ARCHIVE 611 – UPSTAIRS IN THE VICTORIA TEA ROOM, PENZANCE

 

 

.

Upstairs in The Victoria Tea Room, Penzance, Cornwall; 25 Apr 2012.

We returned yesterday from a few days in the far southwest of Cornwall, based between Penzance and St Ives.  And in a week of awful weather all over England we were far enough southwest to miss it all – it only rained at night, and the days were dry and even sunny!

Whenever we’re in Penzance we always visit this tearoom.  Amongst many other tasty goodies it serves up 11 item English breakfasts – which I hold a profound reverence for – and we like to sit beside the windows upstairs, looking out over Penzance’s main street.

In this cafe there are many bentwood chairs in a beautiful green, and the place has an over all low key, Minimalist, green and grey decor that I like very much.  This cup and saucer provided a good foil for its low key surroundings, and the chairbacks on the right resemble the curving stems of some exotic plant.

Click onto the image to open a larger version in a separate window.

Technique: Canon G11 PowerShot; 400 ISO.

UPDATE (SOMETIME AGO): this excellent eatery has closed down – a great loss.  And while I’m talking about this image – I can say that its a great favourite of mine.  I have always loved its vast simplicity.

.
.
.

ARCHIVE 602 – DIRTY WINDOW WITH WHITE CURTAIN (MONO + COLOUR)

 

 

.

Dirty window and white curtain; Penzance, Cornwall, 27 Apr 2012.

Colour has been restored to the window frame and the image cropped to have darkness on both sides.  The window frame’s shadow is convoluted by the poorly hung curtain, and this shadow has been darkened to emphasise this.  The grime on the window adds to the effect.

The blue frame reminds me somewhat of a crucifix, but this was certainly not in my mind when I photographed it.

Click onto the image to see a larger version in a separate window – recommended.

Technique: D700 with 70-300 Nikkor lens at 300mm; 400 ISO; converted to mono and with selective colour restoration via Silver Efex Pro 2.

.
.
.

ARCHIVE 553 – FIGURE WITH RUCKSACK, DRAINPIPE, STAIRS AND TWO SKYLIGHTS (MONO)

 

 

.

Off the main street in Penzance, Cornwall; 8 Oct 2013.

This photo consists of a number of discreet segments that fit together like a rectilinear collage.  It was a case of waiting at the bottom of this intriguing corridor, somewhere I’ve photographed before, until a figure walked into that square of featureless white brightness.

The figure is anonymous.  We see quite a bit of him – he appears not too old, and used to toting his bag – and we see the illuminated, horizontal rectangle of his world – he is walking in the open air, along a side street. He may be aware of the steps on his right, but he cannot see them as we do, nor can he see the skylights, though he may be aware of the dull light they cast in the otherwise windowless corridor.

We are looking up through a tunnel into his world and can see parts of it as he does, but he cannot see our’s as we do.

Click onto the image to open a larger version in a separate window.

Technique: D800 with 70-300 Nikkor lens at 300mm; 1600 ISO; Silver Efex Pro 2’s Yellowed 2 preset.

.
.
.

ARCHIVE 392 – ROOK ON THE HIGH STREET

 

 

.

Rook preening on a street lamp in the main street of Penzance, Cornwall; 25 Apr 2012.

We were sitting at a table on the upper floor of a café, enjoying the interesting and lively view over Penzance’s main street.

Two Rooks came and perched on street lamp brackets immediately outside the window.  I had a feeling they wouldn’t stay there long, and so rather than reaching for the Nikon, I used the little G11 which was already in my hand.  One of the Rooks left almost immediately but I managed to train the Canon’s telephoto onto the other bird which, despite all of the hustle and bustle in the street below, started preening.

Rooks are crows, and more usually birds of the open countryside.  I like crows anyway, but noisy colonies of these birds – rookeries – in the tops of tall, rural trees are for me one of the great joys of spring.  So seeing them here above this busy shopping street was a surprise, albeit that Penzance is not that large a town.  And having the bird set against the window display of the shop on the other side of the road added to that.

Technique: Canon G11 PowerShot at 140mm (equivalent); 400 ISO.

.
.
.

STILL LIFE 197 – LOOKING AT CHAIRS 13

 

 

.

Upstairs in The Victoria Tea Room, Penzance, Cornwall; 25 Apr 2012.

We returned yesterday from a few days in the far southwest of Cornwall, based between Penzance and St Ives.  And in a week of awful weather all over England we were far enough southwest to miss it all – it only rained at night, and the days were dry and even sunny!

Whenever we’re in Penzance we always visit this tearoom.  Amongst many other tasty goodies it serves up 11 item English breakfasts – which I hold a profound reverence for – and we like to sit beside the windows upstairs, looking out over Penzance’s main street.

In this cafe there are many bentwood chairs in a beautiful green, and the place has an over all low key, Minimalist, green and grey decor that I like very much.  This cup and saucer provided a good foil for its low key surroundings, and the chairbacks on the right resemble the curving stems of some exotic plant.

The first post in this series on chairs, which contains context and an image, can be found here.  Subsequent posts are here: 2 3 4 5 6 7 8  9  10  11 12 .  Each will open in a new window.

Click onto this image to open a larger version in a separate window.

Technique: Canon G11 PowerShot; 400 ISO.

UPDATE: this excellent eatery has closed down – a great loss.  And while I’m talking about this image – I can say that its a great favourite of mine.  I have always loved its vast simplicity.

.
.
.

STILL LIFE 184 – LOOKING AT CHAIRS 9 (MONO)

 

 

.

Tables and chairs outside a cafe in Penzance, Cornwall; 25 Apr 2012.

I love the abundance of shapes and textures here, and the fact that none of the objects is portrayed in its entirety.  I remember reading about some artists’ liking for truncating objects with the frame and I think this a powerful tool – for use even with portraits.

The first post in this series on chairs, which contains context and an image, can be found here.  Subsequent posts are here: 2 3 4 5 6 7 8  .  Each will open in a new window.

Click onto the image to open a larger version in a separate window, then click onto that image to enlarge it further.

Technique: D700 with 70-300 Nikkor lens at 300mm; 1600 ISO; converted to mono in Silver Efex Pro 2.

.
.
.

ARCHIVE 291 – RED WINDOW (MONO + COLOUR)

 

 

.
Penzance, Cornwall; 8 Oct 2013.

Technique: D800 with 70-300 Nikkor lens at 300mm; 400 ISO; Silver Efex Pro 2’s Film Noir 1 preset, with selective restoration of colour.

.
.
.

ARCHIVE 276 – PENZANCE MANNEQUIN, SUNSWEPT (MONO)

 

 

.
Mannequin in a shop window, Penzance, Cornwall; 14 Sept 2011.

We were in Penzance on a brilliantly sunny day and potential pictures were all around – I’ve already posted some here.  This dummy was in a window facing straight into the blinding glare, and the combination of her extravagant hat and the patterns that the rim of this hat spread over her blankly staring face drew me towards her.  Post-capture, I thought of enhancing the whites of her eyes but decided that they’re ok as they are.

Click onto the image to open a larger version in a separate window.

Technique: D700 with 70-300 Nikkor lens at 300mm; 400 ISO; converted to mono in Silver Efex Pro 2.

UPDATE: after all this time, still very much amongst my very favourite images.  I’ve found that to be a thing about blogging – I post an image that I’m (nearly always!) totally enthusiastic about at the time, but I’ve noticed that attitude can change over time, so that sometimes I can look back at past posts, and either think their images simply ok or, then again, not really that good.  But then there are the images that, old as they may be, I still feel really good about – and here is one.  And this is a healthy process, I think, probably one that we all do – we change over time, our visual perceptions and tastes change over time, we are moving on.

.
.
.

BIRDS 91 – BIRD OF ROCKY SEASHORES

 

 

.
Turnstone in the main car park, Penzance, Cornwall.

Turnstones are birds of rocky and often wild seashores, where they live up to their name by using their bills to turn over stones in search of food.

But here in Penzance, in the main car park beside the harbour – and along the promenade in nearby St Ives too – they regularly come up amongst us humans when the tide is in, searching for scraps.  In St Ives especially, people are intrigued by these little birds scurrying around their feet, thinking them youngsters because they are so small.  I bought a pasty on St Ives seafront, sat down to eat it,  and had several around my feet within moments – it was delightful to have them so close, and they gobbled down every scrap of food dropped for them.

Technique: as an ex-birder and someone who will always have an intense liking for birds (for me, their presence unquestionably boosts Quality Of Life), this shot is partly of ornithological interest – here is a little denizen of rocky and often wild coasts, usually observed only distantly, that has taken to foraging openly in a very busy, completely artificial, human environment.  But to me also, in terms of composition, this image says something else too – here is the Natural World, very much overshadowed by, and under threat from, the requirements and encroachments of the Human World.

There are other pictures of these Turnstones, all from St Ives, here, here and here.  Turnstones are mostly brownish above in their winter plumage, but beautiful orange-brown tints appear on their backs in the summer – traces of which can be seen in a couple of these images.

Click onto the image to open a larger version in a separate window.  If your browser allows two stages of magnification: choose the larger.

Technique: D800 with 70-300 Nikkor lens at 280mm; 800 ISO; 20 Oct 2016.
.
.
.

ARCHIVE 268 – PENZANCE STAIRS WITH DRINKS CAN

 

 

.
Drinks can on stairs in Penzance, Cornwall; 14 Sept 2011.

Inhibition is a strange thing – and most often something which I refuse to give in to.  After all, doesn’t that song from The Rocky Horror Picture Show say something like “Do it, don’t dream it!’?  But I’ve rambled on before about the – as I see it –  cardinal sin of digital photography being trying to pass off some highly manipulated colour image as point of capture reality, and that is something I’m quite sure about. 

So, here, yes this a picture of a drinks can on partially sunlit stairs in Penzance, but I’ve made the sunlit area much brighter than it actually was and I’ve very significantly increased the bright orange of the can to make it more prominent.  I feel better for letting you all know that!

This was originally posted under ‘Colour’, and its an example of very little colour helping a picture.  The green at top center, the (now) blazing orange can and the deep brown of the handrail are all relatively small items, but remove them and the picture loses something, and presenting it in straight monochrome makes it very featureless indeed – although there may be some potential for a really radical black and white conversion here.

D700 with 70-300 Nikkor lens at 300mm; 800 ISO.

.
.
.