I’m currently posting images from my large archive of photos from the Somerset Levels, an area not far from where I grew up that holds particular meaning and attraction for me.  These photos are being posted singly, with full text.

To make viewing of these images easier for those with little time to spare, I’m also posting groups of these images with minimal titles.  This is the second gallery – you can find the first gallery here: 1 .

Clicking onto each image will open a larger version in a separate window: doing this often enhances the image.


11: Looking eastwards into the mists along Totney Drove, a single track, tarmac road crossing Tadham Moor; 19 Oct 2018.

12: Blackbird – a territorial male, clearly resenting my presence – down an English country lane, early on a morning in spring; 21 Mar 2012.

13: Skylark in song high above Tealham Moor, bathing the landscape in beautiful sounds: 31 Mar 2014.

14: Misty morning, Tadham Moor; 10 Apr 2014.

15: Meadow Pipit singing, Tealham Moor; 5 July 2019.

16: Winter floods, Tadham Moor; 20 Jan 2008.

17: Squall coming, time to take shelter, Tadham Moor; 29 Apr 2016.

18: The western end of the Somerset Levels – beneath the sea at Weston-super-Mare; 4 Sept 2014.

19: Looking past grasses, towards a grove of trees; Common Moor; 19 July 2019.

20: Dark, brooding giant beside Chasey’s Drove, Common Moor; 10 Aug 2003.


And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.




About Adrian Lewis
Photographer - using mono, colour and combinations of the two - many types of subject, including Minimalism, landscapes, abstracts, soft colour, people, movement, nature - I like to be adventurous, trying new ideas, working in multiple genres. And I've a weakness for Full English Breakfasts and Duvel golden ale, though not necessarily together.


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  7. bluebrightly says:

    What a pleasure to scroll through these. I love the way these galleries look at the Levels from different points of view.

    Liked by 1 person

  8. A fantastic series of images! Lovely lovely!

    Liked by 1 person

  9. What a lovely collection of images from an amazing looking area, Adrian!

    Liked by 1 person

  10. So beautiful

    Liked by 1 person

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