A very muted winter sunrise, and the view from Tealham Moor towards the iconic landmark of Glastonbury Tor, topped by its ruined church tower.

What can we see?  The water-filled ditch in the foreground is known locally as a rhyne (rhymes with seen); rhynes pervade this wet landscape, and act as liquid fences to the fields.  Follow the line of the rhyne off into the distance and, just right of where it disappears, are two Mute Swans, visible only as two white dots, and these great white birds pervade this landscape too.

And, as already mentioned, off at top right is Glastonbury, instantly recognisable by its Tor.  When these wet flatlands were actually lakes and marshes, the high ground of Glastonbury was an island.  The Romans had a harbour there: Glastonbury is 14 or more miles inland now, but in those far off times seagoing ships could still reach it.  And in addition to its world famous pop music festival, it is the centre of a vast mythology which, amongst other things, encompasses King Arthur, the Knights of the Round Table, the Holy Grail, the Isle of Avalon and other medieval stories.  I dearly wish that each and every one of the Glastonbury legends were true, that would truly be wonderful, and so it saddens me that I cannot find it within myself to believe them.  That said, this small town really is a unique place, and I feel very fortunate in not living far from it.

And finally, if you look very carefully, you’ll see a line of tall electricity pylons marching across the horizon, on either side of Glastonbury’s high ground – evidence that, here, we are not that far from the Hinkley Point nuclear power station, which is something somehow highly incongruous in this flat, quiet, peaceful landscape.

Composition: the bright line of the rhyne takes my eye straight up to the top left of the frame, and less prominent pale and dark, horizontal lines come across the frame (just below the Tor) from the right margin to meet the rhyne’s vanishing point.  Hence everything drags my eye to upper left, but the Tor is such a strong feature (to me, a local, at least) that my eye swings to upper right too, so that there is a dynamic here.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T2 with 55-200 Fujinon lens at 143mm (equiv); 6400 ISO; Lightroom, using the Velvia/Vivid film simulation; Tealham Moor, on the Somerset Levels; 11 Jan 2019.

About Adrian Lewis
Photographer working in monochrome, colour and combinations of the two - with a great liking for many types of subject, including Minimalism, landscapes, abstracts, soft colour, people, movement, nature - I like to be adventurous in my photography, trying new ideas and working in many genres. And I'm fond of Full English Breakfasts and Duvel golden ale, though not necessarily together.


  1. bluebrightly says:

    Such beautiful color….and I enjoyed the text, which rounds out the experience of the image.


    • Adrian Lewis says:

      Glad the colour gets to you, Lynn – early morning, although sometimes a strain!, is wonderful. The Levels are full of interest and history. And I’m off for a blood test, and so cannot have my morning cups of tea!!!! 🙂 🙂 🙂

      Liked by 1 person

  2. I see—and enjoy—everything radiating from the vanishing point. Colors are lovely, too.


  3. Meanderer says:

    My eye went straight to the Tor, also. Wonderfully atmospheric, Adrian.


  4. Stella says:

    It may be muted, but it’s really very beautiful.


  5. Beautiful, bud.


  6. ‘Liquid fences’ has a nice lilt to it. Wonderful photo and interesting post.


  7. paula graham says:

    Yea…I know that view…gorgeous colours. I am looking forward to cycling around the levels.


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