ARCHIVE: LEVELS 8 – INQUISITIVE AS EVER (MONO)

 

 


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Inquisitive as ever, out on Tealham Moor, on the Somerset Levels; 29 Aug 2013.

My ongoing warm feelings for cows.  The main subject is making a dive for my shiny lens – I fired and jumped back just before his wet muzzle engulfed it.  The expression of the next animal right is interesting – distinctly doubtful and censorious.  Maybe he read my thoughts about gravy and roast potatoes …

This archive presents some of the pictures that I’ve taken on the Somerset Levels over many years.  More context can be found in the first post in this archive – 1 – and also in my first Somerset Levels post, from 2011 – here .  Further posts in this archive are here: 2 3 4 5 6 7 .  All of these links will open in separate windows. 

Click onto the image to open a larger version in a separate window – certainly recommended.

Technique: D700 with 12-24 Sigma lens at 18mm; 800 ISO; Silver Efex Pro 2’s Fine Art Process preset.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.

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About Adrian Lewis
Photographer - using mono, colour and combinations of the two - many types of subject, including Minimalism, landscapes, abstracts, soft colour, people, movement, nature - I like to be adventurous, trying new ideas, working in multiple genres. And I've a weakness for Full English Breakfasts and Duvel golden ale, though not necessarily together.

8 Responses to ARCHIVE: LEVELS 8 – INQUISITIVE AS EVER (MONO)

  1. bluebrightly says:

    I love your deadpan cows. The guy in the back does seem to feel protective.

    Like

  2. I like cows, too, and find it amusing to see their curiosity toward me when I photograph them. I thought I might point out, Adrian, that cows are female. 🙂

    Like

    • Adrian Lewis says:

      Well, despite a large amount of my background being in the Life Sciences, they’re all cows to me – except of course when I’m confronted by a large, irate and aggressive bull, when even I get the message … 🙂 …

      Like

  3. What fun! Look at those adorable faces. I would have names for all of them. Hahaha
    XXXATPXXX

    Like

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