ARCHIVE: LEVELS 6 – SHOOTING INTO THE GLARE

 

 


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Low angle sunlight shining through mist on Tadham Moor, south of Wedmore, on the Somerset Levels; 10 Apr 2014.

Driving westwards across Tadham Moor with the sun rising behind me, I started encountering low banks of mist which were decidedly mobile, appearing and disappearing with disconcerting rapidity.  I was heading for the Magic Carpark but suddenly became aware that the mist ahead was fast disappearing, and so I swerved into a field entrance, leapt out of the car and looked back behind me, into the glare – and started firing.

As usual, there was a short length of fencing beside the gate to the field, which extended down from the gate to the water-filled ditch that otherwise forms the field’s boundary.  So I placed this in the foreground as a silhouette for depth, focused on it with a large aperture – and let the misty landscape behind it look after itself.  This backdrop consists of the rough, rather greyish pasture of the field, behind which are a few thin bushes and shrubs along the field’s edge – these are standing above another wet ditch which is the field’s far boundary.

Beyond this boundary, the next field holds greener grass and, in the distance, the faint silhouettes of larger trees can just be seen.

This archive presents some of the pictures that I’ve taken on the Somerset Levels over many years.  More context can be found in the first post in this archive – 1 – and also in my first Somerset Levels post, from 2011 – here .  Further posts in this archive are here: 2 3 4 5 .  All of these links will open in separate windows. 

Click onto the image to open a larger version in a separate window.

Technique: D700 with 70-300 Nikkor lens at 300mm; 200 ISO; Color Efex Pro 4.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.

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About Adrian Lewis
Photographer - using mono, colour and combinations of the two - many types of subject, including Minimalism, landscapes, abstracts, soft colour, people, movement, nature - I like to be adventurous, trying new ideas, working in multiple genres. And I've a weakness for Full English Breakfasts and Duvel golden ale, though not necessarily together.

6 Responses to ARCHIVE: LEVELS 6 – SHOOTING INTO THE GLARE

  1. Meanderer says:

    So beautiful, and dreamy. Just love that fence positioned there 🙂

    Like

  2. paula graham says:

    Excellent composition results in a pleasing photo

    Like

  3. krikitarts says:

    So good that you took the time to postpone your Magic Carpark destination to take in this tangent. It’s a memorable misty mood.

    Like

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