ARCHIVE 400 – TEASELS 2 (MONO)

 

 

.

Teasels at Stanton Drew, in the Chew Valley, south of Bristol; 1 Aug 2013.

For me, the diffuse darker area “anchors” the shot, helping to push the subject out towards us; and it also displays the thorns on the plant’s stem – and strands of spider’s web – to greater advantage.

You can find an earlier and differently presented Stanton Drew Teasel picture here.   There is also one from the Somerset Levels here.  Both will open in separate windows.

Technique: D700 with 70-300 Nikkor lens at 300mm; 200 ISO; Silver Efex Pro 2, starting at the Landscape preset.

.
.
.

OUTER SUBURBS 25 – STREET SCENE 3: INVASIVE SPECIES

 

 

.

Green leaves against a blue fence, rescued for posterity – days later, a tidy householder had decided that this living thing was making the place look untidy, and duly sent it to meet its (probably none too pleased) Maker.

There are earlier Street Scene posts here: 1 2 .  Each will open in a separate window.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: TG-5 at 91mm (equiv); 800 ISO; Lightroom, using the Camera Natural film simulation; south Bristol; 31 Aug 2018.

.

.

.

STILL LIFE 171 – THE END OF THINGS

 

 

.
The year ages, winter looms, and Life dies back, beds down, readying itself for the months of cold and darkness ahead.

Dead sunflower, heavily frosted, in the back garden of the farm next to the church in Stanton Drew.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 3200 ISO; Lightroom, using the Velvia/Vivid film simulation; Stanton Drew; 6 Nov 2017.
.
.
.

STILL LIFE 157 – CLIFFTOP

 

 

.
Colours caught by the sun on a Cornish clifftop, with grimmer, more sombre cliffs behind.

Plants are rarely my strong point, and I’ve no idea what this gloriously coloured plant is – can anyone help?  I’m guessing that it may be some kind of succulent.  It was common on the sea cliffs in the area.

Click onto this image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 800 ISO; Lightroom, using the Astia/Soft film simulation; The Lizard, Cornwall; 19 Oct 2016.
.
.
.

BRISTOL 122 – CITY CENTRE GREEN SPACE

 

 

.
Somewhat ravaged Dandelion catching the morning light in perfunctory flower bed outside a shopping mall.

Of course we’re a Green city!  Actually I’m doing Bristol a disservice as it does have some nice green bits, and anyone really wanting to see flowers is not in any case going to go looking for them in shopping mall flower beds, are they?!

And some of you may point out that Dandelions are in any case weeds – but, although not being any great Green/botanical activist, weed is a term that I simply do not subscribe to.  The fact that something is growing where we have decreed that it is not allowed cannot in any way lessen that something’s status as a living organism.  Plants are plants are plants, period.

Click onto the image to open a larger version in a separate window, and then click onto the enlarged image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 250mm (equiv); 400 ISO; Lightroom, using the Velvia/Vivid film simulation; The Galleries shopping mall, central Bristol; 7 July 2017.

.
.
.

ARCHIVE 295 – TRAILING LEAVES

 

 

.
Leaves trailing from a plant pot at The Point, Bristol harbourside; 11 Apr 2004.  

The few green leaves amongst the many leaf shadows on a featureless, bluish ground, are important here – the presence of the colour green definitely enhances the picture. 

Technique: rotated 90 degrees clockwise; OM-4 with 21mm Zuiko lens; Fuji Provia 400 colour slide rated at 3200 ISO. 

UPDATE: Minimalism, less is more; usually better than a cluttered image – the eye knows more what to look at, rather than being confused by masses of detail.  And quite a shock to see that I took this 13 years ago – I used to stalk around Bristol with this wonderfully compact 21mm lens, looking for simplicity, looking too for abstract compositions.  And I loved push-processing colour slide films (the Provia 400 here is being pushed 3 stops: 400 to 800 to 1600 to 3200), to boost the colours and contrast, and to get more grain, as seen here.
.
.
.

STILL LIFE 30 – PLANT, BEHIND NET CURTAINS

 

 

.
Plant in our front garden, seen through our net curtains; 8 Sept 2015.

Taken from my armchair in our living room’s bay window, while I was sipping Westons’ Old Rosie, a very smooth, cloudy cider.

A plant is pressed up against the outside of the window (the garden is trying to invade the house! >>> The Day Of The Triffids comes to mind) and its green leaves are glimpsed through the net curtains’ mesh.  Underexposure produces this scene.

Click onto the image to see a larger version in a separate window.

D700 with 24-120 Nikkor at 120mm; 400 ISO; Capture NX2.
.
.
.

ARCHIVE 220 – PLANTAIN (MONO)

 

 

.

Plantain from our Bristol garden; 22 June 2014.

Taking my life (and my plant guide) in my hands, I’m going to identify this as the Ribwort Plantain.  And this is the first denizen of our front garden that I’ve pictured.  Not that it was in the front garden when I pictured it.  Seeing these plantains – plants that I’ve always liked – beside our front gate, I held back The Destructor (our petrol mower) from roaring and ravaging over them and instead let it roar and ravage around them, so that I could preserve them and bring a bloom indoors.

And if this is indeed the Ribwort Plantain, my little book tells me that its one of the commonest European plants – and also that it grows in “grassy and waste places”, which describes our diminutive and scraggy front garden to a tee.

D800 with 105mm Nikkor; 100 ISO; tripod; Silver Efex Pro 2, starting at the Landscape preset.

.
.
.

BRISTOL 95 – BRIGHT SUNSHINE (MONO)

 

 

.
Bright autumn sunshine, Whiteladies Road; 20 Oct 2015.

On my way to Corks of Cotham, which is primarily a wine shop, but which also stocks (sadly now only a very few) Belgian beers of truly world class quality – my choice yesterday included mouthwatering tipples from the Trappist monks of the Westmalle and Rochefort monasteries.

And it was a gloriously sunny day – to me, soft, warm, autumn sunshine is more enjoyable than the blazing heats of summer.  And beside the road was this rough wall, taking the gorgeous sunshine full on and reflecting Our Star’s warmth back at the world. 

Canon G11 PowerShot at 140mm (equivalent); 200 ISO; Silver Efex Pro 2, starting at the High Key 2 preset.
.
.
.

ARCHIVE 134 – STRUGGLING UP TO THE LIGHT (MONO + COLOUR)

 

 

.
Plant, in Boscastle, Cornwall; 10 Sept 2013.

Just as I emerged from the Witchcraft Museum, full of intrigued and surreal thoughts, this appeared at my feet.

All else is harsh black and white, manmade, angular and strong, but these few green leaves – soft and eminently vulnerable – are pushing up through it all, into the light.

Click onto the image to see a larger version in a separate window.

D800 with 24-120 Nikkor at 40mm; 400 ISO; Silver Efex Pro’s Film Noir 1 preset.
.
.
.