OUTER SUBURBS 160 – EARLY MORNING 31

 

 


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Clear morning, early December.

Other images in this Early Morning series – from both rural and urban settings, and from Kenya too – are here: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 100mm (equiv); 800 ISO; Lightroom, starting at the Camera Vivid profile; south Bristol; 4 Dec 2019.
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OUTER SUBURBS 158 – EARLY MORNING 29

 

 


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Other images in this Early Morning series – from both rural and urban settings, and from Kenya too – are here: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: TG-5 at 25mm (equiv); 800 ISO; spot metering; Lightroom, starting at the Camera Vivid profile; south Bristol; 9 Nov 2019.
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I AM THE LIGHT

 

 


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I am The Light

above

The Crossing of the Striped Horse
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SOMERSET LEVELS 375 – EARLY MORNING CLOUD

 

 


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A cool and quiet, early morning on Queen’s Sedge Moor: only the sounds of birds, the light breeze, and far off cows. 

And up above, off to the east, soft, slowly drifting clouds.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: Z 6 with 70-300 Nikkor lens used in DX (= APS-C) format to give 450mm; 400 ISO; Lightroom, starting at the Camera Vivid v2 profile; Queen’s Sedge Moor, on the Somerset Levels; 5 July 2019.
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SOMERSET LEVELS 371 – LOOKING INTO THE DISTANCE

 

 


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The view into the distance, into another world perhaps.  I say this because, years ago, when I was braver, more reckless and probably more romantic than I am now, I was lucky enough to spend a lot of time in very wild places, in Arabia and in Kenya, and to some extent high up in the Western Alps too.  And I remember being totally drawn and excited by the dim twinkling of far off lights seen through the blues of dawn and dusk – both from the ground and from aircraft.  I felt I was looking into another world, seeing something almost magical, with feelings both of excitement and awe.

But of course, in walking, motoring or flying to those twinkling lights, reality reasserted itself, the magical became mundane – and it was only when I looked back behind me, back towards where I had been, that I could see the magic once more … ha! >>> such is life >>> such is the reality of things!

But, even now, all these years later, and when I can infuse enough blood into my alcohol stream, looking deeply into far off blues – the vast calm indigos of John Fowles – still gets to me.  A little bit of the magic is still there, and I am most grateful for that.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: Z 6 with 70-300 Nikkor lens at 300mm; 400 ISO; Lightroom, starting at the Camera Landscape v2 profile; looking east from Queen’s Sedge Moor, on the Somerset Levels; 5 July 2019.
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SOMERSET LEVELS 370 – EARLY MORNING, LOOKING EAST

 

 


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The world above Queen’s Sedge Moor, early in the day.

This image is best viewed enlarged – click onto it to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

Technique: X-T2 with 10-24 Fujinon lens at 15mm (equiv); 200 ISO; Lightroom, starting at the Camera Velvia/Vivid profile; Queen’s Sedge Moor, on the Somerset Levels; 5 July 2019.
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SOMERSET LEVELS 337 – MORNING SKY, LOOKING NORTH (MONO)

 

 

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This image is best viewed enlarged: click onto it to open a larger version in a separate window and click onto that image to further enlarge it – recommended.

Looking up, looking to the north, early on a spring morning.

Technique: X-T2 with 10-24 Fujinon lens at 15mm (equiv); 800 ISO; Lightroom, using the Provia/Standard film simulation; Silver Efex Pro 2, starting at the Landscape preset and adding a Split Tone; Bourtonbridge Drove, Queen’s Sedge Moor, on the Somerset Levels; 26 April 2019.
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OUTER SUBURBS 106 – PETROL STATION

 

 


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Canopy above the pumps in a supermarket petrol station.

Walking towards the supermarket on a beautifully sunny morning when, right in front of me,  this great, green and dark brown structure seemed to be floating up towards the clear blue sky.  There were three bands of colour – blue, green and dark – and then the less Minimal, more cluttered, human world below.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 80mm (equiv); 400 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 13 Apr 2019.
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ARCHIVE 394 – CARRION CROW (MONO)

 

 


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Carrion Crow over our back garden, not long after dawn; 27 Nov 2011.

This has been converted into mono in Silver Efex Pro 2, and I’ve used the one of the Film Noire presets to instil drama – the powerful, jet black crow diving through a patch of clear sky in an angry, boiling cloudscape.

Technique: D700 with 70mm-300 Nikkor lens at 200mm; 800 ISO.

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OUTER SUBURBS 59 – WINTER MORNING 2

 

 


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Peaceful morning.  A slight breeze, and big, fluffy clouds drifting, slowly, as the sun rises.

There is an earlier winter morning image here: 1 .  It will open in a separate window.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: TG-5 at 49mm (equiv); 320 ISO; Lightroom, using the Camera Natural film simulation; south Bristol; 17 Dec 2018.
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