ARCHIVE: LEVELS 5 – THE RISING SUN ALONG HURN DROVE (MONO + COLOUR)

 

 


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The rising sun lights a willow along Hurn Drove, on Ash Moor, to the northwest of Polsham, on the Somerset Levels; 28 Oct 2014.

It was early morning, and I was driving slowly in shelter and shadow, travelling through a world of grey.  But as I turned out onto Hurn Drove, the upper reaches of Our Star broke the horizon and shades of gold were all around.

This archive presents some of the pictures that I’ve taken on the Somerset Levels over many years.  More context can be found in the first post in this archive – 1 – and also in my first Somerset Levels post, from 2011 – here .  Further posts in this archive are here: 2 3 4 .  All of these links will open in separate windows. 

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the photo to view a larger version in a separate window – recommended.

Technique: D700 with 70-300 Nikkor lens at 300mm; 6400 ISO; Silver Efex Pro 2, starting at the Low Key 1 preset and selectively restoring colour.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.

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About Adrian Lewis
Photographer - using mono, colour and combinations of the two - many types of subject, including Minimalism, landscapes, abstracts, soft colour, people, movement, nature - I like to be adventurous, trying new ideas, working in multiple genres. And I've a weakness for Full English Breakfasts and Duvel golden ale, though not necessarily together.

11 Responses to ARCHIVE: LEVELS 5 – THE RISING SUN ALONG HURN DROVE (MONO + COLOUR)

  1. Adrian Lewis says:

    Its good to be out and about early – but maybe my get up and go is wilting a little now …??? …

    Like

  2. Helen Cherry says:

    wonderful light

    Like

  3. Wonderful light and bark texture, Adrian!

    Like

  4. krikitarts says:

    At first glance, I thought you’d restored color only to the main trunk, but upon further reflection, I see that you’ve also added some to a few of the more subtle elements. Well done–I like it.

    Like

  5. Meanderer says:

    That’s so lovely – the colours, the textures, everything!

    Like

  6. Makes me think of Beer… 🙂 Cheers for the weekend, Adrian!

    Liked by 1 person

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