PEOPLE 370 – DAME JOANE YOUNG

 

 


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This picture is certainly best viewed enlarged: click onto it to open a larger version in a separate window, and click onto that image to further enlarge it – recommended.

This is a picture of a tomb in Bristol Cathedral, which was founded in 1140, not long after the Norman invasion of 1066 had put an end to England’s Anglo-Saxon monarchy – in the person of King Harold, killed by an arrow in the eye at the Battle of Hastings.  I’m posting this picture – and posting it in this blog’s People category –  because, for me, it evokes various emotions.

Firstly of course, its quite picturesque – it could be a tourist postcard – and the picturesque is not what I usually photograph.  But, then again, I’m conscious of being lucky to live in England, where many such relics of former ages can still be seen.  There are, after all, many places in the world where this is not the case, or where such remains are purely prehistoric – so that although they are notable treasures, they do not give the almost intimate picture of a former life seen here >>> which is why I urge you to enlarge this image.

Joane’s history, related above her hands held devoutly in prayer, is interesting for its content – and for its spelling.  From it we learn that she was born in 1533 – King Henry VIII was on the throne, and the threat of the Spanish Armada still in the distant future.  Joane died in 1603, the same year as Queen Elizabeth I, one of Henry’s daughters.

So I look at her effigy and wonder what sort of world she lived in – what she thought, what she believed in, what she knew of the world.  Well, she was an aristocrat and thus insulated from the poverty and other privations that affected much of the population.

Google tells me that Elizabethan scientific advances were mainly in the fields of astronomy, maths, human anatomy and marine navigation.  But most people would have been in the thrall of religion and superstition, and all of the grey areas between the two.  To put her world more into context, Joane died in 1603, but it was not until nine years later that the last person was burnt at the stake for heresy – while the hunting and execution of witches in England peaked around 1645.

Joane’s  was a very different world to the England we know now –  and a world in which the people were kept very much in order by the combined attentions of monarchy, church and army – you owed loyalty and obedience to the monarch, the church had your sinner’s soul but could save it from Hell, and the army provided the muscle if muscle were needed.  The influence of two of these institutions is now in decline, while the use of the army is a huge political hot potato – indeed as I write this, British soldiers are now on trial for civilians killed in Northern Ireland in the 20th century.

And lastly, looking at the monuments and fabric of Bristol Cathedral, I cannot but think that it reflects the “have’s” in society, like Joane, rather than the great mass of the population of the time, who lived in far humbler circumstances, perhaps not that far removed from what we now call Third World Poverty.

Joane’s tomb is a wonderful artefact from another age, something certainly worth preserving, but it makes inevitably makes me think of the funeral of Margaret Thatcher, the former prime minister, which cost £500,000, with an additional £3.1 million for security.  I’m living in a country with increasing social inequalities, an increasing gap between the “have’s” and the “have not’s”, and I’m wondering where we are headed.

And I leave you with this link, in which Raghuram Rajan, an Indian banker and former International Monetary Fund economist, looks at today’s world and says “I think capitalism is under serious threat because it’s stopped providing for the many, and when that happens, the many revolt against capitalism,“.  I urge you to look at this link, its not a long read.

Technique: TG-5 at 25mm (equiv); 3200 ISO; Lightroom, using the Camera Natural film simulation; Bristol Cathedral; 12 Feb 2019.

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PEOPLE 369 – DRINKING LAGER (MONO)

 

 


Having lunch with an old and very valued friend; feeling good and drinking lager, as it happens.  And I asked her to take some shots of me with the TG-5.  Not at all an ideal camera for this, far too much of the background in focus and light conditions tricky but, anyway, here I am, sucking down the old Electric Sauce and feeling the benefits thereof.

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Critique: the TG-5 not doing too badly at 3200 ISO.  However, as my old friend was driven to admit, the whole experience left her shaken … but not stirred …   And also, you know, I’m just not sure she’s caught my best side …
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Technique: take one old and very valued friend, several glasses of lager and one TG-5 at 40mm (equiv), and shake well to mix in all the goodness and downright friendliness; 3200 ISO; Lightroom, using the Camera Vivid film simulation; Silver Efex Pro 2, starting at the Neutral preset and adding a light Coffee tone; lunching, drinking and laughing in a pub in south Bristol; 14 Mar 2019.
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PEOPLE 368 – GOING TO WORK 91

 

 


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Going to work, past Bristol’s brightly coloured (and decorated) houses.

You can see a summary of the Going to Work series here .

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: TG-5 at 25mm (equiv); 800 ISO; Lightroom, using the Camera Vivid film simulation; St Luke’s Road, south Bristol; 29 Jan 2019.
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PEOPLE 367 – WRESTLING WITH THE BARS, TRYING TO ESCAPE

 

 

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Selfie – my shadow against a metal fence – with the camera, as I remember it, held in my right hand.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 25mm (equiv); 800 ISO; Lightroom, desaturating colour and using the Camera Natural film simulation; south Bristol; 26 Feb 2019.
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PEOPLE 366 – GOING TO WORK 90

 

 


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Walking to work – and Modern Life too, I suppose – booze, news, smokes and headphones >>> and a wonderfully coloured frontage that is instantly alive and real, and instantly apart from the drab conformity and aching sterility of “High Street Correctness”.

You can see a summary of the Going to Work series here .

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to enlarge it further.

Technique: TG-5 at 38mm (equiv); 800 ISO; Lightroom, using the Camera Vivid film simulation; Bedminster, south Bristol; 29 Jan 2019.
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PEOPLE 365 – GOING TO WORK 89 (MONO)

 

 


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GOING TO WORK: THE PROJECT

This project has been running, on and off, for sometime now – the first post (number 1, below) was in July 2016.  For those not familiar with the earlier posts, this project is now in three parts.

First there is the great bulk of posts in the earlier stages: numbers 1 to 86 below.  This really came about for two reasons.  First, having retired in 2013, I became increasingly interested in the work phenomenon, and a single photographic look at Bristol’s early morning rush hour ramped this interest up to the level of a fascination for a twice daily event – a twice daily tide –  that, until recently, I had been a part of.  And such long, early morning visits to the city centre were considerably facilitated by the excellent, lighter and smaller Fujifilm mirrorless cameras (X-T1 and X-T2) that gave me a break from my also excellent but bigger and heavier Nikon DSLR gear.  In some part I felt (and feel) that commuting and city centre working can be something of a pressurised and dehumanising experience; as I recall from two bouts of overwork and stress-related illness.

And then part 2 of this project is a single picture (number 87) taken in heavy rain with the Olympus TOUGH TG-5 camera.  I’d bought this camera with the aim of looking at the rush hour in atrocious weather conditions, but that aim has yet to be fulfilled – >>> the spirit is willing but the flesh is weak???  🙂  But the TG-5 has  instead proved itself very flexible and useful in the Outer Suburbs project, which makes up the bulk of my posts these days.

And, last week, I found myself with the TG-5 in the morning rush hour in Bristol’s Bedminster suburb, and so to a few more images, part 3 of Going to Work, starting with post 88.

But where this project will go from here – as usual – I have not the slightest idea!!!

POST 89

Alone on a cold, damp morning.  Overcast, and going to work.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: TG-5 at 25mm (equiv); 500 ISO; Lightroom, using the Camera Vivid film simulation; Silver Efex Pro 2, starting at the Full Contrast and Structure preset; St Luke’s Road, south Bristol; 29 Jan 2019.
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PEOPLE 364 – GOING TO WORK 88 (MONO)

 

 


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Winter morning.  Walking to work, perhaps disconsolately, below the railway bridge.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 Each will open in a separate window.

Click onto the image to open another version in a separate window, and click onto that image to further enlarge it.

Technique: Olympus TG-5 at 40mm (equiv); 800 ISO; Lightroom, using the Camera Vivid film preset; Silver Efex Pro 2, starting at the Full Spectrum preset and adding a light Selenium tone; St Luke’s Road, south Bristol; 29 Jan 2019.
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PEOPLE 363 – GOING TO WORK 87 (MONO)

 

 


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This image is best viewed enlarged: click onto it to open another version in a separate window, and click onto that image to further enlarge it.

At long last I’ve used the Olympus TG-5 TOUGH camera for what it is designed for – appalling weather.  Early on a Thursday morning, I was returning from one of my long walks around south Bristol, when the skies opened.  Wedging myself into a shop doorway to escape the worst of the deluge, I looked out over a grey and pouring main road, with a solitary soul sitting in a bus shelter, on their way to work.  The scene looked promising, and the TG-5 is after all claimed to be waterproof down to quite a depth underwater – a year ago, I bought it to photograph in the rain after all!

And so I started firing frames.  I would have dearly liked to have has a longer telephoto but – well, we just do the best we can with the camera we have with us.  And, as usual, if I see something that might have visual appeal, I take quite a few pictures, with varying compositions and viewpoints – not having to worry about how many frames I have left is one of the very beautiful and eminently user-friendly aspects of digital!!!

So here is yet another take on the early morning journey into work.  At least the shelter keeps her huddled figure dry, and buses into the city centre are regular along this main road.

Technique: because I didn’t have a longer telephoto with me – the TG-5 only goes up to 100mm equivalent, which = x2 magnification – this is an enlargement of a small area of the frame – and I’m impressed with what this little camera has achieved.  The low ISO (400) helped, and the 1/250th shutter speed has elongated the raindrops, and so given more sense of the downpour, more atmosphere.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 Each will open in a separate window.

Technique: Olympus TG-5 at 38mm (equiv) ; 400 ISO; Lightroom, using the Camera Vivid film simulation; Silver Efex Pro 2, starting at the High Structure Harsh preset and adding a light Selenium tone; south Bristol; 8 Nov 2018.
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PEOPLE 362 – GOING TO WORK 86

 

 

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An old and very dear friend of mine is a professional psychologist and avid people-watcher.  Her insights into everyday human behaviour never cease to fascinate and amaze me.  I had the idea sometime back of giving her a photobook of the Going To Work images (produced via Blurb) for her birthday, and that project is moving ahead.  In the course of assembling these pictures for use in her book, I have found six images that have not been posted in the Going To Work series but which really belong there, and so I am incorporating them into this series here.  This is the last of the six.  You can find the other images here: 1 2 3 4 5 : each will open in a separate window.

Another early morning in the city.  I walked up Crow Lane, away from the harbour’s glistening waters, and photographed the clown poster.  Then, as I turned squinting into the bright morning light, there was a man, silhouetted, sitting in his car and totally immersed in his phone.  If I had to pick a single, important facet of this image, it would be the tiny point of light visible through his otherwise silhouetted glasses: to me, this brings him more alive, rather than being just a blank silhouette.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto the larger image to enlarge it yet again.

Technique:  a telephoto zoom is ideal for this sort of quick, close in, intimate shot – the Fuji 55-200 (a 85-305 35mm equivalent) is often the only lens I carry.  And, when out photographing, I make a habit of frequently looking behind me – and especially so if the light is coming from behind me – and of doubling back on myself >>> you never quite know what might be lurking back there!   X-T2 with 55-200 Fujinon lens at 305mm (equiv); 400 ISO; spotmetering for the highlights; Lightroom.
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PEOPLE 361 – GOING TO WORK 85 (MONO)

 

 


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An old and very dear friend of mine is a professional psychologist and avid people-watcher.  Her insights into everyday human behaviour never cease to fascinate and amaze me.  I had the idea sometime back of giving her a photobook of the Going To Work images (produced via Blurb) for her birthday, and that project is moving ahead.  In the course of assembling these pictures for use in her book, I have found six images that have not been posted in the Going To Work series but which really belong there, and so I am incorporating them into this series here.  This is the fifth of the six.  You can find the other images here: 1 2 3 4 : each will open in a separate window.

Caught in traffic.

Taking her chance amongst the traffic surging along Queens Road, on the edge of Bristol’s up market Clifton suburb.

The converging cars remind me of a wolf or shark pack closing in upon her – especially the sharp and down-curved “snout” of the car at upper right.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: D700 with 70-300 Nikkor lens at 300mm; 6400 ISO; Silver Efex Pro 2, starting at the Full Dynamic Smooth preset; 2 Dec 2016.

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