As so often happens, a grab shot – time for only one, very quick shot –  as passing traffic momentarily slowed down.  Luckily I had the camera set to spot metering linked to the active autofocus point, something I’m using quite a lot at the moment.  And the telephoto zoom was fully extended.  I just raised the camera to my eye, it found focus on her hand almost instantaneously, and I fired.

What do I think about this image?  Well, a passing soul, a passing someone, a stranger to me as I am to her, someone going somewhere.  But now, I suppose, part of a design, resting her fingers upon – or is she helping support?! – a curving metallic blueness set in a photographically enhanced darkness.  And if I could produce more such images, of beings in artificial, abstract realities, I would.

Click onto the image to open a larger version in a separate window, and click onto this enlarged image to enlarge it yet again.

Technique: X-T2 with 55-200 Fujinon lens at 305mm (equiv); 800 ISO; Lightroom, including the Classic Chrome film simulation; Park Street, central Bristol; 7 Apr 2017.

About Adrian Lewis
Photographer working in monochrome, colour and combinations of the two - with a great liking for all sorts of images, including Minimalism, landscapes, abstracts, soft colour, people, movement, nature - I like to be adventurous in my photography, trying new ideas and working in many genres. And I'm fond of Full English Breakfasts and Duvel golden ale, though not necessarily together.


  1. bluebrightly says:

    I like this a lot, and I like hearing how it happened. Camera at the ready! Perfect! 😉


  2. paula graham says:

    Could be slightly creepy!! Y’r venturing into the realm of surrealism, my friend.


    • Adrian Lewis says:

      Maybe I am – I hope so! And so to another possibility – apart from the car’s roof, is this hand attached to anything?! Or is it just … hanging there …? You’d better have a stiff drink … 🙂


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