Chaos, close in, with a wide angle lens: raindrops on the bonnet, blown highlights, saturated colours and a cavalier disregard for the horizontal.

Click onto the image to open a larger version in a separate window, and click onto that image to enlarge it yet again.

Technique: X-T2 with 10-24 Fujinon lens at 36mm (equiv); 200 ISO; Lightroom, using the Velvia/Vivid film simulation; Color Efex Pro 4; Capture NX2; outside Hart’s Bakery, Temple Meads, Bristol; 28 Apr 2017.

About Adrian Lewis
Photographer - using mono, colour and combinations of the two - many types of subject, including Minimalism, landscapes, abstracts, soft colour, people, movement, nature - I like to be adventurous, trying new ideas, working in multiple genres. And I've a weakness for Full English Breakfasts and Duvel golden ale, though not necessarily together.

6 Responses to STILL LIFE 133 – WHITE GLOVE

  1. paula graham says:

    The sight of the right type of car is certainly proving to be a big turn on for your artistic capabilities, my friend. Another one to prove this statement correct!


    • Adrian Lewis says:

      Yes, I often look at cars, moving around them, looking at how the light is hitting them – and they’re very good sitters, posing nicely and not moving a muscle! 😉


  2. Val says:

    Great photo. Took me a while to see the white glove though as I was distracted by the gleam on the car bodywork. 🙂


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