONO)

 

 


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Morning light on Queen’s Sedge Moor, with the higher, more thickly wooded ground around Launcherley rising in the background.

This picture, well, this picture …  It was a beautiful place on a fine morning and it reminds me of being there, but I just don’t have any deep feelings about it.  To me its getting over a little bit too much towards the picturesque – it could be a postcard.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: Z 6 with 70-300 Nikkor lens used in DX (= APS-C) format to give 450mm; 800 ISO; Lightroom, using the Camera Neutral V2 picture control; Silver Efex Pro 2, starting at the Centre Focus preset and adding a split tone; Queen’s Sedge Moor, on the Somerset Levels; 24 May 2019.
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BRISTOL 138 – SHAFT OF SUNLIGHT, IN A GRAVEYARD (MONO)

 

 


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This picture is best viewed enlarged: click onto it to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

A day out together photographing in Bristol: Paula and I walked up the narrow St John’s Steep, heading into the Old City.  Street art and interesting facades and alleyways were all around, and on our left was a fenced and partly overgrown area with several obviously old graves – it was part of an old, disused graveyard.

A shaft of brilliant sunlight lit the scene, illuminating hosts of flowers that had run wild, and also some of the greenery around them. 

Then, a pigeon walked into the scene and was – for an instant – silhouetted against the glare.

Technique: Z 6 with 24-120 Nikkor lens used in DX (= APS-C) format to give 180mm; 800 ISO; Lightroom, using the Camera Neutral V2 picture control; Silver Efex Pro 2, starting at the High Contrast Yellow Filter and adding a moderate Coffee tone; St John’s Steep, in Bristol city centre; 3 June 2019.
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BRISTOL 137 – EARLY MORNING LIGHT – AND UNDER MILK WOOD

 

 


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Walking the old, narrow streets of Bristol city centre, looking at anything and everything.  And watching how the morning sunlight crept across the buildings’ facades, I was irresistibly reminded of lines written by Dylan Thomas in Under Milk Wood:

Time passes.  Listen.  Time passes. …

And the dawn inches up.

I just simply love the thought of being able to hear the passing of time; and similarly the sound and connotations of the word “inches” in this context grab me and do not let me go.

And Under Milk Wood itself?  I bought my first copy when I was a university student, and have never fallen out of love with it.  I can still remember opening the book and reading the first few words –

To begin at the beginning:

It is spring, moonless night in the small town, starless and bible-black, the cobblestreets silent and the hunched, courters’-and-rabbits’ wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboat-bobbing sea.

>> and I was hooked, and I have been hooked – wonderfully hooked – ever since!  The words inspire me and I think, in some small measure, have affected how I look at the world, how I see it and how I photograph it.

You can find out about Under Milk Wood here .

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: Z 6 with 70-300 Nikkor lens at 300mm; 1600 ISO; Lightroom, using the Camera Vivid V2 picture control; Little King Street, in central Bristol; 10 May 2019.
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OUTER SUBURBS 108 – SPRING 2

 

 


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Standing beside a roaring main road, enjoying spring’s vital rush.  And looking up, filling the frame with the natural world >>> albeit the planted-at-the-roadside natural world.

There is an earlier spring image here: 1 .

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 25mm (equiv); 400 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 13 April 2019.
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