Using a long telephoto close in to pick out details, to look at just parts of the cars; and then reducing both Texture and Clarity in Lightroom to unnaturally smooth the metallic surfaces.  Using long telephotos at close range can have creative potential over a wide range of subjects/genres.

There are earlier images in this Parked Car series here: 1 2 .

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: Z 6 with 70-300 Nikkor lens at 300mm; 1600 ISO; Lightroom, starting at the Camera Vivid v2 profile; beside Temple Meads railway station, in central Bristol; 10 May 2019.

About Adrian Lewis
Photographer working in monochrome, colour and combinations of the two - with a great liking for many types of subject, including Minimalism, landscapes, abstracts, soft colour, people, movement, nature - I like to be adventurous in my photography, trying new ideas and working in many genres. And I'm fond of Full English Breakfasts and Duvel golden ale, though not necessarily together.

4 Responses to BRISTOL 149 – PARKED CAR 3

  1. Very nice rendition of form and color.


  2. oneowner says:

    Nice technique for isolating detail.


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