STILL LIFE 174 – WINTER SUN, IN A CAR PARK

 

 


.

Low angle winter sunlight floods across a car park, illuminating a front tyre.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 206mm (equiv); 800 ISO; Lightroom, using the Velvia/Vivid film simulation; Capture NX2; Temple Meads Station, Bristol; 1 Dec 2017.
.
.
.

STILL LIFE 173 – BROAD STREET 2

 

 


.

Loitering in Broad Street, lolling back against a shop front, gazing blearily up at the façade across the street.

Another image from the same moments, as the rising sun blasted along Broad Street, is here.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO; Lightroom, using the Velvia/Vivid film simulation; Broad Street, central Bristol; 1 Dec 2017.
.
.
.

STILL LIFE 172 – BROAD STREET

 

 


.
Early morning, and low angle sunlight – hard, cold, bright – sears across the facades of Broad Street.

Another early morning journey down into the city.  Staggering out of Hart’s Bakery after a hot, thick, toasted cheese, garlic and mushroom sandwich – and a hefty slice of moist bread pudding (paradise on Earth!) – I found the sun still only just struggling up over the tall southern skyline. 

And so swiftly on into the still dark canyons of the city centre’s streets, waiting for the sun, looking for the light.

And then it came, cold, bright and totally dazzling, and I was glad of the peak on my cap and the deep hood on my lens.  And so to this picture, looking across to the other side the road, and isolating details with the long end of a zoom; I used spot metering for precise exposure of a small part of the frame.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 1600 ISO; Lightroom, using the Velvia/Vivid film simulation; Broad Street, central Bristol; 1 Dec 2017.
.
.
.

STILL LIFE 171 – THE END OF THINGS

 

 


.
The year ages, winter looms, and Life dies back, beds down, readying itself for the months of cold and darkness ahead.

Dead sunflower, heavily frosted, in the back garden of the farm next to the church in Stanton Drew.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 3200 ISO; Lightroom, using the Velvia/Vivid film simulation; Stanton Drew; 6 Nov 2017.
.
.
.

STILL LIFE 170 – THREE HERONS (MONO)

 

 


.
Left to right, a Little Egret and two Great White Egrets – three herons – processed with Silver Efex Pro 2.

And good news!  Google acquired Silver Efex Pro 2 (and the other Nik Collection plug-ins) sometime back, but had ceased developing them and was plainly losing interest.  The situation has (hopefully!) now been saved by DxO, who have acquired these plug-ins from Google, apparently with a view to further developing them.  I’m very happy with SEP2 and Color Efex Pro 4 as they are, and so just knowing that they’re not going to disappear will be a big thing.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: the X-T2 firing at 200 ISO, and really quite a tribute to what this APS-C format camera can achieve with distant subjects.  X-T2 with 55-200 Fujinon lens at 305mm (equiv); 200 ISO; Lightroom, using the Velvia/Vivid film simulation; Silver Efex Pro 2, starting at the Strong Infrared Low Contrast preset; Capture NX2; Herons Green Bay, Chew Valley Lake; 24 Nov 2017.
.
.
.

STILL LIFE 169 – DARK CAR (MONO)

 

 

Dark car

racing from the light,

drawn down by the white line,

drawn down into darkness.

.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; Lightroom; Silver Efex Pro 2, starting at the Architectural preset; fast road up over the Mendip Hills, above Compton Martin, Somerset; 24 Nov 2017.
.
.
.

STILL LIFE 168 – FROSTY MORNING, MELTING

 

 


.
After a cold night, still icy in the shadows.

Click onto the image to open a larger version in a separate window.

Technique: TG-5 at 70mm (equiv); 160 ISO; Lightroom, using the Camera Vivid film simulation; Hart’s Bakery, Temple Meads, Bristol; 8 Nov 2017.
.
.
.

STILL LIFE 167 – FROSTY MORNING

 

 


.

Early on a frosty morning, in autumn.

Click onto the image to open another version in a separate window, and click onto that version to enlarge it yet again – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 168mm (equiv); 1600 ISO; Lightroom, using the Provia/Standard film simulation; Stanton Drew; 6 Nov 2017.
.
.
.

STILL LIFE 166 – THREE WORLDS

 

 


.

Looking up on a frosty morning: fluffy clouds, our planet’s Moon, a jet.

The clouds are just starting to take on the first hues of the sunrise.  The Moon looks hard, pale, uncompromising.  And the aircraft arrows upwards between them, a tiny dot relentlessy pursued by a vast contrail.

Three worlds.

The Moon is another world and the clouds belong to our world, so that’s two accounted for.  But the Moon and the clouds are both Natural phenomena, produced by the same universal processes that have produced ourselves – thousands of millions of years before those processes produced ourselves, of course.  We are new kids on the block.

The Moon and the clouds are indifferent to our presence.  Were we not here, they would most certainly continue to exist.  But were they not here, our lives would be severely impacted, if not impossible.

And so to the aircraft.  This is the third world here.  It is the product of the natural resources of our world, which we have used to build a machine to take us at great speed across our world’s surface.  So far so good.  The problems come, of course, when it emerges that our world’s natural resources are not infinite, and that the lovely fluffy white contrail is not the healthiest thing around, both for ourselves and for our climate.

Technique: X-T2 with 55-200 Fujinon lens at 206mm (equiv); 800 ISO; Lightroom, using the Velvia/Vivid film simulation; Stanton Drew; 6 Nov 2017.
.
.
.

STILL LIFE 165 – LOOKING AT CHAIRS 8

 

 


.

Seaside café. Cheap, cheerful, functional – and no less enjoyable for all that.  No pretence, what you see is what you get.  Visually, a cacophony of shape and colour.

The first post in this series on chairs, which contains context and an image, can be found hereSubsequent posts are here: 2 3 4 5 6 7  .  Each will open in a new window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); 800 ISO; Lightroom, using the Provia/Standard film simulation; Porthleven, Cornwall; 18 Oct 2016.

.
.
.

%d bloggers like this: