The single track tarmac of Jack’s Drove, with a water-filled ditch (a rhyne – rhymes with scene) on either side, makes off southwards across Tadham Moor, in the dull light of an autumn morning.

On the horizon the low line of the Polden Hills, that run from Glastonbury and Street down towards the coast near Bridgwater.  The main road along the top of these hills runs along the route of a road built by the Romans – who prudently kept out of the vast lakes and marshes that covered these lowlands in those days.

And on the right my disreputable old car, covered in lichen, cobwebs, mud, cow dung and thin, very weathered paint.  Years ago I worked, looked at birds and photographed in often desolate and remote areas, areas where my life might depend on the reliability of my vehicle, and ever since then I have never bothered in the slightest about vehicles’ appearance, but always insisted on absolutely thorough maintenance and servicing.  Reliability, for me, is always the name of the game.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again – recommended.

Technique: Z 6 with 70-300 Nikkor lens at 70mm; 3200 ISO; Lightroom, starting at the Camera Graphite profile; Jack’s Drove on Tadham Moor, on the Somerset Levels south of Wedmore; 15 Nov 2019.

About Adrian Lewis
Photographer working in monochrome, colour and combinations of the two - with a great liking for many types of subject, including Minimalism, landscapes, abstracts, soft colour, people, movement, nature - I like to be adventurous in my photography, trying new ideas and working in many genres. And I'm fond of Full English Breakfasts and Duvel golden ale, though not necessarily together.


  1. Meanderer says:

    I love the patches of light and the way your headlight lines up with the rhyne 🙂


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