ARCHIVE: LEVELS 2 – LOOKING WEST OVER TEALHAM MOOR, AT SUNRISE

 

 

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Having taken so many pictures of the Somerset Levels, thousands probably over the years, finding further photographic inspiration there is often not easy – and especially so when the light conditions are unexciting.  But on Friday, starting from home early, I got down there at the start of the day and instantly found myself in a visually mobile world of shifting mist and fog banks, with the sun rising behind them.

This is actually a shot from towards the end of the spectacle, looking westwards over Tealham Moor.  The sun was rising from behind thick banks of cloud along the eastern horizon, which had the effect of reducing the full force of its brilliance.  Here, looking westwards, the upper band of cloud is illuminated by the first of the sun’s rays as it emerged from the thick cloudbanks, while the thin ribbon of cloud below, and the misty surface of the moor, had yet to be fully illuminated.

This archive presents some of the pictures that I’ve taken on the Somerset Levels over many years.  More context can be found in the first post in this archive – 1 – and also in my first Somerset Levels post, from 2011 – hereBoth of these links will open in separate windows.

Click onto the “early morning” tag (below) to see more images from the early hours of the day. 

Click onto the image to open a larger version in a separate window – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 83mm (equiv); 400 ISO; Lightroom, using the Velvia/Vivid film simulation; Tealham Moor, on the Somerset Levels; 19 Oct 2018.

SOMERSET LEVELS: SOME KEYWORDS

And finally – some keywords that will often be mentioned in this archive series:

Droves:  to avoid crossing other peoples’ land when accessing their own, the farmers constructed a series of tracks, known as droves, between the fields. Some of these droves are now metalled roads and many persist as open tracks – all of which allow wonderfully open access to this countryside.

Rhynes: the fields are bounded by water-filled ditches – which both drain the ground and act as stock barriers. Hence strange landscapes – where fields appear quite unbounded, except for a gate with a short length of fencing on either side of it, where a bridge crosses the water-filled boundary ditch to provide access the field.  These small wet ditches communicate with larger rhynes (“reen” as in Doreen), which in turn flow into larger drains, e.g. the North and South Drains in the Brue Valley. All of these waterways are manmade and, by intricate series of pumping stations and flood gates, all of them have their water levels controlled by local farmers, internal drainage boards or the Environment Agency.

Pollarded Willows: the banks of the rhynes were often planted with Willow trees, both to help strengthen the banks and also to show the courses of roads and tracks during floods. These Willows are often pollarded, i.e. their upper branches are cut off, which results in distinctively broad and dense heads to the trees. Pollarding keeps trees to a required height, while ensuring a steady supply of wood – more important in the past than now – for fires, thatching spars, fencing and so on.

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About Adrian Lewis
Photographer - using mono, colour and combinations of the two - many types of subject, including Minimalism, landscapes, abstracts, soft colour, people, movement, nature - I like to be adventurous, trying new ideas, working in multiple genres. And I've a weakness for Full English Breakfasts and Duvel golden ale, though not necessarily together.

2 Responses to ARCHIVE: LEVELS 2 – LOOKING WEST OVER TEALHAM MOOR, AT SUNRISE

  1. Helen Cherry says:

    I love layers like this.

    Liked by 1 person

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