OUTER SUBURBS 72 – PATH THROUGH MODERN HOUSING 6

 

 


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Another functional and not unattractive pathway through modern housing, and something very different from the previous one.  Unusually for me, colour and mono images here – for me the black and white gets it – and I think its worth enlarging >>> click onto it to open a larger version in a separate window, and click onto that image to enlarge it yet again.

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Earlier pictures of a paths through modern housing are here: 1 2 3 4 5 .  Each will open in a separate window.

The first image in the Outer Suburbs series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 53a 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 .  Each will open in a separate window.

Technique: TG-5 at 25mm (equiv); Lightroom, using the Camera Vivid film simulation; Silver Efex Pro 2, starting at the High Contrast Orange preset and adding a light Coffee tone; south Bristol; Jan & Feb 2019.
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About Adrian Lewis
Photographer working in monochrome, colour and combinations of the two - with a great liking for all sorts of images, including Minimalism, landscapes, abstracts, soft colour, people, movement, nature - I like to be adventurous in my photography, trying new ideas and working in many genres. And I'm fond of Full English Breakfasts and Duvel golden ale, though not necessarily together.

6 Responses to OUTER SUBURBS 72 – PATH THROUGH MODERN HOUSING 6

  1. bluebrightly says:

    I prefer the black and white too – for the grit and in fact, for the way the leafy hedge spilling over the fence at the end is highlighted, offering promise….really not quite so dreary after all.

    Like

  2. Meanderer says:

    I like both versions. The b&w version is strong and hard: my eyes follow the hard lines of the brickwork on the left all the way to the window of the house facing. The colour version is pleasingly soft and ‘kind’ and has a vintage feel to it – somewhere from the 1960s or 70s – like looking at it through rose-tinted specs. I like your processing of both which evokes different feelings for each.

    Like

    • Adrian Lewis says:

      M, its always good hearing from you, and I’m very grateful for your thoughts about these two pictures. I’m with you with the b/w, its hard, and all the lines take me down to that house facing us at the end. Your thoughts about the colour version are totally new to me, quite a revelation >>> and its always good getting those, always good learning about others’ viewpoints >>> thank you!!! 🙂 🙂 🙂

      Like

  3. paula graham says:

    The black and white version, for me has the most ‘drama’..for sure , I love your ability to make something out of so little that most would ignore.

    Like

    • Adrian Lewis says:

      I’m so glad you like this, my friend, thank you; these paths through housing get to me – but they may be an acquired taste for others, I don’t know, but I certainly value your views highly.

      Something out of nothing, as you know its a question of really looking and seeing; and of course digital post processing helps matters no end >>> we must get together for photo sessions. I’m a solitary photographer, but it was very interesting and very different walking around with you seeing pictures here, there and everywhere. 🙂

      Like

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