This is obviously not a representation of reality – or, if it is, then maybe you shouldn’t be thinking of Bristol for your holiday this year ….

What’s here?  Well, spot metering for the highlights has produced a low key image, and this effect has been enhanced by further darkening during toned black and white processing.  What was in reality a clear, sunny morning has been converted into something less comfortable – we are conditioned to be afraid of the dark, right?

The huge, backlit double-decker buses, their headlights on, tower above people walking passively – perhaps even hypnotically – towards them, while the Tin Type tone spreads its cold, lifeless glow through the highlights.

The more I look at this picture the more it has an apocalyptic feel.  Just what is this – the End Of Days?  Some appalling human cleansing operation?  Just where are these vast metal and glass machines carrying these people off to?  Have Bristol’s retail emporia finally emptied of merchandise in the run up to Christmas, and are these the Lemming Specials that take shoppers on cold turkey to the nearest precipitous cliffs???  >>> LOL! >>> sheer fantasy! >>> the churnings of an over active mind! >>>  but then that’s what photography – and especially black and white – can do for you.

Earlier images from this series can be found here: 1, 2, 3, 45, 6, 7, 8, 9, 10, 11, 1213, 14, 15, 16, 17, 18, 19, 20, 21, 22, 2324, 25, 26, 27, 28,  29, 30,  31,  32, 33  34  35  36 37  38 39 40 41 42 43 44 45  46 .  Each will open in a separate window.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it further – recommended.

Technique: X-T1 with 55-200 Fujinon lens at 305mm (equiv); spot metering; 200 ISO; Lightroom; Silver Efex Pro 2,  starting at the Tin Type preset; Broad Quay, central Bristol; 11 Nov 2016.

About Adrian Lewis
Photographer working in monochrome, colour and combinations of the two - with a great liking for many types of subject, including Minimalism, landscapes, abstracts, soft colour, people, movement, nature - I like to be adventurous in my photography, trying new ideas and working in many genres. And I'm fond of Full English Breakfasts and Duvel golden ale, though not necessarily together.

10 Responses to PEOPLE 313 – GOING TO WORK 47: APOCALYPSE (MONO)

  1. wow, excellent, Adrian! So intense… …how every one of the shapes tell its story.


  2. Meanderer says:

    I like your imagination and love the processing again!


  3. A striking photograph and edgy as well.


  4. bluebrightly says:

    You’re right, it could be apocalyptic, and maybe you missed a calling in cinema….the processing is such an interesting way to go with this.


  5. paula graham says: the sense of drama in your photo…


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