Window box in Christmas Steps, a narrow and ancient alleyway in Bristol city centre.
May sunshine was flooding across Bristol, but one side of the deep cleft of Christmas Steps was still in deep shadow. I’m not usually someone who waits around for photos to happen, I’m usually on the move, if only slowly. But the sunlight was inching its way around towards the Steps’ northeastern side – you could almost see the light creeping across the masonry – and I decided, this once, to be patient, because I wanted to see the light flooding across the textures of the buildings’ facades.
It seemed like an eternity, but a cat came over to see me and that passed some of the time. And then the blazing light hit a window box, with the wall behind it still in deep shadow, and I took this picture. The slightly open window frame is glowing in light reflected from a shop sign just out of shot on the left.
What does this picture do for me? Well, it talks to me about peace – something not in limitless supply in the UK on this particular Sunday morning – and quiet; it talks about warm air, warm breezes and warm shadows to relax in, and some release from the pace, stresses and lowered quality of modern life. It reminds me of pictures from more southerly climes, there’s something Mediterranean here perhaps, something not experienced over large parts of the year by us relative northerners.
Click onto the image to open a larger version in a separate window – recommended.
Technique: X-T2 with 55-200 Fujinon lens at 195mm (equiv); 200 ISO; spotmetering for highlights; Lightroom, using the Provia/Standard film simulation; Christmas Steps, central Bristol; 26 May 2017.
ARCHIVE STILL LIFE
This is a new category on this blog – Archive Still Life studies. The Still Life definition will certainly be followed loosely – e.g. some studies may only have been made “still” by the split second opening of the camera’s shutter – and my objective will be to use as many different types / genres of subject matter as possible. Some images will be Minimalist and, in general, I try to make simpler images, rather than cramming them with visual content.
Some new Still Life studies will (hopefully!) continue to appear.