PEOPLE 330 – GOING TO WORK 62

 

 


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Early morning on the main road in from the south.

To me, this image has a distinctly hard, cold, ruthless feel, to me there is almost a soulless malevolence here.  Thinking back to the Terminator films, is this The Rise Of The Machines???

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 6400 ISO; Lightroom, using the Astia/Soft film simulation; Temple Gate, Bristol; 2 Feb 2018.

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About Adrian Lewis
Photographer working in monochrome, colour and combinations of the two - with a great liking for all sorts of images, including Minimalism, landscapes, abstracts, soft colour, people, movement, nature - I like to be adventurous in my photography, trying new ideas and working in many genres. And I'm fond of Full English Breakfasts and Duvel golden ale, though not necessarily together.

6 Responses to PEOPLE 330 – GOING TO WORK 62

  1. bluebrightly says:

    I like the foreshortening that happens – it’s perfect for the subject and composition.

    Like

    • Adrian Lewis says:

      Wow, what a lot of Comments this Sunday morning!!! >>> EXTREMELY good to get them!!! Glad you like the pic – the numbers of shots I take at around 300mm are vast, and this is a crop so the effect is increased – I’m a great fan of Terminator 2, and this brings it to mind. Wonderful to hear about your journey to the south. A 🙂

      Like

  2. paula graham says:

    Great threesome in this otherwise telling shot of going to work in your thousands : horrid smells, bumper to bumper traffic..enough to give anyone a nervous breakdown. Well shot.

    Like

  3. Elan Mudrow says:

    Yes, I see what you mean by soulless.

    Like

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