Meadow with wildflowers beside North Chine Drove, southeast of Wedmore, on the Somerset Levels; 27 Jul 2011.

The uncut grass with its abundance of tall yellow wildflowers first caught my eye and, and I was looking at how it might best be photographed when the sun broke through the clouds, producing this beautiful (and very lucky) shaft of light across the scene.

The photo is in three layers.  In the foreground there are more of the yellow flowers, but in the shade and unfocused.  Above this, the shaft of sunlight cuts across the shot, illuminating both the tall grasses and another grove of the wildflowers.  Finally, the third and upper layer contains the trees and bushes behind the field which (luckily again) are partly caught by the sun’s rays, so that this background is not wholly dark.

This archive presents some of the pictures that I’ve taken on the Somerset Levels over many years.  More context can be found in the first post in this archive – 1 – and also in my first Somerset Levels post, from 2011 – here .  Further posts in this archive are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 .  All of these links will open in separate windows. 

The first Somerset Levels picture gallery, which shows the first 10 of these posts with short captions – ideal for quick viewing – can be found here .

Click onto the image to open a larger version in a separate window – certainly recommended.

Technique: D700 with 70-300 Nikkor lens at 300mm; 400 ISO; converted to monochrome, and slightly tinted very pale yellow, with Silver Efex Pro.


And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.


About Adrian Lewis
Photographer - using mono, colour and combinations of the two - many types of subject, including Minimalism, landscapes, abstracts, soft colour, people, movement, nature - I like to be adventurous, trying new ideas, working in multiple genres. And I've a weakness for Full English Breakfasts and Duvel golden ale, though not necessarily together.


  1. Adrian Lewis says:

    I can’t remember now what it looked like, its so long ago … gosh, not far short of a decade in fact! Time rushes on.


  2. Helen Cherry says:

    I would like to see this in colour


  3. Adrian Lewis says:

    Linda, thank you very much, that’s incredibly good to hear! Please note: I’m grappling with the new WP post editor, so all may not run smoothly in coming days/weeks!!! 🙂


  4. I’m not going to say this is one of my favorites of your photographs, Adrian, because “favorites” is starting to loose its specialness. I apply it to so many of your photos. So I’ll just say “another really really good one!”. The light is spectacular, and the sepia tone suits it.


  5. Adrian Lewis says:

    I totally agree with you, Paula – gardens are just humans trying to bend nature to their will, its far better to just let nature get on with things! 🙂


  6. paula graham says:

    So much more beautiful than these wee ‘perfectly kept ‘ gardens…just my opinion…hotly contested by many!


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