ARCHIVE KENYA 121 – WARBLER AMONGST ACACIA THORNS

 

 


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Small warbler – perhaps a Cisticola – amongst fearsome Acacia thorns, any one of which could so easily transfix it; probably in Nairobi National Park, in the late 1970s.

The Cisticolas are a group of small warblers that that all look very similar to each other; they are the archetypal “small brown birds”.

Click onto the image to open a larger version in a separate window – recommended.

Technique: OM-1 with a Vivitar 400mm telephoto; Agfa CT18 colour slide film rated at 64 ISO; Lightroom.  This would have been taken from the window of my car, from one of the tracks in the National Park.

THE ARCHIVE KENYA SERIES

I’m re-posting photographs that I took in Kenya over 30 years ago.  You can find more context here .  Click onto the “Archive Kenya” tag (below) to see more of these film images from Kenya.

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HOME 7 – LOOKING OUT THE WINDOW

 

 


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Looking out of the kitchen window, with a long telephoto and some good light.

Click onto the image to open a larger version in a separate window.

Technique: Z 6 with 70-300 Nikkor lens used in DX (= APS-C) format to give 450mm; 400 ISO; Lightroom, starting at the Camera Landscape v2 profile; the back garden; 26 Nov 2020.
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ARCHIVE KENYA 106 – TABLE DECORATION

 

 


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Conversation piece on my Nairobi dining table; Nov 1979.

I would like to be able to say that all of the sophisticated evenings chez moi were black tie and that, as the port decanter made its rounds, this little charmer made the conversation hum and buzz.  But, well, you know … 😉 …

The reality was that, because I was writing a book at the time, my large dining table was perpetually covered in piles of maps, books and papers, together with a portable typewriter (remember typewriters???), a little space where my plate could go when I wanted to eat – and a pot plant that was home to this beauty for awhile.

Click onto the image to open a larger version in a separate window.

Technique: tripod-mounted OM-1 with 50mm Zuiko lens; extension tubes or close up lenses; Agfa CT18 colour slide film, rated at 64 ISO; Color Efex Pro 4.

THE ARCHIVE KENYA SERIES

I’m re-posting photographs that I took in Kenya over 30 years ago.  You can find more context here .  Click onto the “Archive Kenya” tag (below) to see more of these film images from Kenya.

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OUTER SUBURBS 263 – PARKED CAR 25

 

 


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There are earlier images in this Parked Car series here: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window – recommended.

Technique: TG-5 at 100mm (equiv); 800 ISO; spot metering; Lightroom, starting at the Modern 10 profile; south Bristol; 2 Aug 2020.
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ARCHIVE 488 – DRAINPIPE, WIMBORNE

 

 


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Drainpipe and climbing plants on a wall in Wimborne, Dorset; 1 Oct 2008.

I turned into a courtyard off the main street in Wimborne and this spectacular and (especially) writhing vision opened up on my left.

Minimal colour, almost monochrome and in fact also looking good in b+w, but the rust tints on the pipe bring this picture alive. The pipe is just about on the left vertical third.

Click onto the image to open a larger version in a separate window – recommended.

Technique: F6 with 24-120 Nikkor lens; Fuji Provia 400X colour slide film rated at 500 ISO.
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ARCHIVE 469 – TEASELS (MONO + COLOUR)

 

 


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Teasels, Stanton Drew, in the Chew Valley, south of Bristol; 1 Aug 2013.

I’ve restored the pale blues of the few petals remaining at the apex of the left hand flower, but I think a larger image is needed to fully appreciate this.

Click onto the image to open a larger version in a separate window – recommended.

Technique: D700 with 70-300 Nikkor lens at 260mm; 200 ISO; Silver Efex Pro 2’s Pinhole preset, and selective restoration of colour.

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ARCHIVE 448 – STINGING NETTLE IN GRASS (MONO + COLOUR)

 

 


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Stinging Nettle in grass at the Magic Car Park, Tadham Moor, on the Somerset Levels; 28 Aug 2013.

Why is this car park magic?  Well, it and the surrounding countryside – open pastures, simple, wet and rough – have helped me through some very dark nights of the soul.

Click onto the image to open a larger version in a separate window – recommended.

Technique: D700 with Sigma 12-24 at 24mm; 400 ISO; Silver Efex Pro 2, including selective restoration of colour.

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BRISTOL 159 – STREET SCENE 1

 

 

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Out on Bristol’s streets: restaurant frontage decorated for Christmas; early morning.

Click onto the image twice to open an enlarged version in a separate window – recommended.

Technique: Z 6 with 70-300 Nikkor lens at 300mm; 6400 ISO; Lightroom, starting at the Camera Pop profile; central Bristol; 29 Nov 2019.
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OUTER SUBURBS 136 – PLANT GROWING AMONGST GARAGES

 

 


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In hardly the most visually pleasing of surroundings, a low angle beam of autumn sunlight still manages to conjure a moment of magic as it sneaks in between the scarred walls of old garages and illuminates the single natural and visually appealing thing there.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 100mm (equiv); 400 ISO; spotmetering;  Lightroom, starting at the Camera Portrait profile; south Bristol; 17 Sept 2019.
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BRISTOL 154 – KING WILLIAM AVENUE

 

 


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The wonderful exterior colour of the King William Ale House, a favourite watering hole of mine in Bristol city centre.  An old pub, with good beer and comfortable seating – just the place for quiet  afternoons of decadent imbibing and good conversation by those of us in the retired classes.

Click onto the image to open another version in a separate window, and click onto that image to further enlarge it.

Technique: TG-5 at 25mm (equiv); 400 ISO; Lightroom, starting at the Camera Vivid profile; rotation; Capture NX2; King William Avenue, Bristol city centre; 1 Oct 2019.
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