I’m very much feeling my way forwards with this new Outer Suburbs project.  There seems to be the distinct opportunity to become totally immersed in moody black and white, but I want to do some (at times very saturated) colour too.  The project may be stretching me a bit, or at least making me think about things in different ways, which has to be a plus.  One or two things about the actual photography are mentioned below.


Early morning shower

Much of this photography looks at details, and for this reason I am at the moment favouring the flat and dull light of overcast days, days when the only shadows are those underneath parked cars.  This is very different from my usual photography, where I often look for dramatic, directional lighting and then decide what to do with it.  The TG-5’s metering works well with this type of overcast light shot, and I’m getting more used to using the non-articulated screen.  Also this little camera remains completely out of sight on my trouser pocket, and is eminently easy to carry around.  The 25mm-100mm (equivalent) zoom range works very well with the types of subject I’m looking at here – though I have to admit to missing my habitual 300mm at times!

Most of my current subjects are static; I’m not sure how well the TG-5 will handle movement – but this may simply reflect my lack of expertise with the camera.

Also (OMG!!!) I’m using Lightroom instead of Silver Efex Pro 2 for some of the black and white!  That this would not long ago have been heresy probably reflects a certain snobbishness on my part, but if I can achieve something workable with LR, I’ll sometimes use it.  I’m using LR in a slightly more radical / extreme way, and with the mono I’m conscious of time-saving, which may not be a good attitude to cultivate.

The first image in this series, with context, is here: 1 .  Subsequent images are here: 2 3 4 5 6 7 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to further enlarge it.

Technique: TG-5 at 38mm (equiv); 800 ISO; Lightroom, using the Camera Vivid film simulation; south Bristol; 18 Aug 2018.



About Adrian Lewis
Photographer working in monochrome, colour and combinations of the two - with a great liking for many types of subject, including Minimalism, landscapes, abstracts, soft colour, people, movement, nature - I like to be adventurous in my photography, trying new ideas and working in many genres. And I'm fond of Full English Breakfasts and Duvel golden ale, though not necessarily together.


  1. Sallyann says:

    I find I’m enjoying this new series of yours, it’s a bit like riding on the top level of a double decker bus looking down into people’s gardens, or browsing estate agent photos online.
    Whether intentional or not, we each stamp our own little bit of character onto our immediate surroundings, and the materials for an active imagination are limitless. 😊 😊


  2. bluebrightly says:

    A plus, yes. I like the “field” of red here, it really works. Nothing wrong with using LR for the monochromes, if it works. 🙂


    • Adrian Lewis says:

      No, there’s nothing wrong with using LR for mono, its probably partly snobbery on my part – but, on the other hand, SEP2 is just so darned good that it commands a good deal of loyalty in my simple soul!!! 🙂


  3. paula graham says:

    Not a car by any chance, I thought when I opened the page…YES, must be and it is!! Beautiful and dramatic.


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