ARCHIVE STILL LIFE PICTURE GALLERY 1 : POSTS 1-10

 

ARCHIVE STILL LIFE PICTURE GALLERIES

I’m currently posting images from my large archive of (loosely defined!) still life photos.  These photos are being posted singly, with full text.

To make viewing of these images easier for those with little time to spare, I’m also posting groups of these images with minimal titles.  This is the first of these galleries.

Clicking onto each image will open a larger version in a separate window: doing this often enhances the image.

 

1: Artificial flower

2: City life

3: Megalith

4: Three herons

5: Phone box

6: Four chairs below a table

7: Chair behind dirty window

8: Tag on the wall of a bar, Little King Street

9: Lunchtime drink

10: Early morning, in the park

ARCHIVE: STILL LIFE 18 – PUBLIC SEATING (MONO)

Public seating at the Memorial to the Merchant Navy Association, beside the Floating Harbour on Welsh Back, central Bristol;  5 Aug 2016.

This is a memorial to the Merchant Navy seamen who have sailed from Bristol.  The actual memorial is set on the quay beside the waters of Bristol’s Floating Harbour, where it is partially surrounded by curving rows of metal seating.

Here, I’m looking at this seating from the rear, looking through the vertical backrests onto the horizontal parts of the seats, which are catching the light.  One of the seats’ horizontal bars has been bent.  The unfocused backdrop, towards the top of the image, shows the light hitting the rough pavement around the seat.

The black uprights dissect the highlights into white diamonds, which occupy a band across the centre of the image, roughly from upper left to lower right.  Above this band, the uprights rise on to blend in more with the darker and more diffuse backdrop.

Click onto this image to open a larger version in a separate window.

X-T1 with 55-200 Fujinon lens at 300mm (equiv); 800 ISO; Silver Efex Pro 2.

ARCHIVE STILL LIFE

This is a new category on this blog – Archive Still Life studies.  The Still Life definition will certainly be followed loosely – e.g. some studies may only have been made “still” by the split second opening of the camera’s shutter – and my objective will be to use as many different types / genres of subject matter as possible.  Some images will be Minimalist and, in general, I try to make simpler images, rather than cramming them with visual content.

Some new Still Life studies will (hopefully!) continue to appear.

ARCHIVE: STILL LIFE 7 – LOOKING AT CHAIRS 23 – CHAIR BEHIND DIRTY WINDOW

A long while back, I decided to bring down the curtain on a series of images that I was doing called Looking At Chairs.  These were mainly more or less graphic studies – because, as with cars, chairs are often visually interesting, depending upon the directions from which they are viewed, in combination with the direction and nature of the light that is falling upon them.  Some said that they’d like to see more such images and, weak-willed p(r)awn that I am, I agreed to further posts, as and when such images surfaced.  Here is one.

Silhouette of a chair on a dirty window.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T1 with 55-200 Fujinon lens at 212mm (equiv); 800 ISO; Lightroom; Welsh Back, central Bristol; 5 Aug 2016.

ARCHIVE STILL LIFE

This is a new category on this blog – Archive Still Life studies.  The Still Life definition will certainly be followed loosely – e.g. some studies may only have been made “still” by the split second opening of the camera’s shutter – and my objective will be to use as many different types / genres of subject matter as possible.  Some images will be Minimalist and, in general, I try to make simpler images, rather than cramming them with visual content.

Some new Still Life studies will (hopefully!) continue to appear.

ARCHIVE: STILL LIFE 6 – FOUR CHAIRS BELOW A TABLE (MONO)

Browns restaurant, Queens Road, Bristol; 3 Feb 2017.

My day started early as they often do, and I got downtown at dawn and took a few photos.  But my heart wasn’t really in it because I know that yet another deep depression was steamrollering its way in from the Atlantic, and that it would be saturating Bristol with rain well before the morning was through.

And so to a stop in Browns up market (and certainly not down budget!) palace for Eggs Royale and a pot of very nice english tea.  I lounged there, looking around and feeling a bit out of things after the early start, and a table with four chairs that was catching the light from a window kept drawing my eye.

And so to opening my bag and getting out the camera, and looking through the viewfinder – but by then a couple had occupied the table next to the one I was looking at, and I had the uncomfortable feeling that they thought the camera was being pointed at them.  But at least this Fuji is not so large and intimidating, or so loud, as the Nikons, and I pressed quickly on and took two frames.

Technique: the table’s top was brightly lit and cluttered with many things, but I liked the look of the seats of the four chairs that were faintly glowing in the table’s shadow – and so to a composition in which the table’s bright and cluttered top is squeezed into the top fifth or so of the frame, while the seats of the chairs glow in the less brightly lit ‘underworld’ below.  There was a lot of contrast in the scene but the camera’s multi-zone metering (aided by the live histogram I’ve opted to have visible in the viewfinder) dealt with it well, and although the colour image is attractive – one of those instances where the near absence of colour really works – it really seemed to be a scene that would suit black and white, and so to SEP2.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 125mm (equiv); 12,800 ISO; Lightroom; Silver Efex Pro 2, starting at the Full Dynamic Smooth preset and adding a tone.

ARCHIVE STILL LIFE

This is a new category on this blog – Archive Still Life studies.  The Still Life definition will certainly be followed loosely – e.g. some studies may only have been made “still” by the split second opening of the camera’s shutter – and my objective will be to use as many different types / genres of subject matter as possible.  Some images will be Minimalist and, in general, I try to make simpler images, rather than cramming them with visual content.

Some new Still Life studies will (hopefully!) continue to appear.

ARCHIVE 611 – UPSTAIRS IN THE VICTORIA TEA ROOM, PENZANCE

 

 

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Upstairs in The Victoria Tea Room, Penzance, Cornwall; 25 Apr 2012.

We returned yesterday from a few days in the far southwest of Cornwall, based between Penzance and St Ives.  And in a week of awful weather all over England we were far enough southwest to miss it all – it only rained at night, and the days were dry and even sunny!

Whenever we’re in Penzance we always visit this tearoom.  Amongst many other tasty goodies it serves up 11 item English breakfasts – which I hold a profound reverence for – and we like to sit beside the windows upstairs, looking out over Penzance’s main street.

In this cafe there are many bentwood chairs in a beautiful green, and the place has an over all low key, Minimalist, green and grey decor that I like very much.  This cup and saucer provided a good foil for its low key surroundings, and the chairbacks on the right resemble the curving stems of some exotic plant.

Click onto the image to open a larger version in a separate window.

Technique: Canon G11 PowerShot; 400 ISO.

UPDATE (SOMETIME AGO): this excellent eatery has closed down – a great loss.  And while I’m talking about this image – I can say that its a great favourite of mine.  I have always loved its vast simplicity.

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ARCHIVE KENYA 107 – ON A FARM IN WESTERN KENYA

 

 

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Sub-Saharan Africa’s love affair with bright colour: Luo woman on a farm near Akala, in western Kenya; April 1979.

She is sitting in front of the wooden door of a mud hut with a thatched roof.

Click onto the image to open a larger version in a separate window.

Technique: OM-1 with 50mm Zuiko lens; Agfa CT18 colour slide, rated at 64 ISO to further saturate colour.

THE ARCHIVE KENYA SERIES

I’m re-posting photographs that I took in Kenya over 30 years ago.  You can find more context here .  Click onto the “Archive Kenya” tag (below) to see more of these film images from Kenya.

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ARCHIVE KENYA 99 – LUO FAMILY

 

 

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Luo family on a farm near Akala, in the far west of Kenya; April 1979.

The backdrop is the painted wall of a wattle and daub hut, the smooth surface layer of which is starting to flake off on the far right.  Minor points, maybe that I’ve only really appreciated now, after all these years, are the Vicks poster and the kitten.

Click onto the image to open a larger version in a separate window – recommended.

Technique: OM-1 with 50mm Zuiko lens; Agfa CT18 colour slide film, rated at 64 ISO.

UPDATE: The people in Kenya were in the main very friendly and hospitable.  I very much enjoyed my years in that country.  Again – once again – I wish that I had photographed more of the people that I met there.

THE ARCHIVE KENYA SERIES

I’m re-posting photographs that I took in Kenya over 30 years ago.  You can find more context here .  Click onto the “Archive Kenya” tag (below) to see more of these film images from Kenya.

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ARCHIVE 563 – FOUR CHAIRS BELOW A TABLE (MONO)

 

 

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Browns restaurant, Queens Road, Bristol; 3 Feb 2017.

My day started early as they often do, and I got downtown at dawn and took a few photos.  But my heart wasn’t really in it because I know that yet another deep depression was steamrollering its way in from the Atlantic, and that it would be saturating Bristol with rain well before the morning was through.

And so to a stop in Browns up market (and certainly not down budget!) palace for Eggs Royale and a pot of very nice english tea.  I lounged there, looking around and feeling a bit out of things after the early start, and a table with four chairs that was catching the light from a window kept drawing my eye.

And so to opening my bag and getting out the camera, and looking through the viewfinder – but by then a couple had occupied the table next to the one I was looking at, and I had the uncomfortable feeling that they thought the camera was being pointed at them.  But at least this Fuji is not so large and intimidating, or so loud, as the Nikons, and I pressed quickly on and took two frames.

Technique: the table’s top was brightly lit and cluttered with many things, but I liked the look of the seats of the four chairs that were faintly glowing in the table’s shadow – and so to a composition in which the table’s bright and cluttered top is squeezed into the top fifth or so of the frame, while the seats of the chairs glow in the less brightly lit ‘underworld’ below.  There was a lot of contrast in the scene but the camera’s multi-zone metering (aided by the live histogram I’ve opted to have visible in the viewfinder) dealt with it well, and although the colour image is attractive – one of those instances where the near absence of colour really works – it really seemed to be a scene that would suit black and white, and so to SEP2.

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 125mm (equiv); 12,800 ISO; Lightroom; Silver Efex Pro 2, starting at the Full Dynamic Smooth preset and adding a tone.

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ARCHIVE 560 – THE DANCERS (MONO)

 

 

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Folding chairs outside a café in Bath, Somerset; 28 Mar 2009.

Immediately I saw these stacked chairs I thought of a group of (probably rather inebriated) people dancing a merry jig, and that impression has never gone away.  If only they could move, they’d dance off to the left as they are now, and then lurch back right again to the accompaniment of energetic music and much merriment and laughter – I’d like to be joining in with them!

The original slide has some confusing detail between each pair of struts, but I’ve darkened this to show just the detail and shapes of the  “front rank”.  The brightest dancer is somewhere around the left vertical third.

Click onto the image to open a larger version in a separate window – recommended.

Technique: F6 with 70-300 Nikkor lens; Fuji Provia 400X colour slide film, rated at 500 ISO; converted to mono and further manipulated in Silver Efex Pro 2 and Capture NX2.

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ARCHIVE 537 – CHAIR, WALL AND SIDELIGHTING

 

 

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I enjoy lounging around in holiday chalets and caravans.  Its a wonderful opportunity to sprawl back in comfort and enjoy the moment – and also a good chance to watch how the light interacts with things as the sun moves across the sky. 

Here, with lighting from the left, a chair at the bottom of the stairs throws its shadow onto a rough wall.  The woodwork at upper left is part of the banister of the narrow stairway.

This photo is something of a departure for me as its one of the few times that I’ve used my 50mm lens: most of my images use focal lengths far above or below this “standard” lens, which roughly approximates to human eyes’ field of vision.  I ought to use this lens more often.  It has a very useful maximum aperture of f1.4 and so is good in low light situations, and using the D800 in DX (= APS-C) format, when focal lengths are magnified by 1.5, I end up with a very useful – inspiring, even – 75mm f1.4 chunk of glass.

Click onto this image to see a larger version in a separate window.

Technique: D800 with 50mm Nikkor lens; 3200 ISO; Color Efex Pro 4; 11 Apr 2016.

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